Bibliography
The bibliography is organized in the following sections:
- Artist’s Writings and Statements
- Interviews
- Books, Exhibition Catalogues and Brochures, Essays, and Dissertations
- Articles in Newspapers and Periodicals
- Further Reading
ARTIST’S WRITINGS AND STATEMENTS
1958
Statement in “Is Today’s Artist With or Against the Past?” Artnews 57, no. 4 (Summer 1958), pp. 46, 56.
1959
“How Important Is the Surface to Design?: Robert Rauschenberg; An Artist Explains.” Print (New York) 13, no. 1 (January–February 1959), p. 31.
Statement in Contemporary American Painting and Sculpture, p. 258. Urbana: University of Illinois Press, 1959. Exhibition catalogue.
Statement in Sixteen Americans, edited by Dorothy C. Miller, p. 58. New York: Museum of Modern Art, 1959. Exhibition catalogue.
1962
Statement in 4 Amerikanare: Jasper Johns, Alfred Leslie, Robert Rauschenberg, Richard Stankiewicz, edited by K. G. [Pontus] Hultén, p. 38. Stockholm: Moderna Museet, 1962. Exhibition catalogue.
1963
“Note on Painting, Oct. 31–Nov. 2, 1963.” SAC Journal (Tokyo), no. 34 (December 1963), n.p.
“Random Order.” Location (New York) 1, no. 1 (Spring 1963), pp. 27–31.
1964
“Öyvind Fahlström” [October 1961]. Art and Literature (Lausanne, Switzerland), no. 3 (Autumn–Winter 1964), p. 219.
1965
Statement in Pop Art: Eine kritische Information, by Rolf-Günter Dienst, p. 117. Translated by Marguerite Schlüter. Wiesbaden, Germany: Limes, 1965.
1966
Statement in “The Lyons Den,” by Leonard Lyons. Baltimore Sun, January 5, 1966, sec. B, p. 6.
1967
“Books: Inside the Endless House, ‘An Invitation to Be Lovable.’” Vogue 149, no. 5 (March 1967), p. 111.
Statement in Art in Process: The Visual Development of a Collage, edited by Elayne H. Varian, n.p. New York: Finch College Museum of Art, 1967. Exhibition catalogue.
Statement in “How Painters Paint America,” by Bob Ganley. New York Times, May 21, 1967, sec. D, p. 23.
1968
Statement [February 1968] in “Robert Rauschenberg: Soundings.” Members Newsletter (Museum of Modern Art, New York), no. 1 (October 1968), n.p.
Statement in “The Arts and the Critic.” Grinnell Magazine (Grinnell College, Iowa) 1, no. 3 (Summer 1968), pp. 33–34.
1969
“Autobiography.” In Rauschenberg, by Andrew Forge, pp. 225–29. New York: Harry N. Abrams, [1969].
“Notes on Stoned Moon Lithographic Project (Oct. 28, 1969).” Studio International 178, no. 917 (December 1969), cover, pp. 246–47.
Statement in Art Now: New York 1, no. 5 (May 1969), n.p.
Statement in “Eating into Art,” by Alain Hervé. Réalités (Paris), no. 225 (August 1969), pp. 52, 54.
1970
“Introduction.” In Rauschenberg Currents, n.p. Minneapolis: Dayton’s Gallery 12; New York, Castelli Graphics, 1970. Exhibition catalogue.
Statement in “Dance Magazine Awards: Recognition of a World Community.” Dance Magazine 44, no. 8 (August 1970), p. 59.
Statement [1970] in “What Is Content?: Notes Toward an Answer,” by Douglas Davis. Artforum 12, no. 2 (October 1973), p. 60.
“Work Notes—1962.” In “Introduction,” by Edward A. Foster, in Robert Rauschenberg: Prints 1948/1970, n.p. Minneapolis: Minneapolis Institute of Arts, 1970. Exhibition catalogue.
1971
“Note: Cardbirds.” In Rauschenberg: Cardbirds. Los Angeles: Gemini G.E.L, 1971. Exhibition brochure.
1973
Statements in “History.” In Prints from the Untitled Press, Captiva, Florida, by Jack Cowart and James Elliott, pp. 5–6. Hartford, Conn.: Wadsworth Atheneum, 1973. Exhibition catalogue.
Statement in Marcel Duchamp, edited by Anne d’Harnoncourt and Kynaston McShine, p. 217. New York: Museum of Modern Art; Philadelphia: Philadelphia Museum of Art, 1973. Exhibition catalogue.
Statement [1970] in “Robert Rauschenberg: Technology as Nature,” by Douglas Davis. In Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology and Art, by Douglas Davis, p. 144. New York: Praeger, 1973.
1975
Statement [October 4, 1974] in Merce Cunningham, edited by James Klosty, p. 83. New York: Saturday Review Press, 1975.
1977
Statement [February 26, 1976] in “To and About Robert Rauschenberg,” by Philip Smith. Arts Magazine (New York) 51, no. 7 (March 1977), p. 121.
Statement in “The 20th-Century Artists Most Admired by Other Artists,” by Grace Glueck. Artnews 76, no. 9 (November 1977), pp. 95–97.
Statement in Twelve Americans: Masters of Collage, n.p. New York: Andrew Crispo Gallery, 1977. Exhibition catalogue.
Statement in “White in Art Is White?” Print Collector’s Newsletter 8, no. 1 (March–April 1977), p. 3.
1978
Statement in “Touching Moonlight,” by Judith Goldman. Artnews 77, no. 9 (November 1978), p. 63.
1979
Contribution to “What Is Your Favorite Photograph?: 13 Celebs Searched Their Souls—and Files.” People 12, no. 26 (December 24, 1979), p. 120.
Statement in “Paper in Transition,” by Gerrit Henry. Print Collector’s Newsletter 10, no. 3 (July–August 1979), p. 84.
Statement in “Paradigms, Watersheds and Frosting on the Cake,” by Grace Glueck. Artnews 78, no. 8 (October 1979), p. 202.
1980
Letter to Ellen Sharp on cliché-verre [June 27, 1980]. Printable News (Detroit Institute of Arts), December 1980, p. 5.
Statement in “Campaign Spending Loophole Makes Artists New Power Brokers,” by Richard Turner. Los Angeles Herald Examiner, June 2, 1980, sec. A, p. 3.
Statement in “How Picasso’s Vision Affects American Artists,” by Grace Glueck. New York Times, June 22, 1980, sec. 2, p. 25.
Statement in “The Painters’ Word: 39 Lofty Views on Picasso.” SoHo Weekly News (New York), May 21–27, 1980, p. 13.
1981
Klüver, Billy, and Robert Rauschenberg. “Art en mouvement: Souvenirs conjugués/Kunst in beweging: Een gekombineerde herinnering.” In Le Moderna Museet de Stockholm à Bruxelles/Het Moderna Museet Van Stockholm te Brussel, edited by Olle Granath and Monica Nieckels, pp. 35–40. Brussels: Société des Expositions, 1981. Exhibition catalogue. Reprinted as “Art in Motion—A Combined Memory.” Konsthistorisk tidskrift/Journal of Art History (Stockholm) 76, nos. 1–2 (2007), pp. 114–18.
Statement in Photos In + Out City Limits: Boston, by [Robert] Rauschenberg. West Islip, N.Y.: Universal Limited Art Editions, 1981. Exhibition catalogue.
Statement in “Trans World: Rauschenberg at the Tate.” Horizon 24, no. 5 (May 1981), p. 15.
Statement [January 11, 1981] in Robert Rauschenberg: Photographs. New York: Pantheon Books, 1981. Exhibition catalogue.
1982
Statement in “A Trisha Brown–Robert Rauschenberg Collage,” by David Sears. Ballet Review 10, no. 3 (Fall 1982), pp. 47–51.
1984
Statement [February 1, 1984] in Rauschenberg, n.p. Basel: Galerie Beyeler, 1984. Exhibition catalogue.
Statement in Artists Design Furniture, by Denise Domergue, p. 131. New York: Harry N. Abrams, 1984.
Statement in “If You Had Your Fondest Wishes for the Arts.” New York Times, January 1, 1984, sec. 2, p. 16.
1985
“Manifesto.” In El soñado mundo de Rauschenberg: ROCI [Mexico], p. 4. West Islip, N.Y.: Universal Limited Art Editions, 1975. Exhibition brochure.
1986
Statement in Artists Observed, by Harvey Stein, p. 158. New York: Harry N. Abrams, 1986.
Statement [May 1, 1986] in Beuys zu Ehren: Drawings, Sculptures, Objects, Vitrines, and the Environment “Show your wound” by Joseph Beuys; Paintings, Sculptures, Drawings, Watercolors, Environments and Video Installations by 70 Artists, edited by Armin Zweite, p. 478. Munich: Städtische Galerie im Lenbachhaus, 1986. Exhibition catalogue.
1987
Statement in A Tribute to John Cage, edited by Alan Kaprow, p. 34a. Cincinnati: Carl Solway Gallery, 1987. Exhibition catalogue.
Statement in Hearings before the Committee on the Judiciary, United States Senate, One Hundredth Congress, First Session, on the Nomination of Robert H. Bork to Be Associate Justice of the Supreme Court of the United States, pt. 2 of 3, pp. 592–694 passim. Washington, D.C.: U.S. Government Printing Office, 1987.
Statement in The International Art Show for the End of World Hunger, p. 32. New York: Artists to End Hunger, 1987. Exhibition catalogue.
1988
Statements in “That Collaborative Itch,” by Craig Bromberg. Artnews 87, no. 9 (November 1988), p. 162.
1989
Statement in “A Collective Portrait of Andy Warhol.” In Andy Warhol: A Retrospective, edited by Kynaston McShine, p. 429. New York: Museum of Modern Art, 1989. Exhibition catalogue.
Statement in “Cube Roots,” by Dodie Kazanjian. Vogue 179, no. 9 (September 1989), p. 709.
Statement in “What Is Pornography?” Artnews 88, no. 8 (October 1989), pp. 138–43.
Statement in “Willem de Kooning,” in “Willem de Kooning, on His Eighty-Fifth Birthday.” Special issue, Art Journal 48, no. 3 (Fall 1989), p. 232.
1991
Statement in “Conservation of Matter: Robert Rauschenberg’s Art of Acceptance,” by Donald J. Saff. Aperture, no. 125 (Fall 1991), p. 26.
“Tobago Statement” [October 22, 1984]. In ROCI: Rauschenberg Overseas Culture Interchange, p. 154. Washington, D.C.: National Gallery of Art; Munich: Prestel, 1991. Exhibition catalogue.
1992
“Aquiloni: Kites.” Abitare (Milan), no. 305 (March 1992), pp. 205–9. In English and Italian.
Statement in Terrae Motus alla Reggia di Caserta: Guida alla collezione, edited by Jan Wagner, p. 132. Naples: Electa Napoli; Guida, 1992. In Italian.
Statements in “The Art of Assemblage: A Symposium (1961).” Transcript edited by Joseph Ruzicka. In Essays on Assemblage, edited by John Elderfield, pp. 124–58 passim. New York: Museum of Modern Art, 1992.
1993
“Message from the Second Hiroshima Art Prize Winner.” In Robert Rauschenberg: The 2nd Hiroshima Art Prize, pp. 10–11. Hiroshima: Hiroshima City Museum of Contemporary Art, 1993. Exhibition catalogue.
Statement in New York on Paper: Drawings, Watercolors, Collages, p. 1. Basel: Galerie Beyeler, 1993. Exhibition brochure.
1996
Statement in “Genius Envy,” by Thyrza Nichols Goodeve. Artforum 35, no. 3 (November 1996), p. 10.
1997
“Haywire—Durcheinander: In Erinnerung an das Leben und die Liebe, für Bill de Kooning.” Süddeutsche Zeitung (Munich), March 21, 1997, p. 13.
“Seen of the Crime.” Grand Street, no. 62 (Fall 1997), p. 21.
1998
Statement in “Humanitarian, Patron of the Arts de Menil, 89, Dies.” Houston Chronicle, January 1, 1998, sec. A, p. 20.
1999
“About My Paintings.” In Rauschenberg: Anagrams (A Pun), n.p. New York: Pace Wildenstein, 1999. Exhibition catalogue.
“Acceptance [of Gold Medal for Painting] by Robert Rauschenberg.” Proceedings of the American Academy of Arts and Letters, 2nd series, no. 50 (1999), p. 64.
Statement in “Indelible Memories.” American Photo 10, no. 6 (November–December 1999), p. 82.
2001
“Short Stories—2K+1, You Are the Author.” In Robert Rauschenberg: Short Stories, n.p. Zurich: Galerie Jamileh Weber, 2001. Exhibition catalogue.
2003
“James Rosenquist.” Artforum 42, no. 2 (October 2003), p. 131.
2011
“Half in Jest/Half Unjust” [ca. 1960] and letter to Philip Pavia [ca. 1960]. In “Lost and Found,” by Catherine Craft. Art in America 99, no. 10 (November 2011), pp. 145–53.
1961
Parinaud, André. “Un ‘misfit’ de la peinture new-yorkaise se confesse.” Arts (Paris), no. 821 (May 10, 1961), p. 18.
1963
Jouffroy, Alain, and Robert Rauschenberg. “Barge.” Quadrum (Brussels), no. 15 (1963), pp. 99–106.
1965
Tōno, Yoshiaki. [Pop art and myself: An interview with Rauschenberg]. Geijutsu shinchō 16, no. 2 (February 1965), pp. 58–61. In Japanese.
1966
Moyano, Maricla. “Pop: Interviews with Artist Robert Rauschenberg, Choreographer Yvonne Rainer and Composer John Cage in Washington Last Month for the NOW Festival.” Washington Post Potomac, June 5, 1966, pp. 26–34.
Seckler, Dorothy Gees. “The Artist Speaks: Robert Rauschenberg.” Photographs by Ugo Mulas. Art in America 54, no. 3 (May–June 1966), cover, pp. 72–84.
1967
Amaral, Aracy. “Rauschenberg por nova arte integrada.” O Estado de S. Paulo, September 27, 1967, p. 12.
Fatt, Amelia. “Designers for the Dance, Part III.” Dance Magazine 41 (April 1967), p. 57.
1968
Barbu, Eugen. “Convorbire cu Robert Rauschenberg.” Luceafărul (Bucharest), January 20, 1968.
“Non dipingo, combino soltanto le cose: Conversazione con Robert Rauschenberg.” La fiera letteraria 43, no. 49 (December 5, 1968), cover, pp. 2–4.
Van Garrel, Betty. “De toekomst van de kunst.” Haagse (The Hague) Post, March 3, 1968, pp. 20–21.
Kostelanetz, Richard. “A Conversation with Robert Rauschenberg.” Partisan Review 35, no. 1 (Winter 1968), pp. 92–106.
Sorin, Raphaël. “Robert Rauschenberg.” La quinzaine littéraire, no. 60 (November 1, 1968).
Wijers, Louwrien. “Robert Rauschenberg: Citaten uit interview gezegd op 2 februari 1968.” Museumjournaal 13, no. 3 (1968), pp. 146–48.
1969
Parinaud, André. “Un’intervista con Rauschenberg.” Le Arti (Milan) 19, nos. 1–2 (January–February 1969), pp. 25–26.
1973
Lebeer, Irmeline. “Entretien avec Robert Rauschenberg.” Chroniques de l’art vivant, no. 43 (October 1973), pp. 15–18.
1974
Jouffroy, Alain. “Robert Rauschenberg: Où en êtes-vous avec le temps?” Zoom (Paris), no. 23 (March–April 1974), pp. 61–67.
Young, Joseph E. “Pages and Fuses: An Extended View of Robert Rauschenberg.” Print Collector’s Newsletter (New York) 5, no. 2 (May–June 1974), pp. 25–30.
1976
Ballatore, Sandy. “The Mid-Seventies Rauschenberg: For the Joy of It.” Artweek 7, no. 30 (September 11, 1976), pp. 1, 16.
Chieco, Giuseppe. “Dai Combine paintings ai Jammers.” Le Arti (Milan) 26, no. 3 (March 1976), pp. 47–50.
Forgey, Benjamin. “He’s Pushing Equal Rights for Artists.” Washington Star, November 5, 1976, sec. A, pp. 1, 6.
McKendry, Maxime de la Falaise. “Robert Rauschenberg Talks to Maxime de la Falaise McKendry.” Interview 6, no. 5 (May 1976), pp. 34, 36.
1977
Gruen, John. “Robert Rauschenberg: An Audience of One.” Artnews 76, no. 2 (February 1977), pp. 44–48.
Scavullo, Francesco. “Robert Rauschenberg.” In Scavullo on Men, by Francesco Scavullo with Bob Colacello and Séan Byrnes, pp. 156–59. New York: Random House, 1977.
1978
“Vancouver: A Conversation Between Robert Rauschenberg and Arthur Perry.” Artmagazine 10, no. 41 (November–December 1978), pp. 31–35.
1979
Diamonstein, Barbaralee. “Robert Rauschenberg and Leo Castelli.” In Inside New York’s Art World, by Barbaralee Diamonstein, pp. 305–15. New York: Rizzoli, 1979.
Sutinen, Paul. “An Interview with the Artist.” Willamette Week (Portland, Ore.), April 23, 1979, pp. 9, 11.
1980
Harmel, Mark. “Rauschenberg.” Sanibel-Captiva (Fla.) Islander, April 15, 1980, sec. B, pp. 1–4.
1981
Eliopoulou-Rogan, Dora. [Rauschenberg: The artist with infinite possibilities]. Kathimerini (Athens), August 23–24, 1981, p. 13. In Greek.
Garrels, Gary. “An Interview with Robert Rauschenberg.” Art New England 2, no. 10 (November 1981), p. 3.
Sayag, Alain. “Interview with Robert Rauschenberg” [January 9, 1981]. In Robert Rauschenberg: Photographs. New York: Pantheon Books, 1981. Exhibition catalogue.
Transcript of interview [ca. 1963], edited by Billy Klüver, in On Record: Eleven Artists 1963, by Billy Klüver, pp. 40–45. New York: Experiments in Art and Technology, 1981.
Weiss, Marjorie. “Lowcountry Through the Eyes of an Artist.” News and Courier-Evening Post (Charleston, S.C.), November 8, 1981, sec. E, p. 3.
1982
Artner, Alan G. “Rauschenberg: Collaborating Again, then Off to See the World.” Chicago Tribune, November 14, 1982, sec. 6, pp. 22–23.
Millet, Catherine, and Myriam Solomon. “Robert Rauschenberg à travers le monde.” Art Press (Paris), no. 65 (December 1982), pp. 4–7.
Sercey, Arnaud de. “Rauschenberg: Photographe.” Arts (Paris), no. 62 (April 23, 1982), p. 3.
1983
Raedeke, Paul. “Interview with Rauschenberg.” Photo Metro 2, no. 13 (October 1983), pp. 16–17.
Smecchia, Muni de. “Gli artisti nel loro studio: Robert Rauschenberg.” Vogue Italia, February 1983, pp. 402–7.
1984
Eldridge, John. “One Big Painter.” Miami News, May 4, 1984, sec. C, pp. 1, 10.
Huser, France. “L’homme de Captiva Island.” Le nouvel Observateur (Paris), no. 1020 (May 25, 1984), pp. 90–91.
Shewey, Don. “‘We Collaborated by Postcards’: An Interview with Robert Rauschenberg.” Theatre Crafts 18, no. 4 (April 1984), pp. 36–38, 72–75.
Tōno, Yoshiaki. [Robert Rauschenberg]. In [Chatting with Artists], pp. 155–86. Tokyo: Iwanami Shoten, 1984. In Japanese.
1985
Black, L. D. “Robert Rauschenberg.” Splash (Sarasota, Fla.), May 1985, cover, pp. 24–28.
Sommer, Waldemar. “Rauschenberg, el gozo creador.” La Prensa (Santiago, Chile), August 23, 1985, sec. B, p. 1.
1986
Bonesteel, Michael. “Art Press Review” [on Ted Koppel’s interview of Rauschenberg on ABC’s Nightline, August 9, 1985].” New Art Examiner (Chicago) 13, no. 9 (May 1986), pp. 15–16.
Lin, Wendy. “The Boy from Port Arthur.” Art and Antiques 19, no. 4 (February 1986), p. 60.
Rauschenberg, Robert, and Yoshiaki Tōno. [Tying work to elephants: About the ROCI project]. In ROCI: Rauschenberg Overseas Culture Interchange [Japan], pp. 7–11 Tokyo: Setagaya Museum of Art, 1986. Exhibition catalogue. In Japanese.
1987
Bashaw, Maureen. “Artist Spills His ‘Gluts.’” Fort Myers (Fla.) News-Press, March 26, 1987, sec. D, pp. 1, 9.
“Intervista con Michele Bonuomo.” In Rauschenberg, n.p. Naples: Lucio Amelio, 1987. Exhibition brochure.
Rose, Barbara. Rauschenberg. New York: Vintage Books, 1987.
1988
“Rauschenberg Responds: ‘Quarter Mile Project’ Controversy at Met.” Cover 2, no. 1 (February 1988), p. 7.
1989
“Art Is the Way to Mutual Understanding.” Iskusstvo (Moscow), June 1989, p. 52.
1990
Daix, Pierre. “Gommer, c’est encore peindre.” In Robert Rauschenberg, pp. 67–69. Paris: Galerie Fabien Boulakia; Le Dernier Terrain Vague (DTV), 1990. Exhibition catalogue.
Fishman, Ted C. “The Eyes of Texas.” Newcity (Chicago), October 25, 1990.
“Robert Rauschenberg” [September 13, 1989]. In Art Meets Science and Spirituality in a Changing Economy, edited by Caroline Tisdall, Louwrien Wijers, and Ike Kamphof, pp. 38–47. The Hague: SDU, 1990.
Taylor, Paul. “Robert Rauschenberg.” Interview 20, no. 12 (December 1990), pp. 142–47.
1991
Maxwell, Douglas. “Rauschenberg.” Art Line 5, no. 4 (March–April 1991), cover, pp. 8–14.
Saff, Donald. “A Conversation About Art and ROCI.” In ROCI: Rauschenberg Overseas Culture Interchange, pp. 155–79. Washington, D.C.: National Gallery of Art, Munich: Prestel, 1991. Exhibition catalogue.
Visconti, Andrea. “Come sono Pop Fidel e il Dalai Lama!” L’Espresso 37, nos. 47–48 (December 1, 1991), pp. 154–55, 157.
1992
Byrne, David. “Eco-Art.” Self 14, no. 6 (June 1992), pp. 144–49.
Martins, Marília. “O lixeiro das artes plásticas.” Jornal do Brasil (Rio de Janeiro), June 9, 1992, sec. B, p. 1.
1993
“Robert Rauschenberg.” In Artists at Gemini G.E.L.: Celebrating the 25th Year, by Mark Rosenthal, pp. 142–58. New York: Harry N. Abrams; Los Angeles: Gemini G.E.L., 1993. Exhibition catalogue.
1995
Turrell, Julia Brown. “Talking to Robert Rauschenberg.” In Rauschenberg Sculpture, edited by Julia Brown Turrell, pp. 49–83. Fort Worth, Texas: Modern Art Museum of Fort Worth, 1995. Exhibition catalogue.
1996
Espanet, Luisa. “Robert Rauschenberg: Futuro è il villaggio globale.” Madame Class Figaro 2, no. 9 (September 1996), pp. 38–39.
Madra, Beral. “Söyleşi: Beral Madra—Robert Rauschenberg.” Arredamento Dekorasyon (Istanbul), no. 84 (September 1996), pp. 40, 42.
McKenna, Kristine. “Extra Sensory Expression.” Los Angeles Times, November 24, 1996, “Calendar” sec., pp. 3, 81.
Turner, Elisa. “Rauschenberg Speaks on Rauschenberg, the Mystery of Boxes, Working with Motion.” Miami Herald, April 28, 1996, sec. I, p. 3.
1997
Barber, Lynn. “Robert Rauschenberg.” Observer Life (London), October 26, 1997, pp. 6–12.
Hirsch, Faye. “Weatherman: Robert Rauschenberg’s Ground Rules Series.” On Paper 2, no. 2 (November–December 1997), cover, pp. 10–15.
Kaufman, Jason Edward. “Interview: Robert Rauschenberg.” Art Newspaper, no. 73 (September 1997), p. 17.
“Liebe lag einfach in der Luft.” Der Spiegel (Hamburg), no. 14/1997 (March 31, 1997), pp. 194–96.
Müller, Dorothee. “Ich bin ein aktiver Voyeur.” Süddeutsche Zeitung (Munich), March 22–23, 1997, p. 13.
1998
Baker, Kenneth. “Rauschenberg’s Reality.” San Francisco Chronicle, August 20, 1998, sec. E, pp. 1, 4.
Hüllenkremer, Marie. “Ich hasse den Begriff Pop Art.” Kölner (Cologne) Stadt-Anzeiger, June 23, 1998.
“Robert Rauschenberg: Künstler zu sein ist ein Handicap.” Art (Hamburg), September 1998, pp. 16–25.
“Robert Rauschenberg” [transcript of BBC interview conducted in April 1998, edited by Tim Marlow]. Tate, no. 16 (Winter 1998), pp. 42–47.
Schroeder, Annette. “Kunst des Überlebens.” Kölnische (Cologne) Rundschau, June 23, 1998.
1999
Brown, Trisha, and Robert Raushenberg. “Freudentänzer.” Vogue Deutsch, July 1999, pp. 154–60.
Ross, David A., Walter Hopps, Gary Garrels, and Peter Samis. Transcript of interview conducted May 6, 1999, at San Francisco Museum of Modern Art. San Francisco Museum of Modern Art Archives. Video excerpts available under some individual artworks at Rauschenberg Research Project, San Francisco Museum of Modern Art.
2000
Turner, Tracy Zollinger. “The Art World’s Most Likeable Genius: Robert Rauschenberg.” Dialogue (Akron, Ohio) 23, no. 4 (July–August 2000), pp. 18–21.
2001
Sylvester, David. “Robert Rauschenberg (1964).” In Interviews with American Artists, by David Sylvester, pp. 131–42. London: Chatto and Windus, 2001.
2003
Schmerler, Sarah. “3 Questions for Robert Rauschenberg.” Time Out New York, no. 392 (April 3–10, 2003), p. 6.
2004
Codognato, Mario, and Mirta d’Argenzio. “Interview with Robert Rauschenberg.” In Rauschenberg, by Susan Davidson and David White, pp. 75–100. Ferrara, Italy: Ferrara Arte, 2004. Exhibition catalogue.
Costantini, Costanzo. “Rauschenberg: ‘Io a Roma nel ’52 povero e in cerca di gloria.’” Il Messaggero (Rome), February 29, 2004, p. 25.
Solomon, Deborah. “Growing Old, Artfully.” New York Times Magazine, February 15, 2004, p. 13.
Spagnesi, Licia. “Il Leone d’oro?: Tutti erano inorriditi; L’unico felice ero io.” Arte (Milan), no. 368 (April 2004), pp. 45–46.
2005
Brooks, Rosetta. “Rauschenberg: Round the Block Once or Twice.” Modern Painters, December 2005–January 2006, cover, pp. 70–75.
2006
Broida, Gisèle Galante. “Paris accueille Robert Rauschenberg.” Paris Match, no. 2995 (October 18, 2006), pp. 40–41.
Hermansen, Tom. “De troede, at jeg var evnesvag.” Morgenavisen Jyllands-Posten (Aarhus, Denmark), May 5, 2006, “Kultur” sec., pp. 7–9.
Rauschenberg: In the Gap Between; Entretiens avec Robert Rauschenberg. Paris: Archibooks, 2006. In French.
Rauterberg, Hanno. “Ich habe meinen Himmel.” Die Zeit (Hamburg), January 12, 2006, pp. 43–44.
Thon, Ute. “Ich brauche Unsicherheit.” Art (Hamburg), December 2006, pp. 42–53.
2007
Lind, Ingela. “Jag ser skönhet överallt.” Dagens Nyheter (Stockholm), February 11, 2007, “Kultur” sec., pp. 1, 6–7.
Accident: Rauschenberg’s Printmaking Breakthrough, 1962–65. New York: Craig F. Starr Associates, 2007. Exhibition brochure.
Adler, Edward Jerome. “Robert Rauschenberg.” In “American Painting and the Vietnam War,” pp. 293–336. PhD diss., New York University, 1986. ProQuest (303396435).
Arcanum I–XIII: Rauschenberg. New York: Styria Studio, 1981. Exhibition brochure.
Arnold, Sara C. Rauschenberg in Charleston. Charleston, S.C.: Gibbes Museum of Art, 2019. Exhibition catalogue.
Art from Life: Prints by Robert Rauschenberg from the Marmor Foundation and the Fearer Family Collections. Stanford, Calif.: Board of Trustees of the Leland Stanford Junior University, 2006. Exhibition brochure.
Ashton, Dore. Rauschenberg: XXXIV Drawings for Dante’s Inferno. New York: Harry N. Abrams, 1964. Exhibition catalogue.
Atlas Sztuki 83: Robert Rauschenberg Travels. Lodz, Poland: Atlas Sztuki, 2016. Exhibition brochure.
Auricchio, Laura. “Lifting the Veil: Robert Rauschenberg’s Thirty-Four Drawings for Dante’s Inferno and the Commercial Homoerotic Imagery of 1950s America.” In The Gay ‘90s: Disciplinary and Interdisciplinary Formations in Queer Studies, edited by Thomas Foster, Carol Siegel, and Ellen E. Berry, pp. 119–54. New York: New York University Press, 1997.
Babington, Jaklyn. Robert Rauschenberg 1967–1978. Canberra: National Gallery of Australia, 2007. Exhibition brochure.
Babington, Jaklyn. Stoned Moon: Robert Rauschenberg. Canberra: National Gallery of Australia, 2010.
Becker, Anne-Grit. Cy Twombly und Robert Rauschenberg: Bilder im Prozess. Munich: Metzel, 2020.
Began with Rauschenberg. Bruzella, Switzerland: Fondazione Rolla, 2025. Exhibition catalogue.
Binding Wires: John Mellencamp and Robert Rauschenberg. New York: ACA Galleries, 2019. Exhibition catalogue.
The Blueprints of Robert Rauschenberg and Susan Weil. London: Stanley/Barker, 2025.
Bois, Yve-Alain, Claire Elliot, and Josef Helfenstein. Robert Rauschenberg: Cardboards and Related Pieces. Houston: Menil Collection; New Haven, Conn.: Yale University Press, 2007. Exhibition catalogue.
Bois, Yve-Alain. Robert Rauschenberg: Currents. New York: Peter Freeman, 2011.
Bolmeier, Jane. “Response and Documentation: Aesthetic Inquiry Relevant to Selected Works of Robert Rauschenberg.” PhD diss., New York University, 1984. ProQuest (303303575).
Bonito Oliva, Achille. Robert Rauschenberg: Dipinti recenti. Milan: Trentadue, 1992. Exhibition catalogue.
Brendel, Maria Lydia. “Reconnecting with Rubens—Neo-Allegorists: Robert Rauschenberg, Peter Dressler, Jean-Luc Godard.” In “Allegorical Truth-Telling via the Feminine Baroque: Rubens’ Material Reality, Reframing Het Pelsken,” pp. 112–40. PhD diss., McGill University, Montreal, 1999. ProQuest (304561084).
Brown, Sienna Elizabeth. “The Lithographs of Robert Rauschenberg.” PhD diss., Emory University, Atlanta, 2010. ProQuest (761363896).
Buchloh, Benjamin H. D. “Richter, Rauschenberg, and Photography.” In “Gerhard Richter: Painting After the Subject of History,” pp. 52–57. PhD diss., City University of New York, 1994. ProQuest (304113144).
Cage, John. “On Robert Rauschenberg, Artist, and His Work.” In Silence: Lectures and Writings, by John Cage, pp. 98–108. Middletown, Conn.: Wesleyan University Press, 1961.
Caruso, Rossella. “Robert Rauschenberg alla Galleria L’Obelisco: Scatole e feticci personali.” In Irene Brin, Gaspero del Corso e la Galleria L’Obelisco, edited by Vittoria Caterina Caratozzolo, Ilaria Schiaffini, and Claudio Zambianchi, pp. 204–15. Rome: Drago, 2018.
Castañal, José, and Arne Ehmann, eds. Robert Rauschenberg: Japanese Clayworks. Salzburg, Austria: Galerie Thaddaeus Ropac, 2022. Exhibition catalogue.
Cathala, Agnès. “Rauschenberg: Mimétisme et création.” PhD diss., Université de Toulouse–Le Mirail, France, 1993.
China Mix: Robert Rauschenberg. New York: Scott Hanson Gallery, 1990. Exhibition brochure.
Cicelyn, Eduardo, and Mario Codognato. Rauschenberg a Napoli. Naples, Italy: Associazione Dogana, 1999. Exhibition catalogue.
Close Encounter: Robert Rauschenberg, SEO. Bielefeld, Germany: Kerber, 2008. Exhibition catalogue.
Considine, Liam Burlee. “Painted Mythologies.” In “New Realisms: Pop Art in France, 1962–1968,” pp. 53–96. PhD diss., Institute of Fine Arts, New York University, 2012. ProQuest (1267529274).
Corcoran, Sean, ed. Robert Rauschenberg’s New York: Pictures from the Real World. New York: Museum of the City of New York; Lewes, U.K.: D Giles, 2025. Exhibition catalogue.
Cotkin, George. “Erasure and Addition: Robert Rauschenberg 1953.” In Feast of Excess: A Cultural History of the New Sensibility, by George Cotkin, pp. 37–47. New York: Oxford University Press, 2015.
Craft, Catherine. Robert Rauschenberg. London: Phaidon, 2013.
d’Argenzio, Mirta, ed. Robert Rauschenberg: Travelling ’70/’76. Naples, Italy: Museo d’Arte Contemporanea Donnaregina; Milan: Electa, 2008. Exhibition catalogue.
Davidson, Susan. “Robert Rauschenberg.” In Guggenheim Museum Bilbao Collection, pp. 90–99. Madrid: FMGB Guggenheim Bilbao Museoa, 2009.
Davidson, Susan, and David White, eds. Robert Rauschenberg: Photographs 1949–1962. New York: D.A.P./Distributed Art Publishers, 2011.
Davidson, Susan, and David White. Rauschenberg. Ferrara, Italy: Ferrara Arte, 2004. Exhibition catalogue.
Davidson, Susan, and David White. Robert Rauschenberg: Gluts. Venice: Peggy Guggenheim Collection, 2009. Exhibition catalogue.
Davis, Douglas. “Robert Rauschenberg: Technology as Nature.” In Art and the Future: A History/Prophecy of the Collaboration Between Science, Technology and Art, pp. 141–45. New York: Praeger, 1973.
Dellinger, Jade. Rauschenberg and Albers: Box vs. Square. Fort Myers: Bob Rauschenberg Gallery, Florida SouthWestern State College, 2016. Exhibition catalogue.
Diamonstein, Barbaralee. “Robert Rauschenberg and Leo Castelli.” In Inside New York’s Art World, pp. 305–15. New York: Rizzoli, 1979.
Dickerman, Leah. Rauschenberg: Canyon. New York: Museum of Modern Art, 2013.
Dickerman, Leah, and Achim Borchardt-Hume. Robert Rauschenberg. New York: Museum of Modern Art; London: Tate Publishing, 2016. Exhibition catalogue.
Doyle, Eileen R. “Art in the Mirror: Reflection in the Work of Rauschenberg, Richter, Graham and Smithson.” PhD diss., Ohio State University, Columbus, 2004. ProQuest (305140237).
El soñado mundo de Rauschenberg: ROCI [Mexico]. West Islip, N.Y.: Universal Limited Art Editions, 1985. Exhibition brochure.
Estrella, Camila. Tu pregunta es mi respuesta, ROCI: Derivaciones de la visita de Robert Rauschenberg en Chile. Ñuñoa, Chile: Departamento de Artes Visuales, Facultad de Artes, Universidad de Chile, 2024.
An Exhibition of the Works of Robert Rauschenberg. New Delhi: National Gallery of Modern Art, 1998. Exhibition brochure.
Farmer, John Alan. “Screens/Robert Rauschenberg.” In “Art into Television, 1960–1965,” pp. 64–125. PhD diss., Columbia University, New York, 1998. ProQuest (304434329).
Feinstein, Roni. “Random Order: The First Fifteen Years of Robert Rauschenberg’s Art, 1949–1964.” PhD diss., New York University, 1990. ProQuest (303859753).
Feinstein, Roni. Robert Rauschenberg: The Silkscreen Paintings 1962–64. New York: Whitney Museum of American Art; Boston: Bulfinch, 1990. Exhibition catalogue
Feinstein, Roni. “Robert Rauschenberg’s Ace of 1962: An Interpretation.” In A Fine Regard: Essays in Honor of Kirk Varnedoe, edited by Patricia G. Berman and Gertje R. Utley, pp. 234–47. Aldershot, U.K.: Ashgate, 2008.
Finch, Charlie. “Rauschenberg/Warhol.” Artnet Magazine, May 14, 2008.
Fineberg, Jonathan. “Robert Rauschenberg.” In Art Since 1940: Strategies of Being, pp. 176–85. Englewood Cliffs, N.J.: Prentice Hall, 1995.
Folland, Thomas Frederick. “Robert Rauschenberg’s Queer Modernism: Decoration, Theatricality and Camp in the Combines, 1953–59.” PhD diss., University of California, Los Angeles, 2010. ProQuest (883137850).
Fontán del Junco, Manuel, Inés Vallejo Ulecia, and Lucía Montes Sánchez, eds. Robert Rauschenberg: El uso de las imágenes. Madrid: Fundación Juan March, 2025. Exhibition catalogue.
Forge, Andrew. Rauschenberg. New York: Harry N. Abrams, [1969].
Forge, Andrew. Rauschenberg. New York: Harry N. Abrams, [1972].
1489: Rauschenberg. Stockholm: Painters Posters; Wetterling Gallery, 1990. Exhibition catalogue.
Francini, Antonella. “Transferring Dante: Robert Rauschenberg’s Thirty-Four Illustrations for the Inferno.” In Metamorphosing Dante: Appropriations, Manipulations, and Rewritings in the Twentieth and Twenty-First Centuries, edited by Manuele Gragnolati, Fabio Camilletti, and Fabian Lampart, pp. 323–37. Vienna: Turia + Kant, 2011.
Fredricks, Mark, ed. Out of the Real World: Robert Rauschenberg at USF Graphicstudio. Tampa: University of South Florida Institute for Research in Art, Contemporary Art Museum and Graphicstudio; Lewes, U.K.: D Giles, 2025.
From Dürer to Rauschenberg: A Quintessence of Drawing; Masterworks from the Albertina and the Guggenheim. New York: Solomon R. Guggenheim Foundation; Vienna: Graphische Sammlung Albertina, 1998. Exhibition catalogue.
Fugelso, Karl. “Robert Rauschenberg’s Inferno Illuminations.” In Postmodern Medievalisms, edited by Richard Utz and Jesse G. Swan, pp. 47–66. Rochester, N.Y.: Boydell & Brewer, 2005.
Geiger, Melissa S. “Robert Rauschenberg’s Oracle, Soundings, and Carnal Clocks: A Socio-Historical Critique.” PhD diss., Pennsylvania State University, University Park, 2005. ProQuest (305453836).
Gilmour, Pat. “Tyler on the West Coast 1963–1983: Robert Rauschenberg.” In Ken Tyler, Master Printer, and the American Print Renaissance, pp. 47–53. New York: Hudson Hills; Canberra: Australian National Gallery, 1986.
Goodyear, Anne Collins. “Art, Technology, and the American Space Program, 1962–1972” and “Billy Klüver and the Foundation of Experiments in Art and Technology.” In “The Relationship of Art to Science and Technology in the United States, 1957–1971: Five Case Studies,” pp. 19–79, 164–234. PhD diss., University of Texas at Austin, 2002. ProQuest (305503573).
Green, Jonathan. “Robert Rauschenberg: The Found Image.” In American Photography: A Critical History, 1945 to the Present, pp. 130–36. New York: Harry N. Abrams, 1984.
Guagliumi, Arthur Robert. “Robert Rauschenberg: Additional Dimensions.” In “Assemblage Art: Origins and Sources,” pp. 108–20, 150–53. EdD diss., Columbia University Teachers College, New York, 1990. ProQuest (303846127).
Hamilton, Jaimey. “Strategies of Excess: The Postwar Assemblages of Alberto Burri, Robert Rauschenberg, and Arman.” PhD diss., Boston University, 2006. ProQuest (305354602).
Harmon, Louise. “Photography and the Visual Arts/Four Strategies of Appropriation.” In “The Appropriation of Photographic Images in Works of Art: Legal and Aesthetic Issues Inherent in the Conflict Between Modernism and Postmodernism,” pp. 51–104. PhD diss., Columbia University, New York, 1998. ProQuest (9304426219).
Hillman, Susanne Naima. “Robert Rauschenberg, Robert Whitman and Billy Klüver: From ‘9 Evenings’ to ‘Experiments in Art and Technology.’” PhD diss., Rutgers, State University of New Jersey, New Brunswick, 2007. ProQuest (304802543).
Hindry, Ann, ed. “1950–1957: The Ninth Street Show; Meeting with Rauschenberg.” In Claude Berri rencontre Leo Castelli/Claude Berri Meets Leo Castelli, pp. 25–30 (in French), pp. 85–88 (in English). Paris: Renn, 1990.
Hopkins, David. “Duchamp’s Legacy: The Rauschenberg–Johns Axis.” In After Modern Art 1945–2000, pp. 37–64. Oxford: Oxford University Press, 2000.
Hopps, Walter. “Robert Rauschenberg.” In The Dream Colony: A Life in Art, by Walter Hopps, pp. 237–55. New York: Bloomsbury, 2017.
Hopps, Walter. Robert Rauschenberg: The Early 1950s. Houston: Menil Collection; Houston Fine Art Press, 1991. Exhibition catalogue.
Hopps, Walter, and Susan Davidson. Robert Rauschenberg: A Retrospective. New York: Solomon R. Guggenheim Foundation, 1997. Exhibition catalogue.
Hsu, Helen. “Jornadas sobre la protección del artista (Conference on the Protection of the Artist): Robert Rauschenberg.” In UNESCO Art Collection: Selected Works, pp. 53–55. Paris: UNESCO, 2021.
Huber, Hans Dieter. “Robert Rauschenberg: Die Hard, 1963.” In System und Wirkung: Rauschenberg, Twombly, Baruchello; Fragen der Interpretation und Bedeutung zeitgenössischer Kunst; Ein systemtheoretischer Ansatz, pp. 99–126. Munich: Wilhelm Fink, 1989.
Hunter, Sam. Robert Rauschenberg. New York: Rizzoli, 1999.
Hunter, Sam. Robert Rauschenberg: Works, Writings and Interviews. Barcelona: Polígrafa, 2006.
Ikegami, Hiroko. The Great Migrator: Robert Rauschenberg and the Global Rise of American Art. Cambridge, Mass.: MIT Press, 2010.
Ikegami, Hiroko. Robert Rauschenberg and Ushio Shinohara: Reconstructing an Encounter. New York: White Box, 2011. Exhibition brochure.
Ikegami, Hiroko. “ROCI East: Rauschenberg’s Encounters in China.” In East–West Interchanges in American Art: A Long and Tumultuous Relationship, edited by Cynthia Mills, Lee Glazer, and Amelia A. Goerlitz, pp. 176–89. Washington, D.C.: Smithsonian Institution, 2012.
Jäger, Joachim. Das zivilisierte Bild: Robert Rauschenberg und seine Combine-Paintings der Jahre 1960–1962. Klagenfurt, Austria: Ritter, 1999.
Jeffreys, David. “Robert Rauschenberg: Art, Originality and Ethics.” PhD diss., University of Essex, U.K., 2001. ProQuest (304778026).
Johnson, Steven, ed. The New York Schools of Music and Visual Arts: John Cage, Morton Feldman, Edgard Varèse, Willem de Kooning, Jasper Johns, Robert Rauschenberg. New York: Routledge, 2011.
Joseph, Branden W. “Experimental Art: John Cage, Robert Rauschenberg and the Neo-Avant-Garde.” PhD diss., Harvard University, Cambridge, Mass., 1999. ProQuest (304529062).
Joseph, Branden W. Random Order: Robert Rauschenberg and the Neo-Avant-Garde. Cambridge, Mass.: MIT Press, 2003.
Joseph, Branden W., ed. Robert Rauschenberg. Cambridge, Mass.: MIT Press, 2002.
Katz, Jonathan. “The Art of Code: Jasper Johns and Robert Rauschenberg.” In Significant Others: Creativity and Intimate Partnership, edited by Whitney Chadwick and Isabelle de Courtivron, pp. 188–207. London: Thames and Hudson, 1993.
Katz, Jonathan David. “Opposition, Inc.: The Homosexualization of Postwar American Art.” PhD diss., Northwestern University, Evanston, Ill., 1995. ProQuest (304226361).
Kempner, Jim, and Sondra Kitchen, eds. Robert Rauschenberg: Making Tracks. New York: Jim Kempner Fine Art, 2015. Exhibition catalogue.
Klébaner, Daniel. Robert Rauschenberg: La rumeur du monde. Neuchâtel, Switzerland: Ides et Calendes, 2007.
Kotz, Mary Lynn. Rauschenberg: Art and Life. 3rd ed. New York: Harry N. Abrams, 2018.
Kotz, Mary Lynn. Rauschenberg: Reprise/Quattro Mani: The Collaborative Work of Robert Rauschenberg and Darryl Pottorf. Gainesville, Ga.: Brenau University Galleries, 2003. Exhibition catalogue.
Kozloff, Max. “Robert Rauschenberg.” In Renderings: Critical Essays on a Century of Modern Art, pp. 212–16. New York: Simon and Schuster, 1968.
Krčma, Ed. Rauschenberg/Dante: Drawing a Modern Inferno. New Haven, Conn.: Yale University Press, 2017.
Krčma, Ed. Robert Rauschenberg. London: Tate Publishing, 2016.
Lanchner, Carolyn. Robert Rauschenberg. New York: Museum of Modern Art, 2009.
Last Turn, Your Turn: Robert Rauschenberg and the Environmental Crisis. New York: Jacobson Howard Gallery, 2008. Exhibition catalogue.
Leadingham, Jo G. “A Redirection in Post-War American Poetry and Art: Charles Olson and Robert Rauschenberg.” PhD diss., University of Kentucky, Lexington, 1992. ProQuest (304022029).
Leggio, James. “Robert Rauschenberg’s Bed and the Symbolism of the Body.” In Essays on Assemblage, edited by John Elderfield, pp. 79–117. New York: Museum of Modern Art, 1992.
Let the World In: Prints by Robert Rauschenberg from the National Gallery of Art and Related Collections. Washington, D.C.: National Gallery of Art, 2007. Exhibition brochure.
Love Letters: Robert Rauschenberg and Terry Van Brunt. San Francisco: Queer Cultural Center, 2002. Exhibition brochure.
Maraniello, Gianfranco, and Nicola Ricciardi, with Viviana Bertanzetti. Rauschenberg e il Novecento/Rauschenberg and the Twentieth Century. Cinisello Balsamo (Milan): Silvana, 2025. Exhibition catalogue.
Mattison, Robert Saltonstall. Breaking Boundaries: Robert Rauschenberg Prints from the Robert and Jane Meyerhoff Collection. Easton, Pa.: Lafayette College Art Gallery, Williams Center for the Arts, 1994. Exhibition catalogue.
Mattison, Robert Saltonstall. “Robert Rauschenberg.” In Masterworks in the Robert and Jane Meyerhoff Collection: Jasper Johns, Robert Rauschenberg, Roy Lichtenstein, Ellsworth Kelly, Frank Stella, pp. 97–136. New York: Hudson Hills, 1995.
Mattison, Robert S. Robert Rauschenberg: Breaking Boundaries. New Haven, Conn.: Yale University Press, 2003.
McDonagh, Don. “Robert Rauschenberg.” In The Complete Guide to Modern Dance, pp. 449–51. Garden City, N.Y.: Doubleday, 1976.
Mercurio, Gianni, ed. Robert Rauschenberg. Rome: Mucciaccia, 2008. Exhibition catalogue.
Miller, Margaret, and Mark Fredricks. Offset: Robert Rauschenberg at USF Graphicstudio. Tampa: Contemporary Art Museum, University of South Florida, 2024. Exhibition catalogue.
Millet, Teresa, ed. Glacial Decoy: Robert Rauschenberg—Trisha Brown. Valencia, Spain: Generalitat Valenciana, 2021. Exhibition catalogue.
Morgan, Tiernan. “Robert Rauschenberg and Photography.” Hyperallergic, September 22, 2013.
Mullin, Diane Alison. “Changing the Subject: Robert Rauschenberg and ‘The New American Art.’” PhD diss., Washington University in St. Louis, 1999. ProQuest (304533049).
Mundy, Jennifer. “Drawing Away.” In Lost Art: Missing Artworks of the Twentieth Century, by Jennifer Mundy, pp. 174–78. London: Tate Publishing, 2013.
Myers, David. “Robert Rauschenberg.” In School of New York: Some Younger Artists, edited by B. H. Friedman, pp. 54–59, 81. New York: Grove; London: Evergreen Books, 1959.
Ormond, Mark. Robert Rauschenberg: Works from the Salvage Series. Sarasota, Fla.: John and Mable Ringling Museum of Art, 1985. Exhibition brochure.
Pages and Fuses. Los Angeles: Gemini G.E.L., 1974. Exhibition brochure.
Pagnutti, Alana. Reception: The Radio-Works of Robert Rauschenberg and John Cage. London: Smith+Brown, 2016.
Parkinson, Gavin. Robert Rauschenberg and Surrealism: Art, “Sensibility” and War. New York: Bloomsbury, 2023.
Perlein, Gilbert, Susan Davidson, and David White. Robert Rauschenberg: On and Off the Wall: Œuvres des années 80 et 90/Works from the 80’s and 90’s. Nice, France: Musée d’Art Moderne et d’Art Contemporain, 2005. Exhibition catalogue.
Photos In + Out City Limits: Boston. West Islip, N.Y.: Untitled Press, 1981. Exhibition catalogue.
Photos In + Out City Limits: New York C. West Islip, N.Y.: Untitled Press, 1982. Exhibition catalogue.
Pissarro, Joachim. Robert Rauschenberg: Works on Metal. Beverly Hills, Calif.: Gagosian Gallery, 2014. Exhibition catalogue.
Poor, Natasha. “Dirty Art: Reconsidering the Work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz.” PhD diss., City University of New York, 2007. ProQuest (304889023).
Rauschenberg. Basel: Galerie Beyeler, 1984. Exhibition catalogue.
Rauschenberg. Caracas: Museo de Arte Contemporáneo de Caracas, 1985. Exhibition catalogue.
Rauschenberg. Columbus: Ohio State University, 1980. Exhibition brochure.
Rauschenberg. Madrid: Fundación Juan March, 1985. Exhibition catalogue.
Rauschenberg. Milan: Galleria dell’Ariete, 1961. Exhibition brochure.
Rauschenberg. Naples, Italy: Lucio Amelio, 1987. Exhibition brochure.
Rauschenberg. Paris: Galerie Baudoin Lebon, 1990. Exhibition brochure.
Rauschenberg. Paris: Galerie Ileana Sonnabend, 1963. Exhibition catalogue.
Rauschenberg. Rome: Galleria La Tartaruga, 1959. Exhibition brochure.
Rauschenberg. Saint-Étienne, France: Musée d’Art et d’Industrie, 1974. Exhibition catalogue.
Rauschenberg. Stockholm: Heland Wetterling Gallery, 1989. Exhibition catalogue.
Rauschenberg. Tokyo: Hara Museum of Contemporary Art, 1982. Exhibition brochure.
Rauschenberg. Toulon, France: Musée de Toulon, 1979. Exhibition catalogue.
Rauschenberg. Warsaw: Muzeum Narodowego w Warszawie, 1978. Exhibition catalogue.
Rauschenberg: Anagrams (A Pun). New York: PaceWildenstein, 1999. Exhibition catalogue.
Rauschenberg: Apogamy Pods. New York: PaceWildenstein, 2000. Exhibition catalogue.
Rauschenberg: Cardbirds. Los Angeles: Gemini G.E.L., 1971. Exhibition brochure.
Rauschenberg: Day Lights and Night Sights. Hong Kong: Mandarin Oriental Fine Arts, 1994. Exhibition catalogue.
Rauschenberg: Graphic Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1970. Exhibition catalogue.
Rauschenberg: Hiccups. Tokyo: Sogetsu Gallery, 1986. Exhibition brochure.
Rauschenberg: Paintings on Copper and Stainless Steel–1985/86. Stockholm: Heland Thordén Wetterling Galleries, 1987. Exhibition catalogue.
Rauschenberg: Peintures, dessins, éditions. Paris: Galerie Montaigne, 1990. Exhibition brochure.
Rauschenberg: Posters. Munich: Prestel, 2001. Exhibition catalogue.
Rauschenberg: Reflections and Ruminations. Englewood, Colo.: Museum of Outdoor Arts, 2020. Exhibition catalogue.
Rauschenberg: Scenarios. New York: PaceWildenstein, 2005. Exhibition catalogue.
Rauschenberg: The White and Black Paintings 1949–1952. New York: Larry Gagosian Gallery, 1986. Exhibition catalogue.
Rauschenberg: XXXIV Drawings for Dante’s Inferno. Geneva: Galerie Gérald Cramer, 1968. Exhibition catalogue.
Rauschenberg: Travelogue. Hong Kong: Hong Kong Open Printshop, 2022. Exhibition catalogue.
Rauschenberg: Works on Paper. New York: Knoedler & Company, 1990. Exhibition catalogue.
Rauschenberg at Gemini. Pasadena, Calif.: Armory Center for the Arts, 2010. Exhibition catalogue.
Rauschenberg Currents. Minneapolis: Dayton’s Gallery 12; New York: Castelli Graphics, 1970. Exhibition catalogue.
Rauschenberg in China. Beijing: Ullens Center for Contemporary Art; London: Koenig Books, 2016. Exhibition catalogue.
Rauschenberg in Israel. Jerusalem: Israel Museum with the Hillman Fund, 1975. Exhibition catalogue.
Rauschenberg in the Rockies. Fort Collins: Colorado State University, 1981. Exhibition catalogue.
Rauschenberg 96: New Works. Singapore: Wetterling Teo Gallery, 1996. Exhibition brochure.
Rauschenberg Overseas Culture Interchange: ROCI. London: Thaddaeus Ropac, 2024. Exhibition catalogue.
Rauschenberg, Robert. Short Stories. New York: PaceWildenstein, 2003. Exhibition catalogue.
Rian, Jeff. Robert Rauschenberg. Paris: Gagosian Gallery, 2012. Exhibition catalogue.
Robert Rauschenberg. Amsterdam: Stedelijk Museum, 1968. Exhibition catalogue.
Robert Rauschenberg. Ferrara, Italy: Galleria Civica d’Arte Moderna, 1976. Exhibition catalogue.
Robert Rauschenberg. Florence: Forte di Belvedere, 1976. Exhibition catalogue.
Robert Rauschenberg. Hanover, Germany: Kunstverein Hannover, 1970. Exhibition catalogue.
Robert Rauschenberg. Hong Kong: De Sarthe Gallery, 2016. Exhibition brochure.
Robert Rauschenberg. Hong Kong: Pace Gallery, 2016. Exhibition catalogue.
Robert Rauschenberg. Krefeld, Germany: Museum Haus Lange Krefeld, 1964. Exhibition brochure.
Robert Rauschenberg. London: Tate Gallery, 1981. Exhibition brochure.
Robert Rauschenberg. New York: Gagosian Gallery, 2010. Exhibition catalogue.
Robert Rauschenberg. Paris: Galerie Daniel Cordier, 1961. Exhibition brochure.
Robert Rauschenberg. Paris: Galerie Fabien Boulakia; Le Dernier Terrain Vague, 1990. Exhibition catalogue.
Robert Rauschenberg. Philadelphia: Locks Gallery, 2014. Exhibition catalogue.
Robert Rauschenberg. Santander, Spain: Museo de Bellas Artes, 1994. Exhibition catalogue.
Robert Rauschenberg. São Paulo: Instituto Tomie Ohtake, 2009. Exhibition catalogue.
Robert Rauschenberg. Seoul: Gallery Hyundai, 2006. Exhibition catalogue.
Robert Rauschenberg. Tokyo: Kodansha, 1993.
Robert Rauschenberg. Valencia, Spain: Institut Valencià d’Art Modern, 2005. Exhibition catalogue.
Robert Rauschenberg. Venice: Museo d’Arte Moderna Ca’ Pesaro, 1975. Exhibition catalogue.
Robert Rauschenberg. Washington, D.C.: National Collection of Fine Arts, Smithsonian Institution, 1976. Exhibition catalogue.
Robert Rauschenberg: A Print Survey in Themes, 1952–1992. Gainesville, Ga.: Brenau University, 1992. Exhibition brochure.
Robert Rauschenberg: A Visual Lexicon. New York: Castelli Gallery, 2014. Exhibition catalogue.
Robert Rauschenberg: Against the Grid; Drawings, 1983. New York: Pace Gallery, 2019. Exhibition catalogue.
Robert Rauschenberg: Anagrams. New York: PaceWildenstein, 1996. Exhibition catalogue.
Robert Rauschenberg: Anagrams (A Pun). Milan: Galleria Lawrence Rubin; Christian Marinotti, 1998. Exhibition catalogue.
Robert Rauschenberg: Anagrams, Arcadian Retreats, Anagrams (A Pun). New York: Pace Gallery, 2015. Exhibition catalogue.
Robert Rauschenberg: Arcadian Retreats. New York: PaceWildenstein, 1997. Exhibition catalogue.
Robert Rauschenberg: Arcanum I–XIII. New York: Gladstone, 2024. Exhibition catalogue.
Robert Rauschenberg: Art Car und neue Objekte. Munich: BMW AG, 1988. Exhibition brochure.
Robert Rauschenberg: Bilder, Zeichnungen, Lithos. Berlin: Amerika Haus, 1965. Exhibition brochure.
Robert Rauschenberg: Booster and 7 Studies. Los Angeles: Gemini G.E.L., 1967. Exhibition brochure.
Robert Rauschenberg: Borealis, 1988–92. Salzburg, Austria: Galerie Thaddaeus Ropac, 2019. Exhibition catalogue.
Robert Rauschenberg: Cardboards and Related Pieces. Houston: Menil Collection, 2007. Exhibition brochure.
Robert Rauschenberg: Channel Surfing. New York: Pace Gallery, 2021. Exhibition catalogue.
Robert Rauschenberg: Copperheads 1985/89. Seoul: Thaddaeus Ropac, 2022. Exhibition catalogue.
Robert Rauschenberg: Currents ’70. New York: Castelli Graphics, 1990. Exhibition brochure.
Robert Rauschenberg: Drawings 1958–1968. New York: Acquavella Contemporary Art, 1986. Exhibition catalogue.
Robert Rauschenberg: Exceptional Works, 1971–1999. New York: Mnuchin Gallery, 2022. Exhibition catalogue.
Robert Rauschenberg: Express. Madrid: Fundación Colección Thyssen-Bornemisza, 2006. Exhibition catalogue.
Robert Rauschenberg: Faurschou Foundation in Venice; “Us silkscreeners . . . .” Copenhagen: Faurschou Foundation, 2017. Exhibition catalogue.
Robert Rauschenberg: Faurschou Foundation in Venice; Late Series. Copenhagen: Faurschou Foundation, 2017. Exhibition catalogue.
Robert Rauschenberg: Fotografie 1949–1985. Milan: Galleria Lawrence Rubin, 1999. Exhibition catalogue.
Robert Rauschenberg: Gifts to Terry Van Brunt. New Haven, Conn.: Jonathan Edwards College, Yale University, 2004. Exhibition catalogue.
Robert Rauschenberg: Gluts. Brussels: Galerie Isy Brachot, 1988. Exhibition catalogue.
Robert Rauschenberg: Gluts. Chicago: Feigen, 1990. Exhibition catalogue.
Robert Rauschenberg: Gluts. London: Waddington Galleries, 1987. Exhibition catalogue.
Robert Rauschenberg: Haywire; Major Technological Works of the 1960s. Ostfildern-Ruit, Germany: Gerd Hatje, 1997. Exhibition catalogue.
Robert Rauschenberg: Icons of the Century; Centurions. Savannah, Ga.: Savannah College of Art and Design, 1996. Exhibition brochure.
Robert Rauschenberg: Jammers. London: Gagosian Gallery, 2013. Exhibition catalogue.
Robert Rauschenberg: L.A. Uncovered; Darryl Pottorf/Robert Rauschenberg: Quattro Mani. New York: Gemini G.E.L. at Joni Moisant Weyl, 1998. Exhibition catalogue.
Robert Rauschenberg: Major Printed Works, 1962–1995. Atlanta: Morris Museum of Art, 1995. Exhibition brochure.
Robert Rauschenberg: Masterworks. Munich: Galerie Terminus, 2005. Exhibition catalogue.
Robert Rauschenberg: Mirthday Man. Copenhagen: Faurschou, 2009.
Robert Rauschenberg: Mostra personale. Rome: Il Gabbiano, 1991. Exhibition catalogue.
Robert Rauschenberg: Neue Arbeiten. Düsseldorf: Galerie Denise René Hans Mayer, 1987. Exhibition brochure.
Robert Rauschenberg: New Paintings. Tokyo: Akira Ikeda Gallery, 1989. Exhibition catalogue.
Robert Rauschenberg: New Works. New York: Visual Arts Gallery, School of Visual Arts, 1970. Exhibition brochure.
Robert Rauschenberg: Night Shades and Phantoms. Paris: Galerie Thaddaeus Ropac, 2020. Exhibition catalogue.
Robert Rauschenberg: Night Shades & Urban Bourbons. Basel: Galerie Beyeler, 1995. Exhibition catalogue.
Robert Rauschenberg: North African Collages and Scatole Personali c. 1952. New York: Craig F. Starr Gallery, 2012. Exhibition catalogue.
Robert Rauschenberg: Œuvres de 1949 à 1968. Paris: Musée d’Art Moderne de la Ville de Paris, 1968. Exhibition brochure.
Robert Rauschenberg: On and Off the Wall. Aarhus, Denmark: ARoS Aarhus Kunstmuseum, 2006. Exhibition catalogue.
Robert Rauschenberg: Painting, Drawings & Prints. San Francisco: John Berggruen Gallery, 1971. Exhibition brochure.
Robert Rauschenberg: Paintings, Drawings and Combines 1949–1964. London: Whitechapel Gallery, 1964. Exhibition catalogue.
Robert Rauschenberg: Paintings 1953–1964. Minneapolis: Walker Art Center, 1965. Exhibition catalogue.
Robert Rauschenberg: Paintings 1962–1980. London: Runkel-Hue-Williams; New York: Lang & O’Hara Gallery, 1990. Exhibition catalogue.
Robert Rauschenberg: Peindre, photographier. Nice, France: Espace Niçois d’Art et de Culture, 1986. Exhibition brochure.
Robert Rauschenberg: Peintures récentes. Saint-Paul, France: Fondation Maeght, 1984. Exhibition catalogue.
Robert Rauschenberg: Photems/Fotografias. Madrid: Galería Cobo y Alexander; Electa España, 1993. Exhibition catalogue.
Robert Rauschenberg: Photographs. New York: Pantheon Books, 1981. Exhibition catalogue.
Robert Rauschenberg: Photographs 1949–1984. Houston: Contemporary Arts Museum, 1986. Exhibition brochure.
Robert Rauschenberg: Postscripts for XXXIV Drawings for Dante’s Inferno and Post Rally. Houston: Hiram Butler Gallery, 2019. Exhibition brochure.
Robert Rauschenberg: Prints from Universal Limited Art Editions, 1962–2008. Norman: Fred Jones Jr. Museum of Art, University of Oklahoma, 2011. Exhibition catalogue.
Robert Rauschenberg: Prints 1948/1970. Minneapolis: Minneapolis Institute of Arts, 1970. Exhibition catalogue.
Robert Rauschenberg: ROCI/USA Series. Vienna: Galerie Ulysses-Kunsthandelsges, 2005. Exhibition catalogue.
Robert Rauschenberg: Runts. New York: PaceWildenstein, 2008. Exhibition catalogue.
Robert Rauschenberg: Salvage. Paris: Galerie Thaddaeus Ropac, 2016. Exhibition catalogue.
Robert Rauschenberg: Scenarios & Short Stories/Darryl Pottorf: A Perspective/Christopher Rauschenberg. Lafayette: Paul and Lulu Hilliard University Art Museum, University of Louisiana, 2005. Exhibition catalogue.
Robert Rauschenberg: Scenarios and the Ancient Incident. New York: PaceWildenstein, 2006. Exhibition catalogue.
Robert Rauschenberg: Selected Works 1974–1999. Berlin: Galerie Michael Schultz, 2007. Exhibition catalogue.
Robert Rauschenberg: Selections. Fort Worth, Texas: Fort Worth Art Center Museum, 1968. Exhibition catalogue.
Robert Rauschenberg: Shales. London: Bernard Jacobson Gallery, 1997. Exhibition catalogue.
Robert Rauschenberg: Shiners, Gluts, Urban Bourbons. New York: Knoedler, 1988. Exhibition catalogue.
Robert Rauschenberg: Short Stories. London: Waddington Galleries, 2002. Exhibition catalogue.
Robert Rauschenberg: Short Stories. Zurich: Galerie Jamileh Weber, 2001. Exhibition catalogue.
Robert Rauschenberg: Skupturer & Målningar. Gothenburg, Sweden: Heland Wetterling Gallery, 1988. Exhibition brochure.
Robert Rauschenberg: Spreads and Scales. New York: Gladstone Gallery, 2023. Exhibition catalogue.
Robert Rauschenberg: Spreads, 1975–83. London: Galerie Thaddaeus Ropac, 2018. Exhibition catalogue.
Robert Rauschenberg: Steinerner Mond. Krefeld, Germany: Museum Haus Lange, 1974. Exhibition catalogue.
Robert Rauschenberg: Stoned Moon 1969–70. New York: Craig F. Starr Gallery, 2019. Exhibition catalogue.
Robert Rauschenberg: Stoned Moon Project, 1969. Paris: Centre culturel américain, 1973. Exhibition brochure.
Robert Rauschenberg: Surface Series. Carlisle, Pa.: Trout Gallery, Art Museum of Dickinson College, 2002. Exhibition brochure.
Robert Rauschenberg: Sympathy for Abandoned Objects. New York: Gladstone, 2025. Exhibition catalogue.
Robert Rauschenberg: The Fulton Street Studio, 1953–54. New York: Craig F. Starr Gallery, 2014. Exhibition catalogue.
Robert Rauschenberg: The Lotus Series. Beijing: Da Feng Gallery, 2008. Exhibition catalogue.
Robert Rauschenberg: Three Decades. Beijing: Faurschou Beijing, 2007. Exhibition catalogue.
Robert Rauschenberg: Through the Lens. Kansas City: University of Missouri–Kansas City Gallery of Art, 1997. Exhibition catalogue.
Robert Rauschenberg: Transfer Drawings from the 1950s and 1960s. London: Offer Waterman, 2016. Exhibition catalogue.
Robert Rauschenberg: Transfer Drawings from the 1960s. New York: Jonathan O’Hara Gallery, 2007. Exhibition catalogue.
Robert Rauschenberg: Tribute 21. Prague: České Muzeum Výtvarných Umění, 1997. Exhibition catalogue.
Robert Rauschenberg: 2K+. London: Bernard Jacobson Gallery, 2004. Exhibition catalogue.
Robert Rauschenberg: Venetians and Early Egyptians 1972–1974. New York: Gladstone Gallery, 2022. Exhibition catalogue.
Robert Rauschenberg: Vydocks. Hong Kong: Pace Gallery, 2018. Exhibition catalogue.
Robert Rauschenberg: Werke 1950–1980. Berlin: Staatliche Kunsthalle Berlin, 1980. Exhibition catalogue.
Robert Rauschenberg: Werke 1949 bis 1968. Cologne: Kölnischer Kunstverein, 1968. Exhibition catalogue.
Robert Rauschenberg: Work from Four Series; A Sesquicentennial Exhibition. Houston: Contemporary Arts Museum, 1985. Exhibition catalogue.
Robert Rauschenberg: Works. New York: Knoedler & Company, 1989. Exhibition catalogue.
Robert Rauschenberg: Works from Captiva. Vancouver: Vancouver Art Gallery, 1978. Exhibition catalogue.
Robert Rauschenberg: Zeichnungen, Gouachen, Collagen 1949 bis 1979. Munich: R. Piper, 1979. Exhibition catalogue.
Robert Rauschenberg Combines: Painting + Sculpture. Baltimore: Baltimore Museum of Art, 2000. Exhibition brochure.
Robert Rauschenberg and James Rosenquist: Images from Everywhere, News from Nowhere. St. Petersburg, Fla.: Museum of Fine Arts, 1999. Exhibition brochure.
Robert Rauschenberg, Artist-Citizen: Posters for a Better World. Hayward: University Art Gallery, California State University, 2004. Exhibition brochure.
The Robert Rauschenberg Exhibition. Port Arthur, Texas: Port Arthur Public Library, 1984. Exhibition brochure.
Robert Rauschenberg/Frank Stella. Seoul: Duson Gallery, 1991. Exhibition catalogue.
Robert Rauschenberg—Glass Handle. Calgary: Alberta College of Art Gallery, 1976. Exhibition catalogue.
Robert Rauschenberg illustraties voor Dante’s Inferno. Amsterdam: Stedelijk Museum, 1965. Exhibition catalogue.
Robert Rauschenberg in Black and White: Paintings 1962–1963; Lithographs 1962–1967. Balboa, Calif.: Newport Harbor Art Museum, 1969. Exhibition catalogue.
Robert Rauschenberg—Jean Tinguely: Collaborations. Basel: Museum Tinguely; Bielefeld, Germany: Kerber, 2009. Exhibition catalogue.
Robert Rauschenberg, 1974–1991: Animals and Other Themes. Raleigh, N.C.: City Gallery of Contemporary Art, 1991. Exhibition brochure.
Robert Rauschenberg’s Pages and Fuses. Los Angeles: Los Angeles County Museum of Art, 1974. Exhibition brochure.
ROCI: Rauschenberg Overseas Culture Interchange. Washington, D.C.: National Gallery of Art; Munich: Prestel, 1991. Exhibition catalogue.
ROCI: Rauschenberg Overseas Culture Interchange [Berlin]. West Islip, N.Y.: Universal Limited Art Editions, 1990. Exhibition brochure.
ROCI: Rauschenberg Overseas Culture Interchange [China and Tibet]. West Islip, N.Y.: Universal Limited Art Editions, 1985. Exhibition brochure.
ROCI: Rauschenberg Overseas Cultural Interchange [Cuba]. West Islip, N.Y.: Universal Limited Art Editions, 1988. Exhibition brochure.
ROCI: Rauschenberg Overseas Cultural Interchange [Japan]. Tokyo: Setagaya Art Museum, 1986. Exhibition catalogue.
ROCI: Rauschenberg Overseas Culture Interchange [Malaysia]. West Islip, N.Y.: Universal Limited Art Editions, 1990. Exhibition brochure.
ROCI: Rauschenberg Overseas Culture Interchange [Mexico, Chile, and Venezuela]. West Islip, N.Y.: Universal Limited Art Editions, 1985. Exhibition brochure.
ROCI: Rauschenberg Overseas Culture Interchange [USSR]. West Islip, N.Y.: Universal Limited Art Editions, 1989. Exhibition brochure.
Rose, Barbara. Rauschenberg. New York: Vintage Books, 1987.
Rose, Bernice. Robert Rauschenberg. Paris: Fondation Dina Vierny–Musée Maillol; Réunion des Musées Nationaux, 2002. Exhibition catalogue.
Rothfuss, Joan, and Elizabeth Carpenter. “Robert Rauschenberg.” In Bits and Pieces Put Together to Present a Semblance of a Whole: Walker Art Center Collections, by Joan Rothfuss and Elizabeth Carpenter, pp. 479–81. Minneapolis: Walker Art Center, 2005.
Russo, Carolyn. The Ascent of Rauschenberg: Reinventing the Art of Flight. Washington, D.C.: Smithsonian Books, 2025.
Saff, Donald J. Rauschenberg at Graphicstudio. Tampa: University of South Florida Library Gallery, 1974. Exhibition catalogue.
Saff, Donald. Robert Rauschenberg: ROCI Works from the National Gallery of Art. Easton, Md.: Academy Art Museum, 2015. Exhibition brochure.
Sandler, Irving. “Rauschenberg and Johns.” In The New York School: The Painters and Sculptors of the Fifties, by Irving Sandler, pp. 174–95. New York: Harper & Row, 1978.
Schimmel, Paul. Robert Rauschenberg: Combines. Los Angeles: Museum of Contemporary Art, 2005. Exhibition catalogue.
Scholz, Dieter. “Robert Rauschenberg.” In Sammlung Marx, edited by Heiner Bastian, vol. 1, pp. 71–79. Munich: Schirmer/Mosel, 1996.
Scholz-Wanckel, Katharina. “Robert Rauschenberg.” In Pop Import: Eine selektive Abhandlung über Pop Artisten, pp. 30–40. Hamburg: Matari, 1965.
The 2nd Hiroshima Art Prize: Robert Rauschenberg. Hiroshima: Hiroshima City Museum of Contemporary Art, 1993. Exhibition catalogue.
7 Characters: Rauschenberg. Los Angeles: Gemini G.E.L., 1983. Exhibition catalogue.
Shannon, Joshua. “Black Market: Rauschenberg.” In The Disappearance of Objects: New York Art and the Rise of the Postmodern City, pp. 93–148. New Haven, Conn.: Yale University Press, 2009.
Siedell, Daniel A. The Visual Culture of Robert Rauschenberg. Lincoln: University of Nebraska–Lincoln, 1999. Exhibition brochure.
Sinclair, Sara, with Mary Marshall Clark and Peter Bearman, eds. Robert Rauschenberg: An Oral History. New York: Columbia University Press, 2019.
Smith, Mark L. “Image and Word in the Prints of Robert Rauschenberg, 1951–1981.” PhD diss., University of Texas at Austin, 1992. ProQuest (304034847) .
Snyder, Francine, ed. Robert Rauschenberg: I Don’t Think About Being Great; Selected Writings. New York: Robert Rauschenberg Foundation; New Haven, Conn.: Yale University Press, 2025.
Solomon, Alan. “Rauschenberg.” In New York: The New Art Scene, pp. 230–55. New York: Holt, Rinehart and Winston, 1967.
Solomon, Alan R. Robert Rauschenberg. New York: Jewish Museum, 1963. Exhibition catalogue.
Sparks, Esther. “Robert Rauschenberg.” In Universal Limited Art Editions: A History and Catalogue; The First Twenty-Five Years, pp. 215–37, 430–67. Chicago: Art Institute of Chicago; New York: Harry N. Abrams, 1989.
Steinberg, Leo. Encounters with Rauschenberg (A Lavishly Illustrated Lecture). Houston: Menil Collection; Chicago: University of Chicago Press, 2000.
Stemmrich, Gregor. Robert Rauschenberg’s “Erased de Kooning Drawing” (1953): Modernism, Literalism, Postmodernism. Translated by Steven Lindberg. Berlin: Hatje Cantz, 2023.
Stiles, Kristine, ed. Rauschenberg: Collecting and Connecting. Durham, N.C.: Nasher Museum of Art at Duke University; New York: Robert Rauschenberg Foundation, 2014. Exhibition catalogue.
Stiles, Kristine. “Rauschenberg’s ‘Gap.’” In Concerning Consequences: Studies in Art, Destruction, and Trauma, pp. 287–308. Chicago: University of Chicago Press, 2016.
Storer, Russell, ed. Robert Rauschenberg and Asia. Hong Kong: M+, 2026. Exhibition catalogue.
Sundell, Nina. Rauschenberg/Performance 1954–1984. Cleveland: Cleveland Center for Contemporary Art, [1984]. Exhibition catalogue.
Sundell, Nina. Rauschenberg/Performances 1954–1979. Pesaro, Italy: Rossini Opera Festival, 1983. Exhibition catalogue.
Takehana, Elise. “Burroughs/Rauschenberg: Text-Image/Image-Text.” In The Future of Text and Image: Collected Essays on Literary and Visual Conjunctures, edited by Ofra Amihay and Lauren Walsh, pp. 273–308. Newcastle-upon-Tyne, U.K.: Cambridge Scholars, 2012.
Tallman, Susan. “Johns and Rauschenberg.” In The Contemporary Print from Pre-Pop to Postmodern, pp. 33–48. London: Thames and Hudson, 1996.
Time Capsule 1970: Rauschenberg’s Surface Series from Currents. Poughkeepsie, N.Y.: Frances Lehman Loeb Art Center, Vassar College, 2019. Exhibition brochure.
To Ileana, from Bob: Rauschenberg Drawings from the Sonnabend Collection. New York: Craig F. Starr Gallery, 2009. Exhibition catalogue.
Tomkins, Calvin. Off the Wall: A Portrait of Robert Rauschenberg. New York: Picador, 2005.
Tomkins, Calvin. Off the Wall: Robert Rauschenberg and the Art World of Our Time. Garden City, N.Y.: Doubleday, 1980.
Tōno, Yoshiaki. [Robert Rauschenberg]. In [Contemporary Art: After Pollock], pp. 276–95. In Japanese. Tokyo: Bijutsu Shuppan-sha, 1984.
Turrell, Julia Brown, ed. Rauschenberg Sculpture. Fort Worth, Texas: Modern Art Museum of Fort Worth, 1995. Exhibition catalogue.
Tyler, Kenneth E., and Rosamund Felsen. “Two Rauschenberg Paper Projects.” In Paper: Art and Technology, edited by Paulette Long, pp. 81–86. San Francisco: World Print Council, 1979.
Vallejo, Inés Ulecia, and Lucía Montes Sánchez, eds. Bob y Leo: Una conversación entre Robert Rauschenberg y Leo Castelli. Madrid: Fundación Juan March; Ibarrangelu, Spain: Caniche, 2025.
Wainwright, Lisa. “Reading Junk: Thematic Imagery in the Art of Robert Rauschenberg from 1952 to 1964.” PhD diss., University of Illinois, Urbana-Champaign, 1993. ProQuest (304050074).
Wainwright, Lisa. “Robert Rauschenberg’s Fabrics: Reconstructing Domestic Space.” In Not at Home: The Suppression of Domesticity in Modern Art and Architecture, edited by Christopher Reed, pp. 193–205, 287–88. New York: Thames and Hudson, 1996.
Weinard, Chad Alan. “Combining Photography: Robert Rauschenberg and the Aesthetic of Memory.” In A Fine Regard: Essays in Honor of Kirk Varnedoe, edited by Patricia G. Berman and Gertje R. Utley, pp. 214–33. Aldershot, U.K.: Ashgate, 2008.
White, Michelle. Robert Rauschenberg: Fabric Works of the 1970s. Houston: Menil Collection, 2025. Exhibition catalogue.
The Whitechapel Art Gallery Centenary Review. London: Whitechapel Gallery, 2001. Exhibition catalogue.
Wingate, Ealan, ed. Rauschenberg: Botanical Vaudeville. New York: Gagosian Gallery, 2011. Exhibition catalogue.
Wissmann, Jürgen. Robert Rauschenberg: Black Market. Stuttgart, Germany: Philipp Reclam, 1970.
Wivel, Mikael. Robert Rauschenberg: Works from the 1960s. Copenhagen: Galleri Faurschou, 2005. Exhibition catalogue.
Wivel, Mikael. Night Shades & Urban Bourbons. Copenhagen: Ordrupgaard, 1995. Exhibition catalogue.
Ye, Zhu, ed. “Beijing Theorists’ Reactions to the Art of Robert Rauschenberg.” Translated by Jiayun Zhuang. In Contemporary Chinese Art: Primary Documents, edited by Wu Hung and Joseph Newland, pp. 42–45. New York: Museum of Modern Art, 2010.
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Zweite, Armin, ed. Robert Rauschenberg. Düsseldorf: Kunstsammlung Nordrhein-Westfalen; Cologne: DuMont, 1994. Exhibition catalogue.
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Arditi, Fiamma. “Gli anagrammi del genio.” La Stampa (Turin, Italy), September 21, 1996, p. 22.
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3rd International Biennial Exhibition of Prints in Tokyo. Tokyo: National Museum of Modern Art, 1962. Exhibition catalogue.
4. Documenta. 2 vols. Kassel, Germany: Druck, 1968. Exhibition catalogue.
V bienal do Museu de Arte Moderna de S. Paulo: Catálogo geral. São Paulo: Museu de Arte Moderna de São Paulo, 1959. Exhibition catalogue.
V. Mednarodna graficna razstava/Ve Exposition internationale de gravure/5th International Exhibition of Graphic Art. Ljubljana, Yugoslavia: Moderna Galerija, 1963. Exhibition catalogue.
5th Anniversary: Celebrating Southern Art. Augusta, Ga.: Morris Museum of Art, 1997. Exhibition catalogue.
VI. Mednarodna grafična razstava/VIe Exposition internationale de gravure/6th International Exhibition of Graphic Art. Ljubljana, Yugoslavia: Moderna Galerija, 1965.
VII. Mednarodna grafična razstava/VIIe Exposition internationale de gravure. Ljubljana, Yugoslavia: Moderna Galerija, 1967. Exhibition catalogue.
8. Mednarodna grafična razstava/8e Exposition internationale de gravure/8th International Exhibition of Graphic Art. Ljubljana, Yugoslavia: Moderna Galerija, 1969. Exhibition catalogue.
IX Bienal de São Paulo. São Paulo: Fundação Bienal São Paulo, 1967. Exhibition catalogue.
9. Mednarodna grafična razstava/9e Exposition internationale de gravure/9th International Exhibition of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1971. Exhibition catalogue.
10. Bienale grafike/10e Biennale de gravure/10th Biennale of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1973. Exhibition catalogue.
10 Painters and Sculptors Draw. Boston: Museum of Fine Arts, 1984. Exhibition catalogue.
11. Bienal grafike/11e Biennale de gravure/11th Biennial of Graphic Art. Ljubljana, Yugoslavia: Moderna Galerija, 1975. Exhibition catalogue.
12. Bienale grafike/12e Biennale de gravure/12th Biennial of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1977. Exhibition catalogue.
13. Mednarodni bienale grafike/13e Biennale internationale de gravure/13th International Biennial of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1979. Exhibition catalogue.
14. Mednarodni grafični bienale/14th International Biennial of Graphic Arts/14e Biennale internationale de gravure. Ljubljana, Yugoslavia: Moderna Galerija, 1981. Exhibition catalogue.
15. Grafični bienale: Mednarodni grafični bienale/Biennale internationale de gravure/International Biennial of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1983. Exhibition catalogue.
16. Internationale Triennale für Originaldruckgrafik/16e Triennale internationale de la gravure originale/16th International Triennial of Graphic Prints. Grenchen, Switzerland: Kunstgesellschaft Grenchen, 2003. Exhibition catalogue.
16. Mednarodni grafični bienale/16e Biennale internationale de gravure/16th International Biennial of Graphic Arts. Ljubljana, Yugoslavia: Moderna Galerija, 1985. Exhibition catalogue.
XVIII Salon de Mai. Paris: Musée d’Art Moderne de la Ville de Paris, 1962. Exhibition catalogue.
XIX and XX Century Master Paintings and Sculptures. New York: Acquavella Galleries, 1998. Exhibition catalogue.
20. Mednarodni grafični bienale/20th International Biennial of Graphic Arts. Ljubljana, Slovenia: International Center of Graphic Arts, 1993. Exhibition catalogue.
20th Century American Art from Friends’ Collections. New York: Whitney Museum of American Art, 1977. Exhibition brochure.
20th Century American Painting. Grand Rapids, Mich.: Grand Rapids Art Museum, 1967. Exhibition catalogue.
20th Century Sculpture: An Exhibition. New York: Acquavella Contemporary Art, 2003. Exhibition catalogue.
22 Bienal Internacional São Paulo: Salas especiais. São Paulo: Fundação Bienal, 1994. Exhibition catalogue.
XXIV Bienal de São Paulo: Núcleo Histórico, Antropofagia e Histórias de Canibalismos. São Paulo: Fundação Bienal de São Paulo, 1998. Exhibition catalogue.
The 28th Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1963. Exhibition brochure.
XXXth Anniversary, 1957–1987: Leo Castelli, New York. New York: Leo Castelli, 1987. Exhibition brochure.
XXXII Esposizione biennale internazionale d’arte Venezia 1964, Stati Uniti d’America: Quattro pittori germinali, quattro artisti più giovani/XXXII International Biennial Exhibition of Art, Venice 1964, United States of America: Four Germinal Painters, Four Younger Artists. New York: Jewish Museum, 1964. Exhibition catalogue.
The 36th Biennial Exhibition of Contemporary American Painting: Willem de Kooning, Jasper Johns, Ellsworth Kelly, Roy Lichtenstein, Robert Rauschenberg. Washington, D.C.: Corcoran Gallery of Art, 1979. Exhibition catalogue.
XLI Esposizione internazionale d’arte, la Biennale di Venezia: Arte e arti, attualitá e storia. Venice: La Biennale di Venezia; Milan: Electa, 1984. Exhibition catalogue.
XLV Esposizione internazionale d’arte, la Biennale di Venezia: Punti cardinali dell’arte. 2 vols. Venice: Marsilio, 1993. Exhibition catalogue.
50 for 50: Gifts on the Occasion of LACMA’s Anniversary. Los Angeles: Los Angeles County Museum of Art, 2015. Exhibition catalogue.
’60 ’80: Attitudes/Concepts/Images. Amsterdam: Stedelijk Museum; Van Gennep, 1982. Exhibition catalogue.
64th American Exhibition: Paintings, Sculpture. Chicago: Art Institute of Chicago, 1961. Exhibition catalogue.
66th Annual American Exhibition: Directions in Contemporary Painting and Sculpture. Chicago: Art Institute of Chicago, 1963. Exhibition catalogue.
68th American Exhibition. Chicago: Art Institute of Chicago, 1966. Exhibition catalogue.
69: On the Occasion of the Lincoln Centennial. Lincoln: Nebraska Art Association, 1959. Exhibition catalogue.
150 Stories: Lives of the Artists at the League. New York: Art Students League, 2025.
1950s: The New York School. New York: Joseph Helman Gallery, 2000. Exhibition brochure.
The 1958 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1958. Exhibition catalogue.
The 1960s: Painting and Sculpture from the Museum Collection. New York: Museum of Modern Art, 1967. Exhibition brochure.
The 1961 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Pittsburgh: Department of Fine Arts, Carnegie Institute, 1962. Exhibition catalogue.
The 1964 Pittsburgh International Exhibition of Contemporary Painting and Sculpture. Pittsburgh: Museum of Art, Carnegie Institute, 1964. Exhibition catalogue.
1965 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1965. Exhibition catalogue.
1973 Biennial Exhibition: Contemporary American Art. New York: Whitney Museum of American Art, 1973. Exhibition catalogue.
1991 Biennial Exhibition. New York: Whitney Museum of American American Art, 1991. Exhibition catalogue.
“$700,000 Collection of Art to Be Given to Swedish Museum.” New York Times, October 16, 1973, p. 53.
Abbe, Mary. “Bodies of Evidence.” Minneapolis Star Tribune, May 2, 2003, sec. E, pp. 1, 2.
Abeel, Erica. “Daedalus at the Rollerdome.” Saturday Review 48, no. 35 (August 28, 1965), pp. 51–53.
Abject Art: Repulsion and Desire in American Art. New York: Whitney Museum of American Art, 1993. Exhibition catalogue.
Abpurg, Véronique, Agnes Husslein-Arco, and Rolf H. Johannsen. Open: Heidi Horten Collection. Weitra, Austria: Verlag der Bibliothek der Provinz, 2022. Exhibition catalogue.
Abstract Expressionism at The Museum of Modern Art: Selections from the Collection. New York: Museum of Modern Art, 2010. Exhibition catalogue.
Abstract Expressionism: The First and Second Generations in the Albright-Knox Art Gallery Collection. Buffalo, N.Y.: Albright-Knox Art Gallery, 1972. Exhibition brochure.
“Abstract Photography: Museum of Modern Art.” Photo Arts (Stamford, Conn.) 1, no. 8 (October 1951), pp. 6–23.
Abstrakte amerikanische Malerei. Darmstadt, Germany: Hessisches Landesmuseum, 1962. Exhibition catalogue.
Ackley, Clifford S. PhotoImage: Printmaking 60s to 90s. Boston: Museum of Fine Arts, 1998. Exhibition catalogue.
Adler, Sabine. Zero Gravity: Apollo 11 and the New Notion of Space. Munich: ERES Stiftung, 2019. Exhibition catalogue.
Adlow, Dorothy. “Goldfarb Library Display Aims at Emotions.” Christian Science Monitor, December 28, 1959, p. 6.
Adlow, Dorothy. “Work by Youthful Artists at Museum of Modern Art.” Christian Science Monitor, December 19, 1959, p. 10.
Aesthetics of Graffiti. San Francisco: San Francisco Museum of Modern Art, 1978. Exhibition catalogue.
Af Petersens, Magnus, ed. Explosion!: Måleri som Handling/Painting as Action. Stockholm: Moderna Museet, 2012. Exhibition catalogue.
Aftershock: The Legacy of the Readymade in Post-War and Contemporary American Art. New York: Dickinson Roundell, 2003. Exhibition catalogue.
Against Order: Chance and Art. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1970. Exhibition catalogue.
Ahlander, Leslie Judd. “Pop Art Festival Hailed.” Washington Post, May 26, 1963, sec. G, p. 10.
Alarcó, Paloma. Pop Art Myths. Madrid: Museo Thyssen-Bornemisza, 2014. Exhibition catalogue.
Aldrich, Larry. Changes. Ridgefield, Conn.: Aldrich Musuem of Contemporary Art, 1983. Exhibition catalogue.
Alexander, Darsie. International Pop. Minneapolis: Walker Art Center, 2015. Exhibition catalogue.
Alfieri, Bruno, Lawrence Alloway, Umbro Appollonio, et al. “Opinioni sulla Pop-art.” Rivista Italsider (Genoa, Italy) 5, nos. 3–4 (June–September 1964), cover, pp. 12–16.
Allara, Pamela. “Robert Rauschenberg: Institute of Contemporary Art; Magnuson Lee/Jasper Johns: Thomas Segal.” Artnews 81, no. 4 (April 1982), pp. 176, 178.
Allen, Henry. “And the Beat Goes On. . . .” Washington Post, November 11, 1995, sec. C, pp. 1, 4.
Allen, Jane, and Derek Guthrie. “70th American’s Power in Pluralism.” Chicago Tribune, June 25, 1972, sec. II, p. 18.
Allgårdh, Sophie. Öyvind Fahlstrom: Med världen som spelplan. Halmstad, Sweden: Mjellby Konstmuseum, 2007. Exhibition catalogue.
Alloway, Lawrence. American Pop Art. New York: Whitney Museum of American Art, 1974. Exhibition catalogue.
Alloway, Lawrence. “Art.” Nation 208, no. 21 (May 26, 1969), pp. 676–77.
Alloway, Lawrence. “Assembling a World Between Art and Life.” Second Coming Magazine (New York) 1, no. 4 (June 1962), pp. 50–52.
Alloway, Lawrence. Six Painters and the Object. New York: Solomon R. Guggenheim Foundation, 1963. Exhibition brochure.
Alloway, Lawrence. “Technology and Art Schools.” Studio International 175, no. 889 (April 1968), pp. 184–89.
Als, Hilton, and Claire Gilman, eds. Ways of Seeing: Writings on Drawings from the Jack Shear Collection. 2 vols. New York: Drawing Center, 2021. Exhibition catalogue.
Altabe, Joan. “Graphic Description: Ringling Museum Puts Its Stamp on Print Show.” Sarasota (Fla.) Herald-Tribune, June 21, 1992, sec. G, pp. 1, 4.
Altabe, Joan. “Graphicstudio: USF Workshop Leaves Its Print on the Arts in Tampa.” Sarasota (Fla.) Herald-Tribune, September 15, 1991, sec. G, pp. 1, 4.
Altered Images. New York: Penson Gallery, 1988. Exhibition catalogue.
Alternating Currents: American Art in the Age of Technology; Selections from the Permanent Collection of the Whitney Museum of American Art. San Jose, Calif.: San Jose Museum of Art, 1997. Exhibition catalogue.
The Alternative Image: An Aesthetic and Technical Exploration of Nonconventional Photographic Printing Processes. Sheboygan, Wis.: John Michael Kohler Arts Center, 1983. Exhibition catalogue.
The Alternative Image II: Photography on Nonconventional Supports. Sheboygan, Wis.: John Michael Kohler Arts Center, 1984. Exhibition catalogue.
Altmann, Alexander. “Die säkulare Spiritualität des Ästhetischen.” Bayerische Staatszeitung (Munich), September 22, 2006, “Kultur” sec., p. 17.
Alvaro Barrington: Artists I Steal From. London: Galerie Thaddaeus Ropac, 2019. Exhibition catalogue.
Amaya, Mario. Soft as Art. New York: New York Cultural Center, 1973. Exhibition catalogue.
Ameline, Jean-Paul, ed. Face à l’histoire, 1933–1996: L’artiste moderne devant l'événement historique. Paris: Flammarion; Éditions du Centre Pompidou, 1997. Exhibition catalogue.
America America. Basel: Galerie Beyeler, 1976. Exhibition catalogue.
America: Art and the West. N.p.: American-Australian Foundation for the Arts; International Cultural Corporation of Australia, 1986. Exhibition catalogue.
American Abstract Expressionists and Imagists. New York: Solomon R. Guggenheim Foundation, 1961. Exhibition catalogue.
American Art: 1930–1970. Milan: Fabbri, 1992. Exhibition catalogue.
American Art: The Wilfred Davis Fletcher Collection. Boise, Idaho: Boise Art Museum, 2003. Exhibition catalogue.
American Art Since 1945: A Loan Exhibition from the Museum of Modern Art. Philadelphia: Philadelphia Museum of Art, 1972. Exhibition brochure.
American Art Since 1950. Boston: n.p., 1962. Exhibition catalogue.
American Art Since 1960. Princeton, N.J.: Princeton University Art Museum, 1970. Exhibition brochure.
The American Conscience: An Exhibition of Contemporary Paintings. New York: New School Art Center, 1964. Exhibition brochure.
American Drawing in Black and White: 1970–1980. Brooklyn, N.Y.: Brooklyn Museum, 1980. Exhibition brochure.
American Drawings. New York: Solomon R. Guggenheim Foundation, 1964. Exhibition catalogue.
American Painting Now. Boston: Institute of Contemporary Art, 1967. Exhibition brochure.
American Perspectives: Photographs from the Polaroid Collection. Tokyo: Metropolitan Museum of Photography, 2000. Exhibition catalogue.
American Pop Icons. New York: Guggenheim Museum Publications, 2003. Exhibition catalogue.
American Printmaking Now. Beijing: National Museum of China, 2010. Exhibition catalogue.
American Prints: 1913–1963. New York: Museum of Modern Art, 1974. Exhibition brochure.
Amerika Europa: Sammlung Sonnabend. Munich: Kunsthalle der Hypo-Kulturstiftung; Staatsgalerie Moderner Kunst, 1996. Exhibition catalogue.
Amerikanische Maler der Gegenwart. Salzburg, Austria: n.p., 1961. Exhibition brochure.
Amerikanische Malerei: 1930–1980. Munich: Haus der Kunst; Prestel, [1981]. Exhibition catalogue.
Amerikanische Zeichnungen in den achtziger Jahren. Munich: Fred Jahn, 1990. Exhibition catalogue.
Ammann, Jean-Christophe, and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 2/Die Entdeckung des anderen: Ein europäischer Blick auf die amerikanische Kunst 2. New York: Whitney Museum of American Art and Harry N. Abrams, 1996. Exhibition catalogue.
Ammer, Manuela, Achim Hochdörfer, and David Joselit, eds. Painting 2.0: Expression in the Information Age. Munich: DelMonico/Prestel, 2015. Exhibition catalogue.
Andersen, Troels. Intimt og monumental: Jan Groth og Steingrim Laursens samling. Stavanger, Norway: Kunstmuseum, 2015. Exhibition catalogue.
Anderson, John. “What Happened in Washington.” Washington City Paper, March 12, 2012.
Andreae, Christopher. “A Stimulating Decade.” Christian Science Monitor, May 22, 1964, p. 6.
Andreae, Christopher. “String and Rope.” Christian Science Monitor, January 23, 1970, p. 4.
Anfam, David. “Black Mountain College.” Burlington Magazine 148, no. 1236 (March 2006), pp. 214–16.
Anger, Jenny. “Paul Klee, Anni and Josef Albers, and Robert Rauschenberg: Weaving and the Grid at Black Mountain College.” In Klee and America, edited by Josef Helfenstein and Elizabeth Hutton Turner, pp. 238–53. Ostfildern-Ruit, Germany: Hatje Cantz, 2006. Exhibition catalogue.
Annual Exhibition 1961: Contemporary American Painting. New York: Whitney Museum of American Art, 1961. Exhibition catalogue.
Annual Exhibition 1962: Contemporary Sculpture and Drawings. New York: Whitney Museum of American Art, 1962. Exhibition catalogue.
Annual Exhibition 1963: Contemporary American Painting. New York: Whitney Museum of American Art, 1963. Exhibition catalogue.
Anti-procès 3. Milan: Galleria Brera, 1961. Exhibition brochure.
Antin, David. “Art and the Corporations.” Artnews 70, no. 5 (September 1971), pp. 22–26, 52–56.
Appelhof, Ruth Stevens. Looking South: A Different Dixie. Birmingham, Ala.: Birmingham Museum of Art, 1988. Exhibition brochure.
Armstrong, Elizabeth. “First Impressions.” Print Collector’s Newsletter 20, no. 2 (May–June 1989), pp. 41–46.
Art and Context: The ’50s and ’60s. Pullman: Museum of Art, Washington State University, 2006. Exhibition catalogue.
Art and Dance: Images of the Modern Dialogue, 1890–1980. Boston: Institute of Contemporary Art, 1982. Exhibition catalogue.
Art Becomes Reality. Vancouver: Fine Arts Gallery, University of British Columbia, 1964. Exhibition brochure.
“Art Crashes Through the Junk Pile.” Life 51, no. 21 (November 24, 1961), pp. 60–69, 72.
Art for a Nuclear Weapons Freeze: An Exhibition and Auction. New York: Art for a Nuclear Weapons Freeze, 1983. Exhibition brochure.
Art in the Mirror: An Exhibition. New York: Museum of Modern Art, 1966. Exhibition brochure.
“Art Is the Way to Mutual Understanding.” Iskusstvo (Moscow) (June 1989), p. 52.
Art Now 74: A Celebration of the American Arts. Washington, D.C.: Artrend Foundation, 1974. Exhibition catalogue.
Art of Another Kind: International Abstraction and the Guggenheim, 1949–1960. New York: Solomon R. Guggenheim Foundation, 2012. Exhibition catalogue.
The Art of Healing: A Collection in Support of the Excluded. New York: Art of This Century, 1997. Exhibition catalogue.
Art of the 50’s and 60’s: Selections from the Richard Brown Baker Collection. Ridgefield, Conn.: Larry Aldrich Museum, 1965. Exhibition catalogue.
The Art of Time. Greenwich, Conn.: Bruce Museum of Arts and Science, 1999. Exhibition catalogue.
Art Performs Life: Merce Cunningham, Meredith Monk, Bill T. Jones. Minneapolis: Walker Art Center, 1998. Exhibition catalogue.
“Art: Proto Pop.” New Yorker 69, no. 24 (August 2, 1993), p. 10.
Art Since 1950: American and International. Seattle: Century 21 Exposition, 1962. Exhibition catalogue.
Art Turns, World Turns: Exploring the Collection of the Museum of Modern and Contemporary Art in Nusantara. Jakarta: Museum of Modern and Contemporary Art in Nusantara, 2017. Exhibition catalogue.
“Art: USA—The Johnson Collection.” Arts Magazine (New York) 39, no. 7 (April 1965), cover, pp. 22–25.
Arte Pop. Madrid: Electa España; Museo Nacional Reina Sofía, 1991. Exhibition catalogue.
Arte USA. Madrid: Fundación Juan March, 1977. Exhibition catalogue.
“The Arts and the Critic.” Grinnell Magazine (Grinnell College, Iowa) 1, no. 3 (Summer 1968), pp. 30–34.
Artist and Printer: Six American Print Studios. Minneapolis: Walker Art Center, 1980. Exhibition catalogue.
"The Artist and the Space Shuttle." Discover (December 1982), pp. 74–81.
Artists and Lovers. London: Ordovas, 2016. Exhibition catalogue.
Artists at Max’s Kansas City, 1965–1974: Hetero-holics and Some Women Too. New York: Loretta Howard Gallery, 2010. Exhibition brochure.
Artists of 1¢ Life. Philadelphia: Philadelphia Museum of Art, 1965. Exhibition brochure.
Artists of the Heath Gallery, 1965 to 1998. Atlanta: Museum of Contemporary Art of Georgia, 2002. Exhibition catalogue.
Artists’ Sets and Costumes. Philadelphia: Philadelphia College of Art, 1977. Exhibition catalogue.
Artner, Alan G. “Oh, Those Marvelous Toys.” Chicago Tribune, April 25, 1993, sec. 13, pp. 22–23.
Artner, Alan G. “Pop Art’s Start.” Chicago Tribune, April 18, 1993, sec. 13, pp. 14–15.
Asbury, Edith Evans. “Artists’ ‘Bank’ to Aid Health Costs.” New York Times, October 2, 1977, p. 48.
Ashbery, John. “Venice Biennale Center of Controversy.” New York Herald Tribune, European ed. (Paris), June 23, 1964, p. 5.
Ashbery, John. “Villon Engravings at Paris Gallery: Neo-Dada Founder.” New York Herald Tribune, February 13, 1963, sec. X, p. 1.
Ashton, Dore. “Abstract Expressionism Isn’t Dead.” Studio (London) 164, no. 833 (September 1962), pp. 104–7.
Ashton, Dore. “Art.” Arts and Architecture 78, no. 2 (February 1961), pp. 4–5.
Ashton, Dore. “Art: Collages Are Shown in Exhibition.” New York Times, January 1, 1959, p. 29.
Ashton, Dore. “Art: Progress Report.” New York Times, October 28, 1958, p. 70.
Ashton, Dore. “Art: Taxidermy and Collage.” New York Times, April 1, 1959, p. 34.
Ashton, Dore. “New York Report.” Das Kunstwerk (Baden-Baden, Germany) 17, no. 7 (January 1964), p. 27.
Ashton, Dore. “Object Versus Illusion: New York Commentary.” Studio (London) 167, no. 849 (January 1964), pp. 41–43.
Ashton, Dore. “A Planned Coincidence.” Art in America 57, no. 5 (September–October 1969), pp. 36–47.
Aspects of Collage. East Hampton, N.Y.: Guild Hall Museum, 1991. Exhibition brochure.
Augaitis, Daina, Bruce Grenville, and Stephanie Rebick, eds. MashUp: The Birth of Modern Culture. London: Black Dog, 2016. Exhibition catalogue.
Auping, Michael, ed. Modern Art Museum of Fort Worth: 110. Fort Worth, Texas: Modern Art Museum of Fort Worth, 2002. Exhibition catalogue.
Aus privaten Sammlungen. Basel: Galerie Beyeler, 1986. Exhibition catalogue.
Bacohi, Anna, and Giorgi. “Yugoslav Graphics Expo Builds East–West Bridge.” Christian Science Monitor, June 28, 1973, p. 16.
Baker, Kenneth. “L.A. Show Traces ’50s Transition to Pop.” San Francisco Examiner and Chronicle, February 7, 1993, “Datebook” sec., pp. 45–46.
Baker, Kenneth. “SFMOMA Approaches Art with Fresh Eye.” San Francisco Chronicle, July 7, 2004, sec. E, pp. 1, 3.
Baker, Richard Brown. “My Dinner with Jasper Johns (and Robert Rauschenberg, Leo Castelli, Robert and Ethel Scull, Willem de Kooning, Franz Kline and Lots More).” Paris Review, no. 143 (Summer 1997), pp. 212–23.
Baker, Russell. “Observer.” New York Times, April 22, 1963, p. 26.
Baker, Steve. The Postmodern Animal. London: Reaktion Books, 2000.
Baldassari, Anne. RSTW: From the Private Collection of Larry Gagosian. New York: Gagosian Gallery, 2010. Exhibition catalogue.
Baldwin, Carl R. “On the Nature of Pop: Right Artist, Right Work.” Artforum 12, no. 10 (June 1974), cover, pp. 34–38.
Ballerini, Julia, ed. Sequence (con)Sequence: (sub)Versions of Photography in the 80s. New York: Aperture; Annandale-on-Hudson, N.Y.: Edith C. Blum Art Institute, Bard College, 1989. Exhibition catalogue.
Banes, Sally. Democracy’s Body: Judson Dance Theater, 1962–1964. Studies in the Fine Arts: The Avant-Garde 43. Ann Arbor, Mich.: UMI Research Press, 1983.
Banks, Eric, ed. Artists for Artists: Fifty Years of the Foundation for Contemporary Arts. New York: Foundation for Contemporary Arts, 2013.
Barañano, Kosme de. Homenaje a Chillida. Bilbao: Fundación del Museo Guggenheim Bilbao, 2006. Exhibition catalogue.
Barbero, Luca Massimo, ed. Art as a Revelation: From the Luigi and Peppino Agrati Collection. Cinisello Balsamo (Milan): Silvana, 2018. Exhibition catalogue.
Barbero, Luca Massimo. Azimut/h: Continuity and Newness. Venice: Marsilio, 2014. Exhibition catalogue.
Bardiot, Clarisse, and Catherine Morris. 9 Evenings Reconsidered: Art, Theatre, and Engineering, 1966. Cambridge, Mass.: MIT List Visual Arts Center, 2006. Exhibition catalogue.
Barnett, Catherine. "The Trouble with Modern Art." Art and Antiques (October 1987), pp. 109–16.
Baro, Gene. 30 Years of American Printmaking. New York: Brooklyn Museum, 1977. Exhibition catalogue.
Baro, Gene. “The Canal Goes ‘Pop.’” New York Times, June 28, 1964, sec. X, p. 12.
Baro, Gene. GraphicStudio U.S.F.: An Experiment in Art and Education. New York: Brooklyn Museum, 1978. Exhibition catalogue.
Baro, Gene. “Some London Galleries.” Arts Magazine (New York) 38, no. 6 (March 1964), p. 15.
Baro, Gene. “The Venice Biennale.” Arts Magazine (New York) 38, no. 10 (September 1964), pp. 32–37.
Barron, Stephanie, and Lynn Zelevansky. Jasper Johns to Jeff Koons: Four Decades of Art from the Broad Collections. Los Angeles: Los Angeles County Museum of Art, 2001. Exhibition catalogue.
Barron, Stephanie, and Michel Draguet. Magritte and Contemporary Art: The Treachery of Images. Los Angeles: Los Angeles County Museum of Art, 2006. Exhibition catalogue.
Barry, Ann. “The Flourishing Art of the Print.” New York Times, February 10, 1980, sec. A, p. 29.
Bastian, Heiner. 7000 Eichen. Bern, Switzerland: Benteli, 1985. Exhibition catalogue.
Bastian, Heiner, ed. Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, Cy Twombly, Anselm Kiefer: Aus der Sammlung Marx. Baden-Baden, Germany: Museum Frieder Burda, 2007. Exhibition catalogue.
Bastian, Heiner, ed. Beuys, Rauschenberg, Twombly, Warhol: Sammlung Marx. Munich: Prestel, 1982. Exhibition catalogue.
Basualdo, Carlos, and Erica F. Battle, eds. Dancing Around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp. Philadelphia: Philadelphia Museum of Art, 2012. Exhibition catalogue.
Baum, Kelly. Rothko to Richter: Mark-Making in Abstract Painting from the Collection of Preston H. Haskell. Princeton, N.J.: Princeton University Art Museum, 2014. Exhibition catalogue.
Baum, Kelly, Andrea Bayer, and Sheena Wagstaff. Unfinished: Thoughts Left Visible. New York: Metropolitan Museum of Art, 2016. Exhibition catalogue.
Baur, John I. H. 1969 Annual Exhibition: Contemporary American Painting. New York:Whitney Museum of American Art, 1969. Exhibition catalogue.
Bazzini, Marco, and Luca Beatrice, eds. Dalla terra alla luna: L’arte in viaggio verso l’astro d’argento. Milan: Cinisello Balsamo (Milan): Silvana, 2019. Exhibition catalogue.
Becker, Wolfgang. I [Love] Pop: Europa-USA anni ’60; Mitologie del quotidiano. Milan: Electa, 1999. Exhibition catalogue.
Beil, Ralf, and Peter Kraut, eds. A House Full of Music: Strategies in Music and Art. Darmstadt, Germany: Institut Mathildenhöhe; Ostfildern, Germany: Hatje Cantz, 2012. Exhibition catalogue.
Bellet, Harry. “Les troublants effets de Mallarmé sur l’art du XXe siècle.” Le Monde, April 28, 2005, p. 1.
Belting, Hans. Art History After Modernism. Translated by Mitch Cohen and Caroline Saltzwedel. Chicago: University of Chicago Press, 2003.
Belz, Carl. A Private Vision: Contemporary Art from the Graham Gund Collection. Boston: Museum of Fine Arts, 1982. Exhibition catalogue.
Benedikt, Michael. “New York Letter.” Art International (Lugano, Switzerland) 10, no. 3 (March 20, 1966), pp. 58–59.
Bennett, Lennie. “Bits and Pieces.” St. Petersburg (Fla.) Times, October 12, 2003, sec. F, pp. 4, 12.
Berengo, Adriano. Glasstress. Milan: Charta, 2009. Exhibition catalogue.
Berkman, Florence. “Pop Art on Exhibition Free, Far Out.” Hartford Times, January 11, 1964.
Bernstein, Joanne. Moving Horizons—The UBS Art Collection: 1960s to the Present Day. Beijing: National Art Museum of China, 2008. Exhibition catalogue.
Between Art and Life: From Joseph Cornell to Gabriel Orozco. Miami: Miami Art Museum, 2003. Exhibition brochure.
Between the Fairs: 25 Years of American Art 1939–1964. New York: Whitney Museum of American Art, 1964. Exhibition catalogue.
Bevan, Roger. “The Infancy of Pop Art.” Art Newspaper, no. 23 (December 1992), p. 8.
Bewogen beweging. Amsterdam: Stedelijk Museum, 1961. Exhibition brochure.
Beyeler Collection. Madrid: Ministerío de Cultura, Dirección General de Bellas Artes y Archivos, and Centro Nacional de Exposiciones, 1989. Exhibition catalogue.
Beyond the Frame: American Art, 1960–1990. Tokyo: Committee for Beyond the Frame, 1991. Exhibition catalogue.
Big Juicy Paintings (and More): Highlights from the Permanent Collection. Miami: Miami Art Museum, 2006. Exhibition brochure.
Billeter, Erika. Malerei und Photographie im Dialog: Von 1840 bis heute. Bern, Switzerland: Benteli, 1977. Exhibition catalogue.
Bishop, Janet, Corey Keller, and Sarah Roberts, eds. San Francisco Museum of Modern Art: 75 Years of Looking Forward. San Francisco: San Francisco Museum of Modern Art, 2009. Exhibition catalogue.
Black, L. D. “Robert Rauschenberg.” Splash (Sarasota, Fla.) (May 1985), cover, pp. 24–28.
Black and White. New York: Jewish Museum, 1963. Exhibition catalogue.
Black Mountain College: An Exhibition Series. Asheville, N.C.: Asheville Art Museum, 2006. Exhibition brochure.
Black Mountain College: The Visual Arts as Taught and Practiced at Black Mountain College. Johnson City: East Tennessee State University Press, 1966. Exhibition catalogue.
Blessing, Jennifer. Haunted: Contemporary Photography/Video/Performance. New York: Guggenheim Museum Publications, 2010. Exhibition catalogue.
Blessing, Jennifer. Speaking with Hands: Photographs from the Buhl Collection. New York: Solomon R. Guggenheim Foundation, 2004. Exhibition catalogue.
Bloemink, Barbara, and Joseph Cunningham. Design ≠ Art: Functional Objects from Donald Judd to Rachel Whiteread. London: Merrell; New York: Cooper-Hewitt National Design Museum, 2004. Exhibition catalogue.
Blume, Eugen, and Catherine Nichols. The End of the 20th Century: The Best Is Yet to Come; A Dialogue with the Marx Collection. Leipzig, Germany: Spector Books, 2013. Exhibition catalogue.
Blume, Eugen, Matilda Felix, Gabriele Knapstein, and Catherine Nichols, eds. Black Mountain: An Interdisciplinary Experiment, 1933–1957. Berlin: Nationalgalerie, Staatliche Museen zu Berlin; Leipzig, Germany: Spector Books, 2015. Exhibition catalogue.
The Blurred Discreteness of Colors. Houston: Hiram Butler Gallery, 2020. Exhibition catalogue.
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Boston Collects Modern Art. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1964. Exhibition catalogue.
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Bourdon, David. “Sculptures in Motion.” Life 61, no. 7 (August 12, 1966), pp. 40–47, 49.
Boxes. Los Angeles: Dwan Gallery, 1964. Exhibition brochure.
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Bradshaw, Dove. Anastasi, Bradshaw, Cage, Marioni, Rauschenberg, Tobey 1990/2014. New York: Sandra Gering Gallery, 2014. Exhibition catalogue.
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Cage, John. The Selected Letters of John Cage. Edited by Laura Kuhn. Middletown, Conn.: Wesleyan University Press, 2016.
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Calder to Warhol: Introducing the Fisher Collection. San Francisco: San Francisco Museum of Modern Art, 2010. Exhibition catalogue.
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Campo Vitale: Mostra internazionale d’arte contemporanea. Milan: Rizzoli Grafica, 1967. Exhibition catalogue.
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Canaday, John. “Whitney Again: The Annual Shows Regulars Along with Twenty-Two Newcomers.” New York Times, December 17, 1961, p. 21.
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Capturing the Moment: A Journey Through Painting and Photography. Kaohsiung, Taiwan: Kaohsiung Museum of Fine Arts, 2024. Exhibition catalogue.
Car Culture: Art and the Automobile. Huntington, N.Y.: Heckscher Art Museum, 2013. Exhibition brochure.
Car Fetish: I Drive, Therefore I Am. Berlin: Kehrer, 2011. Exhibition catalogue.
Carandente, Giovanni. Mostra di disegni americani moderni. Rome: De Luca, 1961. Exhibition catalogue.
Carbone, Teresa A., and Kellie Jones. Witness: Art and Civil Rights in the Sixties. Brooklyn, N.Y.: Brooklyn Museum; New York: Monacelli, 2014. Exhibition catalogue.
Carlin, John, and Sheena Wagstaff. The Comic Art Show. New York: Whitney Museum of American Art, 1983. Exhibition catalogue.
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“Carnival in Venice.” Newsweek 64, no. 1 (July 6, 1964), pp. 74–75.
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Castelli at Berggruen: Selected Works from Leo Castelli Gallery. San Francisco: John Berggruen Gallery, 1974. Exhibition brochure.
Castelli at Dayton’s. Minneapolis: Dayton’s Gallery 12, 1969. Exhibition brochure.
Castleman, Riva. A Century of Artists Books. New York: Museum of Modern Art, 1994. Exhibition catalogue.
Castleman, Riva. Modern Art in Prints. New York: Museum of Modern Art, 1973. Exhibition catalogue.
Castleman, Riva. Printed Art: A View of Two Decades. New York: Museum of Modern Art, 1980. Exhibition catalogue.
Castleman, Riva. Seven Master Printmakers: Innovations in the Eighties from the Lilja Collection. New York: Museum of Modern Art; Harry N. Abrams, 1991. Exhibition catalogue.
Castleman, Riva. Technics and Creativity II: Gemini G.E.L. New York: Museum of Modern Art, 1971. Exhibition catalogue.
Catalogo della XXXII Esposizione biennale internazionale d’arte. Venice: La Biennale di Venezia, 1964. Exhibition catalogue.
Catalyst: Art and Social Justice. New York: Gracie Mansion Conservancy, 2020. Exhibition brochure.
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Cathcart, Linda L. The Americans: The Collage. Houston: Contemporary Arts Museum Houston, 1982. Exhibition catalogue.
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Celant, Germano, ed. Merce Cunningham. Milan: Charta, 1999. Exhibition catalogue.
Celant, Germano, ed. New York: 1962–1964. New York: Jewish Museum, 2022. Exhibition catalogue.
Celant, Germano, ed. Roma–New York, 1948–1964: An Art Exploration. Milan: Charta, 1993. Exhibition catalogue.
Celant, Germano. Manzoni. New York: Gagosian Gallery; Milan: Skira, 2009. Exhibition catalogue.
Celant, Germano. The Small Utopia: Ars Multiplicata. Milan: Fondazione Prada, 2012.
Celant, Germano, and Lisa Dennison. New York New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography and Video. Monaco: Grimaldi Forum; Milan: Skira, 2006. Exhibition catalogue.
Celebrating Modern Art: The Anderson Collection. San Francisco: San Francisco Museum of Modern Art, 2000. Exhibition catalogue.
Celebration of Art: A Half Century of the Fundación Juan March. Madrid: Fundación Juan March, 2005. Exhibition catalogue.
A Century of American Drawing from the Collection. New York: Museum of Modern Art, 1996. Exhibition brochure.
A Century of Modern Drawing from the Museum of Modern Art, New York. London: British Museum Publications for the Trustees of the British Museum, 1982. Exhibition catalogue.
Chang, Daniel. “Setting the Stage: Dance Icon’s Nod Puts Miami Artist in Fine Company.” Miami Herald, February 19, 2007, sec. E, pp. 8–9.
Cheim, John. Drawing the Line Against AIDS. New York: American Foundation for AIDS Research, 1993. Exhibition catalogue.
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Chevrier, Jean-François. Art and Utopia: Limited Action. Barcelona: Museu d’Art Contemporani de Barcelona, 2005. Exhibition catalogue.
Chevrier, Jean-François. L’action restreinte: L’art moderne selon Mallarmé. Paris: Hazan; Nantes, France: Musée des Beaux-Arts de Nantes, 2005. Exhibition catalogue.
Chimériques polymères: Le plastique dans l'art du XXème siècle. Nice, France: Profession Plastique; Musée d’Art Moderne et d’Art Contemporain, 1996. Exhibition catalogue.
Cinquante ans de dessins américains 1930–1980. Houston: Menil Foundation, 1985. Exhibition catalogue.
Circa 1959. New York: Jacob Howardson Gallery, 2009. Exhibition brochure.
Circa 1968. Porto, Portugal: Fundação de Serralves, 1999. Exhibition catalogue.
Císcar Casabán, Consuelo, Barbara Rose, and Bernice Rose. Obra sobre papel en la colección del IVAM. Valencia, Spain: Institut Valencià d’Art Modern, 2010. Exhibition catalogue.
Civil Progress: Images of Black America. New York: Mary Ryan Gallery, 1997. Exhibition brochure.
Clark, Garth. A Century of Ceramics in the United States, 1878–1978: A Study of Its Development. New York: E. P. Dutton, 1979. Exhibition catalogue.
Clark, Marcia. The World Is Round: Contemporary Panoramas. Yonkers, N.Y.: Hudson River Museum, 1987. Exhibition catalogue.
The Classic Tradition in Recent Painting and Sculpture. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1985. Exhibition catalogue.
Clay, Steven, and Rodney Phillips. A Secret Location on the Lower East Side: Adventures in Writing, 1960–1980; A Sourcebook of Information. New York: New York Public Library, 1998. Exhibition catalogue.
Clay. New York: Whitney Museum of American Art, 1974. Exhibition brochure.
Clearwater, Bonnie. Merce Cunningham: Dancing on the Cutting Edge. North Miami, Fla.: Museum of Contemporary Art, 2007. Exhibition catalogue.
Cleveland (UK) 5th International Drawing Biennale. Middlesbrough, U.K.: Cleveland County Leisure Services, 1981. Exhibition catalogue.
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Codognato, Mario, and Agnes Husslein-Arco, eds. Schlaflos: Das Bett in Geschichte und Gegenwartskunst/Sleepless: The Bed in History and Contemporary Art. Vienna: Belvedere, 2015. Exhibition catalogue.
Coffey, John W., and David W. Wood. Sign and Gesture: Contemporary Abstract Art from the Haskell Collection. Raleigh: North Carolina Museum of Art. 1999. Exhibition catalogue.
Cohen-Solal, Annie. Leo and His Circle: The Life of Leo Castelli. Translated by Cohen-Solal and Mark Polizzotti. New York: Alfred A. Knopf, 2010.
Cohen-Solal, Annie, Paul Goldberger, and Robert Gottlieb. New York Mid-Century 1945–1965: Art, Architecture, Design, Dance, Theater, Nightlife. New York: Vendome, 2014.
Coke, Van Deren. The Painter and the Photograph. Albuquerque: University of New Mexico Press, 1964. Exhibition catalogue.
Colby, Joy Hakanson. “Smithsonian Collection Catches Spirit of Martin Luther King, Jr.” Detroit News, January 11, 2002.
Colección Leo Castelli. Madrid: Fundación Juan March, 1988. Exhibition catalogue.
Colección Sonnabend: 25 años de selección y de actividad. Madrid: Centro de Arte Reina Sofía; Ministerio de Cultura, 1987. Exhibition catalogue.
Collaborations. Evanston, Ill.: Mary and Leigh Block Gallery, 1980. Exhibition brochure.
Collage and Assemblage. San Francisco: San Francisco Museum of Modern Art, 1982. Exhibition brochure.
Collage International: From Picasso to the Present. Houston: Contemporary Arts Association, 1958. Exhibition catalogue.
Collage: Signs and Surfaces. New York: Pavel Zoubok Gallery, 2005. Exhibition catalogue.
Collages et objets. Paris: Galerie du Cercle, 1962. Exhibition catalogue.
“A Collective Portrait of Marcel Duchamp.” In Marcel Duchamp, edited by Anne d’Harnoncourt and Kynaston McShine, pp. 179–230. New York: Museum of Modern Art; Philadelphia: Philadelphia Museum of Art, 1973. Exhibition catalogue.
Collins, Tricia, and Richard Milazzo. Token Gestures: A Painting Show. New York: Scott Hanson Gallery, 1990. Exhibition catalogue.
Como, William, Robert Rauschenberg, Carolyn Brown, Walter Terry, et al. “Dance Magazine Awards: Recognition of a World Community.” Dance Magazine 44, no. 8 (August 1970), pp. 59–67.
Congdon, Kristin G. “Culture of Color and Contrasts.” Forum (St. Petersburg, Fla.) 27, no. 3 (Fall 2003), pp. 14–17.
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Constable, Rosalind. “Art Pops In: Europe Explodes as American Takes Prize.” Life 57, no. 2 (July 10, 1964), pp. 65–66, 68.
Constructing American Identity. New York: Whitney Museum of American Art, 1991. Exhibition catalogue.
Contemporary American Masters: The 1960s. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1999. Exhibition catalogue.
Contemporary American Painting. Columbus, Ohio: Columbus Gallery of Fine Arts, 1960. Exhibition brochure.
Contemporary American Painting and Sculpture. Urbana: University of Illinois, 1959. Exhibition catalogue.
Contemporary American Prints and Drawings, 1940–1980. Washington, D.C.: National Gallery of Art, 1981. Exhibition brochure.
Contemporary Art Exhibition to Commemorate Sogetsu 60th Anniversary. Tokyo: Sogetsukai Foundation, 1986. Exhibition catalogue.
Contemporary Assemblage. New York: Germans Van Eck, 1987. Exhibition catalogue.
Contemporary Boxes and Wall Sculpture. Providence: Museum of Art, Rhode Island School of Design, 1965. Exhibition catalogue.
A Contemporary Collection of Painting and Sculpture Selected from the Collection of Eleanor Ward. New London, Conn.: Lyman Allyn Museum, 1965. Exhibition catalogue.
A Contemporary Collection on Loan from the Rothschild Bank AG, Zurich. La Jolla, Calif.: Museum of Contemporary Art, 1983. Exhibition catalogue.
Contemporary Graphics Published by Universal Limited Art Editions. Minneapolis: Dayton's Gallery 12, [1968]. Exhibition brochure.
Contemporary Illustrated Books: Word and Image, 1967–1988. New York: Independent Curators Incorporated, 1989. Exhibition catalogue.
Contemporary Paintings Selected from 1960–1961 New York Gallery Exhibitions. New Haven, Conn.: Yale University Art Gallery, 1961. Exhibition catalogue.
Cooper, Harry. Modernism from the National Gallery of Art: The Robert and Jane Meyerhoff Collection. San Francisco: Fine Arts Museums of San Francisco, 2014. Exhibition catalogue.
Cooper, Harry. The Robert and Jane Meyerhoff Collection: Selected Works. Washington, D.C.: National Gallery of Art, 2009. Exhibition catalogue.
Copeland, Roger. Merce Cunningham: The Modernizing of Modern Dance. London: Routledge, 2004.
Copeland, Roger. “The Politics of Perception.” Contact Quarterly 6, no. 2 (Winter 1981), pp. 16–23.
Coplans, John. Pop Art USA. Oakland, Calif.: Oakland Art Museum, 1963. Exhibition catalogue.
Coppel, Stephen, Catherine Daunt, and Susan Tallman. The American Dream: Pop to the Present. London: Thames & Hudson, 2017. Exhibition catalogue.
Corcoran, Sean, ed. Robert Rauschenberg’s New York: Pictures from the Real World. Lewes, U.K.: D Giles; New York: Museum of the City of New York, 2025. Exhibition catalogue.
Cortenova, Giorgio, ed. Dadaismo, dadaismi: Da Duchamp a Warhol. Milan: Electa, 1997. Exhibition catalogue.
Cott, Perry B. Paintings from the Albright-Knox Gallery. Buffalo, N.Y.: Buffalo Fine Arts Academy, 1968. Exhibition catalogue.
Cotter, Holland. “Art in Review: Roma—New York 1948–1964.” New York Times, January 7, 1994, sec. C, p. 23.
Cotter, Holland. “Collectors with a Weakness for the Ornery.” New York Times, August 30, 2002, sec. E, p. 28.
Cotter, Holland. “Gaze East and Dream.” New York Times, January 30, 2009, sec. C, pp. 29, 33.
Cotter, Holland. “A Gift to the Whitney, for New Yorkers to Open.” New York Times, October 25, 2002, sec. E, p. 38.
Cotter, Holland. “A Legendary Dealer’s Eagle Eye.” New York Times, December 20, 2013, sec. C, p. 25.
Cotter, Holland. “Retrieving Magic from the Vault.” New York Times, January 5, 2001, pp. 37, 39.
Cotter, Holland. “A Sun’s Influence on a Galaxy of Stars.” New York Times, December 7, 2012, sec. C, p. 25.
Cotter, Holland. “Through Rose-Colored Granny Glasses.” New York Times, May 25, 2007, sec. E, pp. 25, 32.
Cowart, Jack, and James Elliot. Prints from the Untitled Press, Captiva, Florida. Hartford, Conn.: Wadsworth Atheneum, 1973. Exhibition catalogue.
Craft, Catherine. “Lost and Found.” Art in America 99, no. 10 (November 2011), pp. 144–53.
Crash: Homage to JG Ballard. London: Gagosian Gallery, 2010. Exhibition catalogue.
Craven, Wayne. 200 Years of American Sculpture. Boston: David R. Godine, 1976. Exhibition catalogue.
Crichton, Fenella. “Paris Letter.” Art International (Lugano, Switzerland) 21, no. 2 (March–April 1977), pp. 57–58.
Crimp, Douglas. “New York Letter.” Art International (Lugano, Switzerland) 17, no. 2 (February 1973), pp. 46–49.
Crimp, Douglas. “On the Museum’s Ruins.” October, no. 13 (Summer 1980), pp. 41–57.
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Crow, Thomas. The Long March of Pop: Art, Music, and Design, 1930–1995. New Haven, Conn.: Yale University Press, 2014.
Crowley, David, and Jane Pavitt, eds. Cold War Modern: Design 1945–1970. London: V&A Publishing, 2008. Exhibition catalogue.
Cullum, Jerry. “American in the Wake of Sept. 11.” Atlanta Journal/Atlanta Constitution, December 6, 2002.
Cunningham, Merce. “Story: Tale of a Dance and a Tour,” pts. 1–3. Dance Ink 6, no. 1 (Spring 1995), pp. 14–21; no. 2 (Summer 1995), pp. 18–22; no. 3 (Autumn 1995), pp. 32–36.
Cunningham, Merce, and Jacqueline Lesschaeve. The Dancer and the Dance. New York: Marion Boyars, 1991.
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Cutajar, Mario. “When Pop Was Young: ‘Hand-Painted Pop’ at MOCA.” Artspace (Los Angeles), March–April 1993, pp. 82–85.
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Dahlem, Franz, and Six Friedrich. Sammlung 1968 Karl Ströher. Munich: F. Dahlem, 1968. Exhibition catalogue.
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Danto, Arthur C. “Art: RRyman.” Nation 257, no. 17 (November 22, 1993), pp. 632–35.
Darkness and Light: Twentieth-Century Works from Texas Collections. Houston: Sarah Campbell Blaffer Gallery, University of Houston, 1993. Exhibition catalogue.
Darling, Michael, ed. Target Practice: Painting Under Attack, 1949–78. Seattle: Seattle Art Museum, 2009. Exhibition catalogue.
Davidson, Susan, ed. Art in America: 300 Years of Innovation. New York: Solomon R. Guggenheim Museum, 2007. Exhibition catalogue.
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de Antonio, Emile, and Mitch Tuchman. Painters Painting: A Candid History of the Modern Art Scene, 1940–1970. New York: Abbeville, 1984.
de Chassey, Éric. Le surréalisme dans l’art américain: Dalí, Ernst, Tanguy, Pollock, Rothko, Johns, Bourgeois. Paris: Réunion des Musées Nationaux, 2021. Exhibition catalogue.
de Corral, María, and John R. Lane, eds. Fast Forward: Contemporary Collections for the Dallas Museum of Art. New Haven, Conn.: Yale University Press; Dallas: Dallas Museum of Art, 2007. Exhibition catalogue.
De Klein à Warhol: Face-à-face France/États-Unis. Paris: Centre Georges Pompidou, 1997. Exhibition catalogue.
de Kooning, Elaine. “Subject: What, How or Who?” Artnews 54, no. 2 (April 1955), pp. 26–29, 61–62.
de la Motte, Manfred, ed. Die Würde und der Mut: “L’art moral.” Berlin: Galerie Georg Nothelfer, 1991. Exhibition catalogue.
De Salvo, Donna, and Paul Schimmel. Hand-Painted Pop: American Art in Transition, 1955–62. Los Angeles: Museum of Contemporary Art; New York: Rizzoli, 1992. Exhibition catalogue.
De-Natured: Painting, Sculpture, and Work on Paper from the Anderson Collection and the Anderson Graphic Arts Collection. San Jose, Calif.: San Jose Museum of Art, 2007. Exhibition brochure.
Dean, James, and Bertram Ulrich. NASA/art: 50 Years of Exploration. New York: Abrams; [Washington, D.C.]: NASA; Smithsonian Institution, 2008. Exhibition catalogue.
Dean, James, Robert Schulman, and Bertram Ulrich. Artistry of Space: The NASA Art Program. Ann Arbor, Mich.: Artrain, 1999. Exhibition catalogue.
DeBarry, Linda, ed. State of the Art: Discovering American Art Now. Bentonville, Ark.: Crystal Bridges Museum of American Art, 2014. Exhibition catalogue.
Deitcher, David. “A Fine Disregard.” Village Voice, October 16, 1990, pp. 99–100.
Del Renzio, Toni. “Boxing Clever.” Art Monthly (London), no. 183 (February 1995), pp. 17–19.
Delacoma, Wynne. “Arts Club of Chicago Celebrates 75 Years on the Cutting Edge.” Chicago Sun-Times, May 10, 1992, “Arts and Show” sec., p. 5.
Delfiner, Judith. Double-Barrelled Gun: Dada aux États-Unis (1947–1957). Dijon: Les Presses du Réel, 2011.
Delfiner, Judith. “Quelques gouttes de sauvagerie sur Manhattan: La réception de Dada à New York, 1945–1957.” Cahiers du Musée national d’art moderne, no. 93 (Autumn 2005), pp. 60–83.
Dempsey, Bruce H., and Jacqueline B. Holmes. Abstract Expressionism: The Haskell Collection. Jacksonville, Fla.: Cummer Gallery of Art, 1992. Exhibition catalogue.
Den inre och den yttre rymden: En utställning rörande en universell konst. Stockholm: Moderna Museet, 1965. Exhibition catalogue.
Dennison, Lisa, and Nancy Spector. Singular Forms (Sometimes Repeated): Art from 1951 to the Present. New York: Solomon R. Guggenheim Foundation, 2004. Exhibition catalogue.
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Deoksun, Park, and Kang Juhee, eds. E.A.T. (Experiments in Art and Technology): Open Ended. Seoul: National Museum of Modern and Contemporary Art, 2018. Exhibition catalogue.
DePaoli, Geri, and Wendy McDaris, eds. Elvis + Marilyn: 2X Immortal. New York: Rizzoli, 1994. Exhibition catalogue.
DePietro, Anne Cohen. Shaping a Generation: The Art and Artists of Betty Parsons. Huntington, N.Y.: Heckscher Museum of Art, 1999. Exhibition catalogue.
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di San Lazzaro, G. “La XXXIIe Biennale de Venise.” XXe siècle (Paris), no. 24 (December 1964), n.p.
Dialogues de paix/Dialogues of Peace. Geneva: Palais des Nations, 1995. Exhibition catalogue.
Dibujos acuarelas abstractos USA: The Museum of Modern Art, New York en el Museo de Bellas Artes de Caracas. Caracas: Museo de Bellas Artes, 1962. Exhibition brochure.
Dickler, Shana, and Ylva Rouse, eds. A Walk on the Wild Side: ’70s New York in the Norman E. Fisher Collection. Jacksonville, Fla.: Museum of Contemporary Art, 2023. Exhibition catalogue.
Didi-Huberman, Georges. Atlas: How to Carry the World on One’s Back? Madrid: Museo Nacional Centro de Arte Reina Sofía, 2010. Exhibition catalogue.
“Die Kunst im Reich der Sinne.” Rhein-Zeitung (Koblenz, Germany), June 8, 1995.
Diederich, Stephan, and Luise Pilz. Ludwig Goes Pop. Cologne: Walther König, 2014. Exhibition catalogue.
Dinge in der Kunst des XX. Jahrhunderts. Göttingien, Germany: Steidl, 2000. Exhibition catalogue.
Dix ans d’art vivant 1955–1965. Saint-Paul de Vence, France: Fondation Maeght, 1967. Exhibition catalogue.
Do it yourself: Positionen von den 1960er Jahren bis heute; Sammlung Marx im Hamburger Bahnhof. Berlin: Hamburger Bahnhof, Museum für Gegenwart, 2005. Exhibition brochure.
Doble negativo: De la pintura al objeto/Double Negative: From Painting to Object. Mexico City: Museo Tamayo Arte Contemporáneo, 2014. Exhibition brochure.
Documenta II: Kunst nach 1945. 3 vols. Cologne: M. DuMont Schauberg, 1959. Exhibition catalogue.
Documenta III. 3 vols. Kassel, Germany: Hessische Druck- und Verlagsanstalt, 1964. Exhibition catalogue.
Documenta 6. 3 vols. Kassel, Germany: Paul Dierichs KG & Co, 1977. Exhibition catalogue.
Donations Daniel Cordier: Le regard d’un amateur. Paris: Centre Georges Pompidou, 1989. Exhibition catalogue.
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Döring, Jürgen. Power to the Imagination: Artists, Posters, and Politics. Munich: Hirmer, 2011. Exhibition catalogue.
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Dorment, Richard. “Picturing a World Beyond Words.” Daily Telegraph (London), September 15, 1993, p. 18.
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Drawing Acquisitions, 1980–1991: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1991. Exhibition brochure.
Drawing in Space. New York: Richard L. Feigen & Co., 2007. Exhibition catalogue.
Drawing Modern: Works from the Agnes Gund Collection. Cleveland: Cleveland Museum of Art, 2003. Exhibition catalogue.
Drawing on Chance: Selections from the Collection. New York: Museum of Modern Art, 1995. Exhibition brochure.
Drayton, Cynthia, and Nancy Hall-Duncan. JFK and Art. Greenwich, Conn.: Bruce Museum, 2003. Exhibition catalogue.
Dreißig Jahre durch die Kunst: Museum Haus Lange, 1955–85. Krefeld, Germany: Krefelder Kunstmuseen, 1985. Exhibition catalogue.
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Drohojowska, Hunter. “Los Angeles: The First Show.” Artnews 83, no. 3 (March 1984), pp. 135–36, 138.
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Duro Olowu: Seeing. Chicago: Museum of Contemporary Art Chicago, 2020. Exhibition catalogue.
Dylaby: Dynamish labyrint. Amsterdam: Stedelijk Museum, 1962. Exhibition catalogue.
Dzieduszycki, Michele. “I colori dell’America.” Europeo (Turin, Italy), no. 3 (January 17, 1992), pp. 94–97, 99.
Dziewior, Yilmaz, and Achim Hochdörfer, with Arthur Fink, eds. Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly. Munich: Museum Brandhorst; Cologne: Museum Ludwig, 2025. Exhibition catalogue.
E.A.T.: The Story of Experiments in Art and Technology. Tokyo: NTT Intercommunication Center, 2003. Exhibition catalogue.
Ebony, David. “Looking Back, Pace: 50 Years and Counting.” Art in America 98, no. 10 (November 2010), pp. 128–33.
Eckberg, Anna. “New Yorker: Schwarzkunst.” Applaus (Munich), no. 11 (November 1, 2006).
Edwards, Adrienne. Blackness in Abstraction. New York: Pace Gallery, 2016. Exhibition catalogue.
Eickel, Nancy, ed. The Hirshhorn Collects: Recent Acquisitions 1992–1996. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1997. Exhibition catalogue.
Eiermann, Wolf, ed. Op + Pop: Experimente Amerikanischer Künstler ab 1960. Munich: Hirmer; Stuttgart, Germany: Staatsgalerie Stuttgart, 2013. Exhibition catalogue.
Eight Artists: Dan Christensen, Neil Jenney, Don Judd, Roy Lichtenstein, Robert Rauschenberg, Gary Stephan, Cy Twombly, Peter Young. Corpus Christi: Art Museum of South Texas, 1974. Exhibition catalogue.
El arte de este siglo: El Museo Guggenheim y su Colección. New York: Guggenheim Museum Publications; Bilbao: Guggenheim Bilbao Museo, 1997. Exhibition catalogue.
El Pop Art en la colección del IVAM. Valencia, Spain: Institut Valencià d’Art Modern, 2007. Exhibition catalogue.
El Pop en la colección gráfica del MBA. Gijón, Spain: MBA Grupo, 2007. Exhibition catalogue.
El sueño de Egipto: La influencia del arte Egipcio en el arte contemporáneo. Mexico City: Centro Cultural Arte Contemporáneo, 1991. Exhibition catalogue.
Elderfield, John. Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York. Ostfildern-Ruit, Germany: Hatje Cantz, 2004. Exhibition catalogue.
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Elliott, Patrick. Cut and Paste: 400 Years of Collage. Edinburgh: National Galleries of Scotland, 2019. Exhibition catalogue.
The Endowed Chair. New York: Franklin Parrasch Gallery, 1992. Exhibition catalogue.
Engberg, Siri. Lifelike. Minneapolis: Walker Art Center, 2012. Exhibition catalogue.
Engler, Martin, ed. Malerei in Fotografie: Strategien der Aneignung/Painting in Photography: Strategies of Appropriation. Heidelberg, Germany: Kehrer, 2012. Exhibition catalogue.
Ensemble moderne: Das moderne Stilleben. Salzburg, Austria: Galerie Thaddaeus Ropac, 1998. Exhibition catalogue.
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Experimental Vision: The Evolution of the Photogram Since 1919. Niwot, Colo.: Roberts Rinehart Publishers; Denver: Denver Art Museum, 1994. Exhibition catalogue.
Expo ’70: Comprehensive Catalogue. Osaka: Japan Association for the World Exposition, 1970. Exhibition catalogue.
Exposition internationale du surréalisme, 1959–1960. Paris: Galerie Daniel Cordier, 1959. Exhibition catalogue.
Eye to I: Self-Portraits from the National Portrait Gallery. Washington, D.C.: National Portrait Gallery; Munich: Hirmer, 2019. Exhibition catalogue.
Fabric into Art. Old Westbury, N.Y.: Office of College Relations, State University of New York/College at Old Westbury, 1980. Exhibition brochure.
Face Value: Portraiture in the Age of Abstraction. Washington, D.C.: National Portrait Gallery, Smithsonian Institution; Lewes, U.K.: D. Giles, 2014. Exhibition catalogue.
Facing America: Mario Schifano, 1960–1965. New York: Center for Italian Modern Art, 2021. Exhibition catalogue.
Fairbrother, Trevor, and Chiyo Ishikawa. Leonardo Lives: The Codex Leicester and Leonardo da Vinci’s Legacy of Art and Science. Seattle: Seattle Art Museum; University of Washington, 1997. Exhibition catalogue.
Falconer, Morgan. Painting Beyond Pollock. London: Phaidon, 2015.
Fall Exhibitions 1972: Selections from the Aldrich Museum Collection and Paintings on Paper. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1972. Exhibition brochure.
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Farbe zu Licht. Ostfildern-Ruit, Germany: Hatje Cantz, 2000. Exhibition catalogue.
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Farmer, Jane M. New American Paperworks. San Francisco: World Print Council, 1982. Exhibition catalogue.
Farmer, John Alan. The New Frontier: Art and Television, 1960–65. Austin, Texas: Museum of Art, 2000. Exhibition catalogue.
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Feinstein, Roni. American Print Renaissance 1958–1988: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1988. Exhibition catalogue.
Feinstein, Roni. Circa 1958: Breaking Ground in American Art. Chapel Hill: Ackland Art Museum, University of North Carolina; University of North Carolina Press, 2008. Exhibition catalogue.
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Felderer, Brigitte, ed. Wunschmaschine, Welterfindung: Eine Geschichte der Technikvisionen seit dem 18. Jahrhundert. Vienna: Springer, 1996. Exhibition catalogue.
Feldman, Morton. “Crippled Symmetry.” RES:Anthropology and Aesthetics, no. 2 (Autumn 1981), pp. 91–103.
Feldman, Morton. “Give My Regards to Eighth Street.” Art in America 59, no. 2 (March–April 1971), pp. 96–99.
Felshin, Nina. Disarming Images: Art for Nuclear Disarmament. New York: Adama Books, 1984. Exhibition catalogue.
Fernand Léger: Paris–New York. Basel: Fondation Beyeler, 2008. Exhibition catalogue.
Festival d’automne à Paris: Aspects de l’art actuel. Florence: Centro Di, 1973. Exhibition catalogue.
Fields, Suzanne. “Art’s Controversies, Beauty and Passion.” Washington Times, March 18, 2002.
Fillin-Yeh, Susan. The Technological Muse. Katonah, N.Y.: Katonah Museum of Art, 1990. Exhibition catalogue.
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Finders/Keepers. Houston: Contemporary Arts Museum Houston, 1997. Exhibition catalogue.
Fine, Ruth E. Gemini G.E.L.: Art and Collaboration. Washington, D.C.: National Gallery of Art; New York: Abbeville, 1984. Exhibition catalogue.
Fine, Ruth E., and Mary Lee Corlett. Graphicstudio: Contemporary Art from the Collaborative Workshop at the University of South Florida. Washington, D.C.: National Gallery of Art, 1991. Exhibition catalogue.
Fineman, Mia, and Beth Saunders. Apollo’s Muse: The Moon in the Age of Photography. New York: Metropolitan Museum of Art, 2019. Exhibition catalogue.
First Annual Exhibition of Lithography. Tallahasse: Florida State University, 1964. Exhibition catalogue.
The First Flint Invitational. Flint, Mich.: Flint Institute of Arts, 1966. Exhibition catalogue.
Fischli, Peter, Chiara Costa, and Mario Mainetti, eds. Stop Painting. Venice: Fondazione Prada, 2021. Exhibition catalogue.
Fishman, Ted C. “The Eyes of Texas.” Newcity (Chicago), October 25, 1990.
Fitzsimmons, James. “Art.” Arts and Architecture 70, no. 10 (October 1953), pp. 9, 32–36.
Five from Louisiana. New Orleans: New Orleans Museum of Art, 1977. Exhibition brochure.
Five in Florida: Recent Work by Anuszkiewicz, Chamberlain, Olitski, Rauschenberg, Rosenquist. Tampa: University of South Florida, 1980. Exhibition catalogue.
Fiz, Alberto. L’arte della bicicletta: Da Duchamp a Rauschenberg. Milan: De Agostini Rizzoli, Arte & Cultura, 2001. Exhibition catalogue.
Fleming, Amy. “Cunningham Main Feature at Edison Gallery to July 3.” Island Reporter (Sanibel, Fla.), June 6–12, 2002, p. 9.
Flomenhaft, Eleanor. The New Explosion: Paper Art. Hempstead, N.Y.: Fine Arts Museum of Long Island, 1982. Exhibition brochure.
Fondiller, Harvey V. “Shows We’ve Seen.” Popular Photography 88, no. 12 (December 1981), pp. 50, 52.
For 25 Years: Gemini G.E.L. New York: Museum of Modern Art, 1991. Exhibition brochure.
Forecast: Shifts in Direction. Santa Fe: Museum of New Mexico, 1994. Exhibition catalogue.
Forgey, Benjamin. “An All-Star Quintet from the 1960s, Now ‘Old Masters.’” Smithsonian 9, no. 11 (February 1979), pp. 80–87.
Forsling, Stephen. “Fizzles, Savage Breeze, Kitty Hawk and a Message from Degas.” Artnews 79, no. 7 (September 1980), pp. 124–28.
Forty Artists Under Forty: From the Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1962. Exhibition catalogue.
Fox, Catherine. “Artists Respond to Nature with Wonder and Anger.” Atlanta Journal/Atlanta Constitution, October 5, 1992, sec. C, p. 3.
Fox, Howard N. Avant-Garde in the Eighties. Los Angeles: Los Angeles County Museum of Art, 1987. Exhibition catalogue.
Fox, Judith Hoos. Boston Collects: Contemporary Painting and Sculpture. Boston: Museum of Fine Arts, 1986. Exhibition catalogue.
Francis, Mark, and Margery King, eds. The Warhol Look: Glamour, Style, Fashion. Boston: Bulfinch, 1997. Exhibition catalogue.
Francis, Mark, and Stefan Ratibor, eds. Pop Art Is: Popular, Transient, Expendable, Low Cost, Mass Produced, Young, Witty, Sexy, Gimmicky, Glamorous, Big Business. London: Gagosian Gallery, 2007. Exhibition catalogue.
Free, Adam. Journey to Now: John Kaldor Art Projects and Collection. Adelaide: Art Gallery of South Australia, 2003. Exhibition brochure.
The Friends Collect: Recent Acquisitions by Members of the Friends of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1964. Exhibition catalogue.
Fressola, Michael. “From Rembrandt to Rauschenberg.” Staten Island (N.Y.) Advance, July 20, 1997, sec. E, pp. 1, 3.
Fressola, Michael J. “Outside the Frame.” Staten Island (N.Y.) Advance, February 24, 1995, sec. B, pp. 1, 3.
Fried, Michael. “New York Letter.” Art International (Lugano, Switzerland) 7, no. 3 (March 1963), pp. 51–55.
Frieling, Rudolph, Boris Groys, Robert Atkins, and Lev Manovich. The Art of Participation: 1950 to Now. San Francisco: San Francisco Museum of Modern Art, 2008. Exhibition catalogue.
Friese, Peter. Kunst nach Kunst: Eine Ausstellung/Art After Art: An Exhibition. Bremen, Germany: Neues Museum Weserburg Bremen, 2002. Exhibition catalogue.
Frontiers Reimagined: Art That Connects Us. Venice: Marsilio, 2015. Exhibition catalogue.
Fuchs, Rudi, and Adam D. Weinberg. Views from Abroad: European Perspectives on American Art 1/Amerikaanse perspectieven: Europese visies op Amerikaanse kunst 1. New York: Whitney Museum of American Art, 1995. Exhibition catalogue.
Fuglsang Mikkelsen, Jacob. Max’s Kansas City: Art Imitating Life, Imitating Art. Copenhagen: Nikolaj Copenhagen Contemporary Art Center, 2004. Exhibition catalogue.
Full House: Views of the Whitney’s Collection at 75. New York: Whitney Museum of American Art, 2006. Exhibition brochure.
“Future Is Now at Korea Show.” New York Times, September 5, 1993, sec. 5, p. 3.
Gablik, Suzi. “Meta-Trompe-l’oeil.” Artnews 64, no. 1 (March 1965), pp. 46–49.
Gablik, Suzi, and John Russell. Pop Art Redefined. London: Thames and Hudson, 1969.
Gachnang, Johannes, and Siegfried Gohr. Bilderstreit: Widerspruch, Einheit und Fragment in der Kunst seit 1960. Cologne: DuMont, 1989. Exhibition catalogue.
Galassi, Peter, Robert Storr, and Anne Umland. Making Choices: 1929, 1939, 1948, 1955. New York: Museum of Modern Art, 2001. Exhibition catalogue.
Galleri Faurschou 1986–2001. Copenhagen: Galleri Faurschou, 2001. Exhibition catalogue.
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Ganz, Kate. Drawing Then: Innovation and Influence in American Drawings of the Sixties. New York: Dominique Lévy, 2016. Exhibition catalogue.
Gardner Coates, Victoria C., Kenneth Lapatin, and Jon L. Seydl, eds. The Last Days of Pompeii: Decadence, Apocalypse, Resurrection. Los Angeles: J. Paul Getty Museum, 2012. Exhibition catalogue.
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Gassiot-Talabot, Gérald. “La panoplie de l’Oncle Sam à Venise.” Aujourd’hui: Art et architecture (Paris) 8, no. 47 (October 1964), pp. 30–33.
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Gelburd, Gail, and Geri De Paoli. The Trans Parent Thread: Asian Philosophy in Recent American Art. Hempstead, N.Y.: Hofstra Museum, Hofstra University; Annandale-on-Hudson, N.Y.: Edith C. Blum Art Institute, Bard College, 1990. Exhibition catalogue.
Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. New York: E. P. Dutton; Metropolitan Museum of Art, 1969. Exhibition catalogue.
Geldzahler, Henry. Pop Art: 1955–70. Sydney: International Cultural Corporation of Australia, 1985. Exhibition catalogue.
Geldzahler, Henry, and Kenworth Moffett. “Pop Art: Two Views.” Artnews 73, no. 5 (May 1974), pp. 30–32.
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Genauer, Emily. “The Merchandise of Venice.” New York Herald Tribune, July 12, 1964, “Sunday Magazine” sec., p. 21.
Gendel, Milton. “Hugger-Mugger in the Giardini.” Artnews 63, no. 5 (September 1964), pp. 34–35.
Genocchio, Benjamin. “Five Centuries of Printmaking Packed into One Museum.” New York Times, April 1, 2007.
Genocchio, Benjamin. “Prints That Say Bold and Eclectic.” New York Times, March 8, 2009.
George, Adrian, ed. Art, Lies and Videotape: Exposing Performance. London: Tate Publishing, 2003. Exhibition catalogue.
Gether, Christian, and Holger Reenberg, eds. Amerikanske mesterværker fra Lilja samlingen: Rauschenberg, Lichtenstein, Rosenquist. Ishøj, Denmark: Arken Museum for Moderne Kunst, 1999. Exhibition catalogue.
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Gilbert, André, ed. America: Entre rêves et réalités. Quebec City: Musée National des Beaux-Arts du Québec, 2022. Exhibition catalogue.
Ginsburg, Susan. 3D into 2D: Drawing for Sculpture. New York: New York Cultural Center, 1973. Exhibition brochure.
Glauber, Alex. The Coveter. New York: Dickinson Roundell, 2016. Exhibition catalogue.
Glenn, Constance. The Artist Observed: Photographs by Sidney B. Felsen. Santa Fe, N.M.: Twin Palms Publishers, 2003.
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Glenn, Constance W. The Great American Pop Art Store: Multiples of the Sixties. Santa Monica: Smart Art; University Art Museum, California State University, Long Beach, 1997. Exhibition catalogue.
Glenstone: The Inaugural Exhibition. Potomac, Md.: Glenstone Foundation, 2008. Exhibition catalogue.
Glentzer, Molly. “Trisha Brown: The Art of the Dance.” Houston Chronicle, July 6, 2003, pp. 11, 14.
Glimcher, Arne. 50 Years at Pace. New York: Pace Gallery, 2010. Exhibition catalogue.
Glimcher, Mildred, ed. Adventures in Art: Forty Years at Pace. Milan: Leonardo International/Talk Miramax Books, 2001.
Glimcher, Mildred L. Happenings: New York, 1958–1963. New York: Monacelli, 2012. Exhibition catalogue.
Gilmour, Pat, and Anne Willsford. Paperwork. Canberra: Australian National Gallery, 1982. Exhibition catalogue.
Glover, Michael. “High, Pure Air of Idealism.” Financial Times (London), February 1, 2006, p. 15.
Glozer, Laszlo. “Festmahl auf Kosten der Geschichte.” Süddeutsche Zeitung (Munich), May 13, 1993, p. 13.
Glozer, Laszlo. Westkunst: Zeitgenössische Kunst seit 1939. Cologne: DuMont, 1981. Exhibition catalogue.
Glueck, Grace. “The 20th-Century Artists Most Admired by Other Artists.” Artnews 76, no. 9 (November 1977), pp. 95–97.
Glueck, Grace. “Art: Puerto Rican Show in Bronx.” New York Times, January 26, 1979, sec. C, p. 14.
Glueck, Grace. “Art Notes: Cutting Culture.” New York Times, February 23, 1964, sec. X, p. 16.
Glueck, Grace. “Art Notes: Going, Going, Up.” New York Times, February 16, 1964, sec. 2, p. 16.
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Glueck, Grace. “Ben Shahn Shines On.” New York Times, October 13, 1968, sec. D, p. 39.
Glueck, Grace. “A Collector’s Collector Whose Works Went Pop.” New York Times, May 4, 2001, sec. E, p. 35.
Glueck, Grace. “From the Smithsonian, a Modern Tasting Menu.” New York Times, February 8, 2002, sec. E, p. 33.
Glueck, Grace. “How Picasso’s Vision Affects American Artists.” New York Times, June 22, 1980, sec. 2, pp. 1, 25.
Glueck, Grace. “The Little Show That Isn’t There.” New York Times, August 2, 1964, sec. X, p. 16.
Glueck, Grace. “The Met Makes Its Move into the 20th Century.” New York Times, January 18, 1987, sec. 2, pp. 1, 20.
Glueck, Grace. “Paradigms, Watersheds and Frosting on the Cake.” Artnews 78, no. 8 (October 1979), pp. 186–203.
Glueck, Grace. “Primer on Printmaking That Stresses Innovation.” New York Times, December 8, 2000, sec. E, p. 40.
Glueck, Grace. “Prizing Craft and Satire, If Not the Avant-Garde.” New York Times, June 7, 2002, sec. E, p. 34.
Glueck, Grace. “Virtuosity, from Heart to Hand to Paper.” New York Times, June 27, 1997, p. 23.
Godfrey, Tony. Conceptual Art. London: Phaidon, 1998.
Golding, Martin. “An Echo in the Body.” Modern Painters 11, no. 1 (Spring 1998), pp. 110–13.
Golding, Martin. “New York: The Painter and the City.” Modern Painters 14, no. 3 (Autumn 2001), pp. 106–13.
Goldman, Judith. In Honor of Leo Castelli Gallery’s 30th Anniversary: New Works by Jasper Johns, Roy Lichtenstein, Robert Rauschenberg, Richard Serra, Frank Stella. Tokyo: Akira Ikeda Gallery, 1988. Exhibition catalogue.
Goldman, Judith. Print Publishing in America. Washington, D.C.: United States International Communication Agency, 1979. Exhibition catalogue.
Goldman, Judith. Robert and Ethel Scull: Portrait of a Collection. New York: Acquavella Galleries, 2010. Exhibition catalogue.
Goldman, Judith. “Touching Moonlight.” Artnews 77, no. 9 (November 1978), pp. 61–63.
Goode-Bryant, Linda, Thomas J. Lax, and Lilia Rocio Taboada, eds. Just Above Midtown: Changing Spaces. New York: Museum of Modern Art, 2022. Exhibition catalogue.
Goodeve, Thyrza Nichols. “Genius Envy.” Artforum 35, no. 3 (November 1996), pp. 9–10.
Goodman, Cynthia. Digital Visions: Computers and Art. New York: Harry N. Abrams; Syracuse, N.Y.: Everson Museum of Art, 1987. Exhibition catalogue.
Goodrich, Lloyd. Art of the United States: 1670–1966. New York: Whitney Museum of American Art, 1966. Exhibition catalogue.
Goodyear, Anne Collins, Jonathan Frederick Walz, and Kathleen Merrill Campagnolo, with Dorinda Evans. This Is a Portrait If I Say So: Identity in American Art, 1912 to Today. Brunswick, Maine: Bowdoin College Museum of Art; New Haven, Conn.: Yale University Press, 2016. Exhibition catalogue.
Gordon, Peter H., ed. Diamonds Are Forever: Artists and Writers on Baseball. San Francisco: Chronicle Books, 1987. Exhibition catalogue.
Göricke, Jutta. “Wie Sie sehen, sehen Sie schwarz.” Süddeutsche Zeitung (Munich), September 16, 2006, p. 17.
Gosling, Nigel. “Pioneers of Pop.” Observer (London), November 3, 1963, p. 27.
Gosling, Nigel. “This Is Our Life.” Observer (London), April 26, 1964, “Weekend Review” sec., p. 25.
Got Cow?: Cattle in American Art, 1820–2000. Yonkers, N.Y.: Hudson River Museum, 2006. Exhibition catalogue.
Gouveia, Georgette. “The Wings of the Dove.” Central Journal News (White Plains, N.Y.), March 16, 2003.
Graber, Shane. “Art on a Rail.” Beaumont (Texas) Enterprise, November 16, 2002, sec. A, pp. 1, 5.
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Graphica Creativa ’84/Luova grafiikka ’84. Jyväskylä, Finland: Alvar Aalto Museo, 1984. Exhibition catalogue.
The Great American Rodeo. Fort Worth, Texas: Fort Worth Art Museum, 1976. Exhibition catalogue.
Grenzmann, Teresa. “Nullpunkt der Malerei.” Münchner Merkur (Munich), September 14, 2006, p. 19.
Griffin, Tim. “Left Wanting.” Artforum 42, no. 1 (September 2003), pp. 180–81, 246, 251.
Griffin, Tim. “Review: Trisha Brown.” Artforum 42, no. 4 (December 2003), p. 142.
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Kunde, Harald, ed. Stichwort Gegenwart: Die aktuelle Bestandsaufnahme. Cologne: Walther König, 2007. Exhibition catalogue.
Kunitz, Daniel. “Rainbow Coalition.” New York Sun, March 6, 2008, pp. 17, 23.
Kunst als Grenzbeschreitung: John Cage und die Moderne. Munich: Bayerische Staatsgemäldesammlungen, 1991. Exhibition catalogue.
Kurz, Martina. “Reiber, Rauscher, Zischer, Heuler.” Frankfurter Allgemeine Zeitung, August 4, 1995, p. 34.
Kushner, Marilyn S. Digital: Printmaking Now. Brooklyn, N.Y.: Brooklyn Museum of Art, 2001. Exhibition catalogue.
Kushner, Marilyn Satin. Donald Saff: Art in Collaboration. Munich: DelMonico/Prestel, 2010.
L’art conceptuel, une perspective. Paris: Paris-Musées, 1989. Exhibition catalogue.
L’art vivant 1965–1968. Saint-Paul de Vence, France: Fondation Maeght, 1968. Exhibition catalogue.
L’art vivant aux Etats-Unis. Saint-Paul de Vence, France: Fondation Maeght, 1970. Exhibition catalogue.
La Biennale di Venezia, 46. Esposizione internazionale d’arte: Identity and Alterity, Figures of the Body 1895/1995. Venice: Marsilio, 1995. Exhibition catalogue.
La Collezione Sonnabend: Dalla pop art in poi. Milan: Electa, 1989. Exhibition catalogue.
La couleur seule: L’expérience du monochrome. Lyon: Octobre des Arts, 1988. Exhibition catalogue.
La Marre, Rebecca, ed. The Sonnabend Collection. Saskatoon, Saskatchewan, Canada: Remai Modern, 2020. Exhibition catalogue.
La rime et la raison: Les collections Ménil (Houston–New York). Paris: Éditions de la Réunion des Musées Nationaux, 1984. Exhibition catalogue.
La sculpture contemporaine après 1970. Fréjus, France: Fondation Daniel Templon–Musée Temporaire, 1991. Exhibition catalogue.
Large Scale American Paintings. New York: Jewish Museum, 1967. Exhibition brochure.
Larsen, Lars Bang, ed. Mud Muses: A Rant About Technology. London: Koenig Books; Stockholm: Moderna Museet, 2019. Exhibition catalogue.
Larson, Kay. “Cage Was Not Only All Ears, He Was All Eyes, Too.” New York Times, February 4, 2001, sec. 2, p. 40.
Larson, Kay. “Pop in Perspective.” New York 17, no. 42 (October 22, 1984), pp. 140, 142.
Larson, Kay. “Top of the Pop.” New York 24, no. 38 (September 30, 1991), pp. 72–73.
Larson, Philip. Johns Kelly Lichtenstein Motherwell Nauman Rauschenberg Serra Stella: Prints from Gemini G.E.L. Minneapolis: Walker Art Center, 1974. Exhibition catalogue.
Larson, Philip. “Words in Print.” Print Collector’s Newsletter 5, no. 3 (July–August 1974), pp. 53–56.
Laurberg, Marie. The Moon: From Inner Worlds to Outer Space. Humelbæk, Denmark: Louisiana Museum of Modern Art, 2018. Exhibition catalogue.
Le Gall, Shalini, ed. Painting Energy: The Alex Katz Foundation Collection at the Portland Museum of Art. New Haven, Conn.: Yale University Press, 2025. Exhibition catalogue.
Le territoire de l’art, 1910–1990. 2 vols. Paris: Institut des Hautes Études en Arts Plastiques; Leningrad: Musée Russe, 1990. Exhibition catalogue.
Lebrero Stals, José, ed. Dennis Hopper: On the Road. Málaga, Spain: Fundación Museo Picasso Málaga, 2013. Exhibition catalogue.
Lee, David. “American Art: The Good, the Bad and Julian Schnabel.” Art Review (London) 45 (November 1993), pp. 32–38.
Lee, Pamela. Drawing Is Another Kind of Language: Recent American Drawings from a New York Private Collection. Cambridge, Mass.: Harvard University Art Museums, 1997. Exhibition catalogue.
Lee, Yongwoo. Recycling Through Art. Seoul: Gallery Godot, 1993. Exhibition catalogue.
Leffingwell, Edward. “Drawn to Dance.” Art in America 92, no. 5 (May 2004), pp. 91–95.
Lehmann, Ulrich. Auto-nom: Das Automobil in der zeitgenössischen Kunst. Ostfildern-Ruit, Germany: Hatje Cantz, 2003. Exhibition catalogue.
Lehmbeck, Leah, ed. Proof: The Rise of Printmaking in Southern California. Pasadena, Calif.: Getty Publications; Norton Simon Museum, 2011. Exhibition catalogue.
Leider, Philip. “Modern American Art at the Met.” Artforum 8, no. 4 (December 1969), pp. 62–65.
Leister, Brooke. “A Flow of Ideas.” Milford (Mass.) Daily News, October 14, 2001, sec. C, pp. 1–2.
Lelievre, Matthew. Space Age. Paris: Galerie Thaddaeus Ropac, 2015. Exhibition catalogue.
Leo Castelli: A Tribute Exhibition. Youngstown, Ohio: Butler Institute of American Art, 1987. Exhibition catalogue.
Leo Castelli y sus artistas: XXX años de promocion del arte contemporaneo. Mexico City: Centro Cultural Arte Contemporáneo, 1987. Exhibition catalogue.
Leo Castelli’s Artists: U.S.A. 1970–1990. Knokke-Heist, Belgium: Casino Knokke, 1990. Exhibition catalogue.
Leonard, William Albers. Monumental Art. Cincinnati: Contemporary Arts Center, 1970. Exhibition catalogue.
Lequex, Emmanuelle. “Duchamp mis à nu par Philadelphie, même.” Le Monde, January 6, 2013, p. 16.
Les 100 sourires de Monna Lisa. Tokyo: Nihon Keizai Shinbunsha, 2000. Exhibition catalogue.
Les années Pop, 1956–1968. Paris: Éditions du Centre Pompidou, 2001. Exhibition catalogue.
Less Is More: An Exhibition of Minimal Painting. New York: Sidney Janis Gallery, 1977. Exhibition catalogue.
Levine, Les. “The Golden Years: A Portrait of Eleanor Ward.” Arts Magazine (New York) 48, no. 7 (April 1974), pp. 42–43.
Levy, Ellen. A Book About Ray. Cambridge, Mass.: MIT Press, 2024.
Lewis, Jo Ann. “The Mother of Invention.” Washington Post, September 18, 1991, sec. B, pp. 1, 10–11.
Lewis, Jo Ann. “‘Setting Standards’ at the Corcoran.” Artnews 78, no. 4 (April 1979), pp. 85, 88–89.
Lewis, Jo Ann. “Suddenly, Old Masters: Painting Is Just Not as Good Now as These Painters Were Ten Years Ago.” Washington Post Magazine, February 25, 1979, pp. 20–21, 23–24.
Lichtenstein: Chinese Landscapes + Rauschenberg: 7 Chinese Characters. Naples, Fla.: Eckert Fine Art, 2004. Exhibition brochure.
Lieberman, William S. 20th Century Masters: The Thyssen-Bornemisza Collection. Washington, D.C.: International Exhibitions Foundation, 1982. Exhibition catalogue.
Lieberman, William S., ed. Manhattan Observed: Selections of Drawings and Prints. New York: Museum of Modern Art, 1968. Exhibition catalogue.
Life Death Love Hate Pleasure Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Chicago: Museum of Contemporary Art, Chicago, 2002. Exhibition catalogue.
Lim, Sandra Junyoung. “Expanding the Lyric Terrain: The New York School of Poets in the Context of the Visual and Performing Arts.” PhD diss., University of California, Berkeley, 2002. ProQuest (251702734).
Lipman, Jean, and Richard Marshall. Art About Art. New York: E. P. Dutton; Whitney Museum of American Art, 1978. Exhibition catalogue.
Lippard, Lucy. “New York Letter, April–June 1965.” Art International (Lugano, Switzerland) 9, no. 6 (September 20, 1965), p. 57.
Lipson, Karin. “Gemini Workshop’s Silver Celebration.” Newsday (Long Island, N.Y.), May 5, 1995, Nassau ed., pt. II, p. 16.
Lipson, Karin. “View from an Active Art Era.” Newsday (Long Island, N.Y.), August 21, 1991, Nassau County ed., pt. II, p. 61.
Litt, Steven. “Performance Art Exhibition Should Be on Your Agenda.” Plain Dealer (Cleveland), March 20, 1994, sec. I, p. 4.
Littman, Robert R. Graphics in Long Island Collections from the Studio of Universal Limited Art Editions. Hempstead, N.Y.: Hofstra University, 1970. Exhibition catalogue.
Livingstone, Marco, ed. Pop Art: An International Perspective. London: Royal Academy of Arts, 1991. Exhibition catalogue.
Loercher, Diana. “A Triple Lift-Off for American Art.” Christian Science Monitor, February 1, 1973, p. 16.
Loewen, Norma. “Experiments in Art and Technology: A Descriptive History of the Organization.” PhD diss., New York University, 1975. ProQuest (287918505).
London/New York/Hollywood: A New Look in Prints. Boston: Institute of Contemporary Art, 1966. Exhibition brochure.
Long Island Collects: An Exhibition Celebrating Art from Long Island Collections. Rosyln Harbor, N.Y.: Nassau County Museum of Art, 2002. Exhibition catalogue.
Long, Robert. “Rauschenberg and Larry Rivers.” East Hampton (N.Y.) Star, July 3, 2003, sec. C, p. 7.
Lord, J. Barry. “Pop Art in Canada.” Artforum 2, no. 9 (March 1964), pp. 28–31.
Lost in Italy. London: Luxembourg + Co., 2021. Exhibition catalogue.
Louis, Eleonora, and Toni Stooss, eds. Die Sprache der Kunst: Die Beziehung von Bild und Text in der Kunst des 20. Jahrhunderts. Stuttgart, Germany: Cantz, 1993. Exhibition catalogue.
Lovelace, Carey. “Oh No!: Mistakes into Masterpieces.” Artnews 95, no. 1 (January 1996), pp. 118–21, 123.
Lynes, Barbara Buhler, and Jonathan Weinberg, eds. Shared Intelligence: American Painting and the Photograph. Berkeley: University of California Press, 2011. Exhibition catalogue.
Lynton, Norbert. “London Letter.” Art International (Lugano, Switzerland) 8, no. 3 (April 25, 1964), pp. 76–77.
Lyons, Leonard. “The Lyons Den.” Baltimore Sun, January 5, 1966, sec. B, p. 6.
Maber, Marie. “Blurring the Line.” Digital Fine Art Magazine (Manalapan, N.J.) 3, no. 2 (Summer 2001), cover, pp. 32–37.
MacAdam, Alfred. “Contemporary Illustrated Books: Franklin Furnace.” Artnews 89, no. 6 (Summer 1990), pp. 176–77.
Macaulay, Alastair. “Cunningham and Johns: Rare Glimpses into a Collaboration.” New York Times, January 7, 2013, sec. C, p. 9.
Macel, Christine, and Emma Lavigne, eds. Danser sa vie: Art et danse de 1900 à nos jours. Paris: Éditions du Centre Pompidou, 2011. Exhibition catalogue.
Mackrell, Judith. “Marcel Duchamp’s Gift to New York.” Guardian (London), January 6, 2013.
Made in Florida. Tampa: University of South Florida Art Museum, 1989. Exhibition catalogue.
Made in Italy. Rome: Gagosian Gallery, 2011. Exhibition catalogue.
Magic Markers: Objects of Transformation. Des Moines, Iowa: Des Moines Art Center, 2003. Exhibition catalogue.
Mallé, Luigi. New-dada e Pop Art newyorkesi. Turin, Italy: Galleria Civica d’Arte Moderna, 1969. Exhibition catalogue.
Malone, Micah J. “9 Evenings Reconsidered at the MIT List.” Big Red and Shiny (Boston) 1, no. 44 (June 18, 2006).
Malsch, Friedemann, ed. Aus der Sammlung. Bielefeld, Germany: Kerber; Vaduz: Kunstmuseum Liechtenstein, 2015. Exhibition catalogue.
Malz, Isabelle. The Problem of God. Bielefeld, Germany: Kerber, 2015. Exhibition catalogue.
Manchanda, Catharina. Beauty and the Blonde: An Exploration of American Art and Popular Culture. St. Louis: Mildred Lane Kemper Art Museum, Washington University in St. Louis, 2007. Exhibition brochure.
Mantura, Bruno, ed. Contemporanea. Florence: Incontri Internazionale d’Arte, 1973. Exhibition catalogue.
Manzo, Sandro. Ieri Oggi/Yesterday Today: 40 anni del Gabbiano. Rome: Il Gabbiano Edizioni d’Arte, 2007. Exhibition catalogue.
Mapped Art: Charts, Routes, Regions. New York: Independent Curators Incorporated, 1981. Exhibition catalogue.
Marandel, J. Patrice. “‘Art and Technology’ à Los Angeles.” Art International (Lugano, Switzerland) 15, no. 6 (Summer 1971), pp. 100–103, 108.
Marandel, J. Patrice. Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art. Providence: Museum of Art, Rhode Island School of Design, 1973. Exhibition catalogue.
Marger, Mary Ann. “State to Honor Artists, Patrons.” St. Petersburg (Fla.) Times, February 17, 1992, sec. D, p. 3.
Marking the Decades: Prints 1960–1990. Baltimore: Baltimore Museum of Art, 1992. Exhibition catalogue.
Marks, Edward B. For a Better World: Posters from the United Nations. San Francisco: Pomegranate, 2000. Exhibition catalogue.
Marlow, Tim. “Robert Rauschenberg.” Tate, no. 16 (Winter 1998), pp. 42–47.
Marquis, Alice Goldfarb. The Pop Revolution. Boston: Museum of Fine Arts Publications, 2010.
Martin, Judith. “Aid for Artists?” Washington Post, June 23, 1976, sec. B, p. 3.
Marussi, Garibaldo. “Una Biennale inquietante.” Le Arti (Milan) 14, nos. 7–8 (July–August 1964), pp. 4–15.
Masheck, Joseph. “Hard-Core Painting.” Artforum 16, no. 8 (April 1978), pp. 46–55.
Mason, Marilynne S. “Seeing the World Through Photograms.” Christian Science Monitor, March 21, 1994, p. 16.
Mason, Paul. Pop Artists. Chicago: Heinemann Library, 2003.
Master Drawings 1520–1990. New York: Janie C. Lee and Kate Ganz, 1991. Exhibition catalogue.
Master Drawings from the Minneapolis Institute of Arts. Minneapolis: Minneapolis Institute of Arts, 2014. Exhibition catalogue.
Master Drawings of the Twentieth Century. New York: Mitchell-Innes & Nash, 1998. Exhibition catalogue.
Materials/Manipulations. New York: Whitney Museum of American Art, 1974. Exhibition brochure.
Matthews, Nancy. Outward Bound: American Art at the Brink of the Twenty-First Century. Washington, D.C.: Meridian International Center, 1999. Exhibition catalogue.
Mattison, Robert S., and Loretta Howard. Black Mountain College and Its Legacy. New York: Loretta Howard Gallery, 2011. Exhibition brochure.
Maurizio Cattelan: Is There Life Before Death? Houston: Menil Collection, 2010. Exhibition catalogue.
Max’s Kansas City 30th Anniversary Reunion and Benefit. New York: Max’s Kansas City Project, 1996. Exhibition brochure.
Mazzoni, Ira. “Einfach Schwarz.” DB: Deutsche Bauzeitung (Leinfelden-Echterdingen, Germany) 140, no. 9 (September 2006), p. 3.
McCabe, Cynthia Jaffee. Artistic Collaboration in the Twentieth Century. Washington, D.C.: Smithsonian Institution Press for the Hirshhorn Museum and Sculpture Garden, 1984. Exhibition catalogue.
McCardle, Dorothy. “Much Debate at This Show.” Washington Post, April 22, 1963, sec. B, p. 4.
McClintic, Miranda. Modernism and Abstraction: Treasures from the Smithsonian American Art Museum. New York: Watson-Guptill, 2001. Exhibition catalogue.
McCormick, Seth. “Jasper Johns, 1954–1958: Persecution and the Art of Painting.” PhD diss., Columbia University, New York, 2007. ProQuest (304862498).
McDarrah, Fred W. The Artist’s World in Pictures. New York: E. P. Dutton, 1961.
McDonagh, Don. The Rise and Fall and Rise of Modern Dance. New York: Outerbridge and Dienstfrey, 1970.
McDonagh, Donald. “Unexpected Assemblage!: Four Artists Who in Unique Collaboration with Dancers, Move ‘Far Out’ from Traditional Forms.” Dance Magazine 39, no. 6 (June 1965), pp. 42–44, 78.
McDonald, Alison, and Louise Neri, eds. Go Figure. New York: Gagosian Gallery, 2009. Exhibition catalogue.
McEwen, John. “Some Boxes Are Better Left Closed.” Sunday Telegraph (London), January 8, 1995, “Art” sec., p. 8.
McKenna, George L. Art by Chance: Fortuitous Impressions. Kansas City, Mo.: Nelson-Atkins Museum of Art, 1989. Exhibition catalogue.
McKenna, Kristine. “200-Ring Circus.” Los Angeles Magazine 38, no. 9 (September 1993), pp. 118–21.
McKenna, Kristine. “Radical Point of View.” Los Angeles Times, July 14, 1996, “Calendar” sec., pp. 7, 84.
McQuaid, Cate. “Feats (and Follies) of Technology.” Boston Globe, June 18, 2006.
McShine, Kynaston, ed. Andy Warhol: A Retrospective. New York: Museum of Modern Art, 1989. Exhibition catalogue.
McShine, Kynaston L., ed. Information. New York: Museum of Modern Art. 1970. Exhibition catalogue.
Meade, Fionn, and Joan Rothfuss, eds. Merce Cunningham: Common Time. Minneapolis: Walker Art Center, 2017. Exhibition catalogue.
Mellby, Julie. Splendid Pages: The Molly and Walter Bareiss Collection of Modern Illustrated Books. New York: Hudson Hills; Toledo, Ohio: Toledo Museum of Art, 2003. Exhibition catalogue.
Melville, Robert. “Exhibitions.” Architectural Review (London) 131, no. 783 (May 1962), pp. 358–59.
Melville, Robert. “The Avant-Garde at the Tate.” New Statesman 67, no. 1729 (May 1, 1964), p. 695.
Melville, Robert. “Miscellany: Fear of the Banal.” Architectural Review (London) 135, no. 806 (April 1964), pp. 291–93.
Mémoire de la liberté: Les artistes imagent la liberté, déclaration universelle des droits de l’homme. Paris: Gefrart, 1991. Exhibition catalogue.
The Menil Collection: A Selection from the Paleolithic to the Modern Era. New York: Harry N. Abrams, 1987.
Mestres del collage: De Picasso a Rauschenberg. Barcelona: Fundació Joan Miró, 2005. Exhibition catalogue.
Métamorphose de l’objet: Art et anti-art, 1910–1970. Brussels: La Connaissance, 1971. Exhibition catalogue.
Meyer, James Sampson. The Double: Identity and Difference in Art Since 1900. Washington, D.C.: National Gallery of Art, 2022. Exhibition catalogue.
Meyer, James. “Introduction to the ‘Minimal’ 1: ‘Black, White, and Gray.’” In Minimalism: Art and Polemics in the Sixties, by James Meyer, pp. 76–81. New Haven, Conn.: Yale University Press, 2001.
Meyer, James. Los Angeles to New York: Dwan Gallery, 1959–1971. Washington, D.C.: National Gallery of Art; Chicago: University of Chicago Press, 2016. Exhibition catalogue.
Meyer, Richard. “Intimate Collaborations.” Artforum 51, no. 8 (April 2013), pp. 117–18.
Michalka, Matthias, ed. X-Screen: Film Installations and Actions in the 1960s and 1970s. Cologne: Walther König, 2004. Exhibition catalogue.
Michelson, Annette. “Paris Letter.” Art International (Lugano, Switzerland) 7, no. 4 (April 25, 1963), p. 71.
Milani, Joanne. “Artworks at USF Put Pop Culture in Perspective.” Tampa (Fla.) Tribune, September 10, 2000.
Miles, Christopher. “Rock on the Wall.” Detour (Los Angeles) (October 1996), pp. 169–70.
Millar, Jeremy. “The Bride and the Bachelors and Robert Rauschenberg.” Frieze, no. 155 (May 2013), pp. 218–19.
Miller, Dorothy C., ed. Sixteen Americans. New York: Museum of Modern Art, 1959. Exhibition catalogue.
Miller, Jonathan. “À la Mod.” New Statesman 67, no. 1733 (May 29, 1964), p. 853.
Miller, Mara. The Masters: Art Students League Teachers and Their Students. New York: Hirschl & Adler Galleries, 2018. Exhibition catalogue.
Miller, Paul. “The Engineer as Catalyst: Billy Klüver on Working with Artists.” IEEE Spectrum (Institute of Electrical and Electronics Engineers, New York) 35, no. 7 (July 1998), pp. 20–29.
Millet, Catherine. “CAPC, an Anniversary in Paint.” Art Press (Paris), no. 187 (January 1994), pp. E13–17.
Millet, Catherine. “Passions privées: Private Passions on Public Display.” Art Press (Paris), no. 211 (March 1996), pp. 65–67.
Mixed Media and Pop Art. Buffalo, N.Y.: Buffalo Fine Arts Academy; Albright-Knox Art Gallery, 1963. Exhibition catalogue.
Młodzińska, Joanna, ed. Współczesna grafika amerykańska z kolekcji Torstena Lilji: Dine, Hockney, Johns, Lichtenstein, Oldenburg, Rauschenberg, Rosenquist, Stella. Warsaw: Galeria Sztuki Wspołczesnej Zachęta, 1999. Exhibition catalogue.
Mocsanyi, Paul. Museum Leaders Collect: Selections from the Private Collections of Ten New York Museum Directors and Curators. New York: New School Art Center, 1970. Exhibition catalogue.
Mocsanyi, Paul. Protest and Hope: An Exhibition of Contemporary American Art. New York: New School Art Center, 1967. Exhibition catalogue.
The Modern Drawing: One Hundred Works on Paper from The Museum of Modern Art. London: Thames and Hudson, 1983. Exhibition catalogue.
Modern Masters from Chicago Collections. Chicago: Museum of Contemporary Art Chicago, 1972. Exhibition catalogue.
Modern Nude Paintings 1880–1980. Osaka: National Museum of Art, 1983. Exhibition catalogue.
Modernist Intersections: The Tia Collection. Tuscon: University of Arizona Museum of Art, 2016. Exhibition catalogue.
Molesworth, Helen Anne. “At Home with Duchamp: The Readymade and Domesticity.” PhD diss., Cornell University, Ithaca, N.Y., 1998. ProQuest (304433576).
Molesworth, Helen. Part Object, Part Sculpture. Columbus: Wexner Center for the Arts, Ohio State University; University Park: Pennsylvania State University Press, 2005. Exhibition catalogue.
Molesworth, Helen, ed. Work Ethic. Baltimore: Baltimore Museum of Art; University Park: Pennsylvania State University Press, 2003. Exhibition catalogue.
Molesworth, Helen, with Ruth Erickson. Leap Before You Look: Black Mountain College, 1933–1957. Boston: Institute of Contemporary Art; New Haven, Conn.: Yale University Press, 2015. Exhibition catalogue.
Monachesi, Luce. La gloria di New York: Artisti americani dalla collezione Ludwig/Glory of New York: American Artists from the Ludwig Collection. St. Petersburg, Russia: Palace, 2001. Exhibition catalogue.
Monahan, Laurie, Anna-Marie Sanchez, and Christopher Scoates. Grand Gestures: The Gordon F. Hampton Collection. Long Beach, N.Y.: University Art Museum, 2007. Exhibition catalogue.
Monk, Philip. “Trash as a Cultural System: Rauschenberg, Warhol, Smith and Shifting Museum Practices.” C Magazine (Toronto), no. 58 (May–August 1998), pp. 17–25.
Monochrome No. 2. London: Ordovas, 2020. Exhibition catalogue.
Monteil, Annemarie. The Spirit of White. Basel: Galerie Beyeler, 2003. Exhibition catalogue.
Moorman, Margaret. “Disparate Delicacies Bloom in ‘Transparent Thread.’” Newsday (Long Island, N.Y.), October 5, 1990, Suffolk ed., pt. II, p. 19.
Morgan, Robert C. “‘Radio Waves: New York, Nouveau Réalisme and Rauschenberg,’ Sperone Westwater.” Sculpture 33, no. 7 (September 2014), pp. 74–75.
Morris, Gay. “When Artists Use Photographs: Is It Fair Use, Legitimate Transformation, or Rip-Off?” Artnews 80, no. 1 (January 1981), pp. 102–6.
Morris, Robert. “American Quartet.” Art in America 69, no. 10 (December 1981), pp. 92–105.
Moser, Joann. Pop Art Prints: Selections from the Condron Collection. Washington, D.C.: Georgetown University Art Galleries, 2013. Exhibition catalogue.
Moyano, Maricla. “Pop: Interviews with Artist Robert Rauschenberg, Choreographer Yvonne Rainer and Composer John Cage in Washington Last Month for the NOW Festival.” Washington Post Potomac, June 5, 1966, pp. 26–34.
Muchnic, Suzanne. “Apocalyptic Visions on View.” Los Angeles Times, July 6, 1985, “Calendar” sec., p. 1.
Muchnic, Suzanne. “The Galleries: Santa Monica.” Los Angeles Times, November 6, 1987, sec. 6, p. 12.
Muchnic, Suzanne. “A Stunning Aesthetic Event.” Los Angeles Times, February 11, 1985, “Calendar: sec., p. 1.
Müller-Hauck, Janni, ed. Was die Schönheit sei, das weiß ich nicht: Künstler—Theorie—Werk. Cologne: DuMont Schauberg, 1971. Exhibition catalogue.
Mulligan, Kate. “Printmaking’s Positive Images.” Washington Times, February 23, 1997, sec. D, pp. 1, 5.
Munroe, Alexandra, ed. The Third Mind: American Artists Contemplate Asia, 1860–1989. New York: Solomon R. Guggenheim Foundation, 2009. Exhibition catalogue.
Murrow, Edward R. “Why Export Culture?” Art in America 50, no. 4 (Winter 1962), pp. 84–87.
My Country ’Tis of Thee. Los Angeles: Dwan Gallery, 1962. Exhibition catalogue.
Nacking, Åsa, and Bo Nilsson, eds. Oskuldens århundrade: Den vita monokromens historia/Century of Innocence: The History of the White Monochrome. Malmö, Sweden: Rooseum Center for Contemporary Art; Stockholm: Liljevalchs Konsthall, 2000. Exhibition catalogue.
Nasgaard, Roald. Selections from the Roger and Myra Davidson Collection of International Contemporary Art. Toronto: Art Gallery of Ontario, 1986. Exhibition catalogue.
Naumann, Frances M. “Minneapolis: The Legacy of Marcel Duchamp.” Burlington Magazine 137, no. 1103 (February 1995), pp. 137–39.
Nelson, Nels. “Junk Yard Art—A Smashing Success.” Philadelphia Daily News, October 30, 1962, p. 72.
Nesin, Kate. Cy Twombly’s Things. New Haven, Conn.: Yale University Press, 2014.
Nestor, Sarah. “Letter from the Editor.” El Palacio (Santa Fe, N.M.) 92, no. 3 (Spring 1987), p. 2.
Neue Realisten und Pop Art. Berlin: Akademie der Künste, 1964. Exhibition catalogue.
Neue Realitäten: FotoGrafik von Warhol bis Havekost. Cologne: Wienand, 2011. Exhibition catalogue.
The New American Realism. Worcester, Mass.: Worcester Art Museum, 1965. Exhibition catalogue.
New Dimensions in Drawing, 1950–1980. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1981. Exhibition catalogue.
New Directions in American Painting. Waltham, Mass.: Poses Institute of Fine Arts, Brandeis University, 1963. Exhibition catalogue.
New Media—New Forms One: Junk Culture as Tradition. New York: Martha Jackson Gallery, 1960. Exhibition brochure.
New Visions: Contemporary Masterworks from the Bank of America Collection. Charlotte, N.C.: Mint Museum, 2010. Exhibition brochure.
The New York School: Four Decades; Guggenheim Collection and Major Loans. New York: Solomon R. Guggenheim Foundation, 1982. Exhibition brochure.
New York: The Second Breakthrough, 1959–1964. Irvine: Art Gallery, University of California, 1969. Exhibition catalogue.
The New York School: Second Generation. New York: Jewish Museum, 1957. Exhibition brochure.
New York: The State of Art. Albany: New York State Museum, 1977. Exhibition catalogue.
Nieuwe Realisten. The Hague: Gemeentemuseum, 1964. Exhibition brochure.
New York 13. Vancouver: Vancouver Art Gallery, 1969. Exhibition catalogue.
New York Collection for Stockholm. Stockholm: Moderna Museet, 1973. Exhibition catalogue.
New York Prints of Mind: Prints from Universal Limited Art Editions. Cazenovia, N.Y.: Stone Quarry Hill Art Park, 2011. Exhibition catalogue.
Nilsen, Richard. “Rock in an Art Place.” Arizona Republic (Phoenix), March 23, 1997, sec. E, pp. 1, 4.
Ninety Years: Nurturing the New. Philadelphia: Print Center, 2005. Exhibition brochure.
Nitve, Lars. Implosion: Ett postmodernt perspektiv. Stockholm: Moderna Museet, 1987. Exhibition catalogue.
Nordland, Gerald. “Neo-Dada Goes West.” Arts Magazine (New York) 36, no. 9 (May–June 1962), pp. 102–3.
Nordness, Lee, ed. Art: USA: Now. 2 vols. Lucerne, Switzerland: Verlag C.J. Bucher, 1962. Exhibition catalogue.
Not Exactly Photographs. San Francisco: Fraenkel Gallery, 2003. Exhibition catalogue.
Nothing and Everything. San Francisco: Fraenkel Gallery, 2006. Exhibition catalogue.
Nouveau Réalisme: Revolution des Alltäglichen. Ostfildern, Germany: Hatje Cantz, 2007. Exhibition catalogue.
Novick, Elisabeth. “Happenings in New York.” Studio International 172, no. 881 (September 1966), pp. 154–59.
The Object as Poet. Washington, D.C.: Smithsonian Institution, 1977. Exhibition catalogue.
The Object Transformed. New York: Museum of Modern Art, 1966. Exhibition catalogue.
The Obsessive Image, 1960–1968. London: Institute of Contemporary Arts, 1968. Exhibition catalogue.
Octavio Paz: Los privilegios de la vista. Mexico City: Centro Cultural/Arte Contemporáneo, 1990. Exhibition catalogue.
O’Doherty, Brian. “Vanity Fair: The New York Art Scene.” Newsweek 65, no. 1 (January 4, 1965), pp. 54–59.
Oeri, Georgine. “The Object of Art.” Quadrum, no. 16 (1964), pp. 4–26.
Off Canvas: Drawing. New York: Acquavella Gallery, 2015. Exhibition catalogue.
Omaggio a Leo Castelli: Da Rauschenberg a Warhol, da Flavin a Judd; 20 artisti a New York negli anni sessanta. Milan: Skira, 1996. Exhibition catalogue.
On Exhibit in the Peale Galleries: James E. Brewton and Robert Rauschenberg. Philadelphia: Pennsylvania Academy of the Fine Arts, 1968. Exhibition brochure.
One Hundred Paintings from the G. David Thompson Collection. New York: Solomon R. Guggenheim Foundation, 1961. Exhibition catalogue.
O’Neill, Joe. “Graphicstudio.” University of South Florida Magazine (Tampa) 33, no. 5 (Summer 1991), pp. 4–7.
Open Ends: 11 Exhibitions of Contemporary Art from 1960 to Now. New York: Museum of Modern Art, 2000. Exhibition brochure.
Open Secrets: Seventy Pictures on Paper 1815 to the Present. San Francisco: Fraenkel Gallery; New York: Matthew Marks Gallery, 1996. Exhibition catalogue.
Options. Milwaukee: E. F. Schmidt Co., 1968. Exhibition catalogue.
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Osaki, Shinichiro. Gravity: Axis of Contemporary Art. Osaka: National Museum of Art, 1997. Exhibition catalogue.
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Painterly Visions, 1940–1984: The Guggenheim Collection and Major Loans. New York: Solomon R. Guggenheim Foundation, 1985. Exhibition brochure.
Painting and Sculpture of a Decade, 54–64. London: Calouste Gulbenkian Foundation, 1964. Exhibition catalogue.
The PaineWebber Art Collection. New York: Rizzoli, 1995. Exhibition catalogue.
Paneque, Guillermo. Entre chien et loup: Works from the Meana Larrucea Collection. Bilbao: Iberdrola; Madrid: TF Editores, 2011. Exhibition catalogue.
Panza: The Legacy of a Collector; 1943 to 1969, 1982 to 1993. Los Angeles: Museum of Contemporary Art, 1999. Exhibition catalogue.
Paris–New York, 1908–1968. Paris: Centre Georges Pompidou; Gallimard, 1991. Exhibition catalogue.
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Partners and Adversaries: The Art of Collaboration. Lincoln, Neb.: Sheldon Museum of Art, 2012. Exhibition catalogue.
Passions privées: Collections particulières d’art moderne et contemporain en France. Paris: Editions des Musées de la Ville de Paris, 1995. Exhibition catalogue.
Pasted Pictures: Collage and Abstraction in the Twentieth Century. New York: Knoedler & Company, 2000. Exhibition brochure.
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Perspectives@25: A Quarter Century of New Art in Houston. Houston: Contemporary Arts Museum Houston, 2004. Exhibition catalogue.
Pharmakon ’90: Contemporary Art Exhibition. Tokyo: Akira Ikeda, 1990. Exhibition catalogue.
Philbin, Ann, and Jack Shear. Drawn from Artists’ Collections. New York: Drawing Center, 1999. Exhibition catalogue.
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Photo Revolution: Andy Warhol to Cindy Sherman. Worcester, Mass.: Worcester Art Museum, 2019. Exhibition catalogue.
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Poetics of Space: Contemporary Photographic Works. Santa Fe, N.M.: Museum of Fine Arts, 1986. Exhibition brochure.
Poetry in Motion. Basel: Galerie Beyeler; Seoul: Gallery Hyundai, 2007. Exhibition catalogue.
Poets and Painters. Denver: Denver Art Museum, 1979. Exhibition catalogue.
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Pop and Op. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2008. Exhibition brochure.
Pop Art. London: Hayward Gallery, 1969. Exhibition brochure.
Pop Art: Contemporary Perspectives. New Haven, Conn.: Yale University Press, 2007. Exhibition catalogue.
Pop Art: The John and Kimiko Powers Collection. New York: Gagosian Gallery, 2001. Exhibition catalogue.
Pop Art: Matthys-Colle Collectio/S.M.A.K.; From Warhol to Panamarenko/Van Warhol tot Panamarenko/De Warhol à Panamarenko. Ghent, Belgium: Stedelijk Museum voor Actuele Kunst, 2021. Exhibition catalogue.
Pop Art: Selections from The Museum of Modern Art. New York: Museum of Modern Art, 1998. Exhibition catalogue.
Pop Art, Nouveau Réalisme, Etc. . . . Brussels: Palais des Beaux-Arts, 1965. Exhibition catalogue.
Pop Art Portraits. New Haven, Conn.: Yale University Press, 2007. Exhibition catalogue.
Pop Classics. Aarhus, Denmark: ARoS Aarhus Kunstmuseum, 2004. Exhibition catalogue.
Pop Forever: Tom Wesselmann. Paris: Gallimard, 2024. Exhibition catalogue.
“Pop Goes the Biennale.” Time 84, no. 1 (July 3, 1964), p. 54.
Pop Impact!: From Johns to Warhol; Selections from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1999. Exhibition catalogue.
Pop on Paper. New York: James Goodman Gallery, 1990. Exhibition catalogue.
Pop Réal. Philadelphia: Locks Gallery, 2016. Exhibition catalogue.
Pop Thru Out. Cheonan, South Korea: Arario Gallery, 2003. Exhibition catalogue.
The Popular Image Exhibition. Washington, D.C.: Washington Gallery of Modern Art, 1963. Exhibition catalogue.
The Popular Image. London: Institute of Contemporary Arts, 1963. Exhibition catalogue.
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Portland Collects: Riches of a City. Portland, Ore.: Portland Art Museum, 2011. Exhibition catalogue.
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Pre/Pop Post/Appropriation. New York: Stux Gallery, 1989. Exhibition catalogue.
Premio nacional e internacional Instituto Torcuato Di Tella, 1964. Buenos Aires: Centro de Artes Visuales del Instituto Torcuato Di Tella, 1964. Exhibition catalogue.
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Preston, Stuart. “Diverse Openings.” New York Times, September 20, 1953, sec. 2, p. 11.
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Preston, Stuart. “Real and Surreal in the Week’s Exhibitions: Dada Revisited.” New York Times, October 25, 1959, sec. 2, p. 23.
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Prints by Five New York Painters. New York: Metropolitan Museum of Art, 1969. Exhibition brochure.
Prints by Nine New York Painters: Jim Dine, Helen Frankenthaler, Jasper Johns, Roy Lichtenstein, Robert Motherwell, Barnett Newman, Robert Rauschenberg, Larry Rivers, James Rosenquist. New York: Metropolitan Museum of Art, 1970. Exhibition brochure.
The Private Eye: Selected Works from Collections of Friends of the Museum of Fine Arts, Houston. Houston: Museum of Fine Arts, 1989. Exhibition catalogue.
Process and Print. Bronxville, N.Y.: Sarah Lawrence College Art Gallery, 1988. Exhibition catalogue.
Proof Positive: Forty Years of Contemporary American Printmaking at ULAE, 1957–1997. Washington, D.C.: Corcoran Gallery of Art, 1997. Exhibition catalogue.
Qualley, Charles. Watermedia Painting. Boulder: Department of Fine Arts, University of Colorado, 1970. Exhibition catalogue.
Quotidiana: Immagini della vita di ogni giorno nell’arte del XX secolo/The Continuity of the Everyday in 20th Century Art. Milan: Charta, 2000. Exhibition catalogue.
Rachel Harrison: G-L-O-R-I-A. Cleveland: Cleveland Art Museum; New Haven, Conn.: Yale University Press, 2015. Exhibition catalogue.
Rachleff, Melissa. Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965. New York: Grey Art Gallery, New York University; Munich: DelMonico/Prestel, 2017. Exhibition catalogue.
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Rattemeyer, Christian. Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection. New York: Museum of Modern Art, 2009. Exhibition catalogue.
Rauschenberg: Tribute 21. Port Arthur, Texas: Museum of the Gulf Coast. 1998. Exhibition brochure.
Rauschenberg, viaggio nel dispendio. Pollenza, Italy: La Nuova Foglio, 1977. Exhibition catalogue.
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REAL(ist) Men: Gallery Guide. Sarasota, Fla.: Ringling School of Art and Design, 2002. Exhibition brochure.
Realtà e visione. Rome: Il Gabbiano Edizioni d’Arte, 1990. Exhibition catalogue.
Recent American Paintings. Austin: University Art Museum, University of Texas, Austin, 1964. Exhibition brochure.
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Rembrandt to Rauschenberg: Building the Collection. Austin, Texas: Jack S. Blanton Museum of Art, 2001. Exhibition brochure.
Rembrandt to Rosenquist: Masters of Printmaking. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 2007. Exhibition catalogue.
Rendezvous: Masterpieces of Modern Art from the Centre Georges Pompidou and the Guggenheim Museums. New York: Solomon R. Guggenheim Foundation, 1998. Exhibition catalogue.
Repetición/Transformación. Madrid: Consorcio para la Organización de Madrid Capital Europea de la Culture, 1992. Exhibition catalogue.
Repetition. New York: Hirschl & Adler Modern, 1989. Exhibition catalogue.
Restany, Pierre. “La XXXII Biennale di Venezia: Biennale della irregolarità/The XXXII Biennial Exhibition in Venice: A Triumph of Irregularity in Art.” Domus, no. 417 (August 1964), pp. 27–42.
Restany, Pierre. “La V Biennale internazionale dell’incisione a Lubiana.” Domus, no. 405 (August 1963), pp. 42, 50.
Restany, Pierre. Le Nouveau Réalisme à Paris et à New York. Paris: Rive Droite, 1960. Exhibition brochure.
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Ricco, John Paul. The Decision Between Us: Art and Ethics in the Time of Scenes. Chicago: University of Chicago Press, 2014.
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Rickey, Carrie. “While Eisenhower Slept.” Village Voice, August 6–12, 1980, pp. 66, 69.
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Ritchie, Charles. Gemini G.E.L.: Recent Prints and Sculptures. Washington, D.C.: National Gallery of Art, 1994. Exhibition catalogue.
Robert Rauschenberg. Miami: Miami Art Museum, 2005. Exhibition brochure.
Robert Rauschenberg: Collagen, Grafiken, Multiples aus der Sammlun Rischner. Graz, Austria: Neue Galerie am Landesmuseum, 1977. Exhibition catalogue.
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Robertson, Bruce. Twentieth-Century American Art: The Ebsworth Collection. Washington, D.C.: National Gallery of Art, 2000. Exhibition catalogue.
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Rolywholyover: A Circus. Los Angeles: Museum of Contemporary Art, 1993. Exhibition catalogue.
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Rosenberg, Susan. Trisha Brown: Choreography as Visual Art. Middletown, Conn.: Wesleyan University Press, 2017.
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Rosenthal, Mark. Artists at Gemini G.E.L.: Celebrating the 25th Year. New York: Harry N. Abrams; Los Angeles: Gemini G.E.L., 1993. Exhibition catalogue.
Rosenthal, Mark. The Robert and Jane Meyerhoff Collection, 1945 to 1995. Washington, D.C.: National Gallery of Art, 1996. Exhibition catalogue.
Rosenthal, Stephanie. Black Paintings. Translated by Büro Sieveking. Munich: Haus der Kunst; Ostfildern, Germany: Hatje Cantz, 2006. Exhibition catalogue.
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“Round Trip to Stockholm.” Art in America 62, no. 1 (January–February 1974), p. 40.
Rowell, Margit. Objects of Desire: The Modern Still Life. New York: Museum of Modern Art, 1997. Exhibition catalogue.
Roy Lichtenstein/Robert Rauschenberg: 38 œuvres gravées de 1965 à 1989. Arles, France: Fondation Vincent Van Gogh, 1990. Exhibition catalogue.
Rubin, David S. It’s Only Rock and Roll: Rock and Roll Currents in Contemporary Art. Munich: Prestel, 1995. Exhibition catalogue.
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Russo, Jillian E. On the Front Lines: Military Veterans at the Art Students League of New York. Buffalo: University at Buffalo Art Galleries, University at Buffalo, State University of New York, 2016. Exhibition brochure.
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Sammlung Hahn: Zeitgenössische Kunst. Cologne: Wallraf-Richartz Museum, 1968. Exhibition catalogue.
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São Paulo 9, United States of America: Edward Hopper/Environment U.S.A., 1957–1967. Washington, D.C.: Smithsonian Institution Press for the National Collection of Fine Arts, 1967. Exhibition catalogue.
Sarasota Biennial 2000. Sarasota, Fla.: John and Mable Ringling Museum of Art, 2000. Exhibition brochure.
Saul, Julie M. Photography in America: 1910–1983. Tampa, Fla.: Tampa Museum, 1983. Exhibition catalogue.
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Schell, Maximilian. Anni und Josef Albers: Eine Retrospektive. Munich: Stuck-Jugendstil-Verein, 1989. Exhibition catalogue.
Schenini, Elio, ed. On the Paths of Enlightenment: The Myth of India in Western Culture, 1808–2017. Milan: Skira, 2017. Exhibition catalogue.
Schimmel, Paul, ed. Destroy the Picture: Painting the Void, 1949–1962. Los Angeles: Museum of Contemporary Art, 2012. Exhibition catalogue.
Schimmel, Paul. Out of Actions: Between Performance and the Object, 1949–1979. Los Angeles: Museum of Contemporary Art; New York: Thames and Hudson, 1998. Exhibition catalogue.
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Schneider, Claire, and Kenneth Wayne. Rembrandt to Rauschenberg: The Norton Print Collection. Buffalo, N.Y.: Albright-Knox Art Gallery, 2000. Exhibition catalogue.
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Schrift en beeld. Amsterdam: Stedelijk Museum; Baden-Baden, Germany: Staatliche Kunsthalle, 1963. Exhibition catalogue.
Schröder, Klaus Albrecht. Pop Art und Minimalismus: The Serial Attitude. Vienna: Albertina, 2004. Exhibition catalogue.
Schröder, Klaus Albrect, and Constanze Malissa, eds. Andy Warhol bis Damien Hirst: The Revolution in Printmaking. Vienna: Albertina Museum Wien, 2023. Exhibition catalogue.
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Schultz Lundestam, Barbro, and Gunnar Lundestam, eds. Party for Öyvind. Stockholm: Schultz, 2021. Exhibition catalogue.
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Schwartz, Constance, and Franklin Perrell. Art After Art. Roslyn Harbor, N.Y.: Nassau County Museum of Art, 1994. Exhibition catalogue.
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Scotti, Roland. Both Light and Grave, Understandable and Mysterious: About Jim Dine’s Hot Dream/52 Books. Göttingen, Germany: Steidl; New York: PaceWildenstein, 2008. Exhibition catalogue.
Scrimmage: Football in American Art from the Civil War to the Present. Eugene: Jordan Schnitzer Museum of Art, University of Oregon, 2015. Exhibition catalogue.
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A Second Talent: Painters and Sculptors Who Are Also Photographers. Ridgefield, Conn.: Aldrich Museum of Contemporary Art, 1985. Exhibition catalogue.
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Seitz, William C. The Art of Assemblage. New York: Museum of Modern Art, 1961. Exhibition catalogue.
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Select Views: Drawings from the Benesch Collection. Baltimore: Baltimore Museum of Art, 2006. Exhibition brochure.
A Selection of 20th Century Art of 3 Generations. New York: Sidney Janis Gallery, 1964. Exhibition catalogue.
A Selective Eye: Paintings and Sculptures from the Collection of Susan Morse Hilles. New Haven, Conn.: Yale University Art Gallery, 1993. Exhibition catalogue.
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Setting the Stage: Contemporary Artists Design for the Performing Arts. Columbus, Ohio: Columbus Museum of Art, 1991. Exhibition catalogue.
Seventieth American Exhibition. Chicago: Art Institute of Chicago, 1972. Exhibition catalogue.
Seventy-Second American Exhibition. Chicago: Art Institute of Chicago, 1976. Exhibition brochure.
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Shaping American Art: A Celebration of the Art Students League of New York at 150. New York: Art Students League of New York, 2025. Exhibition catalogue.
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The Show Is Over. London: Gagosian Gallery, 2013. Exhibition catalogue.
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Six Decades of American Painting of the Twentieth Century. Des Moines, Iowa: Des Moines Art Center, 1961. Exhibition brochure.
Škrjanec, Breda, and Zoran Kržišnik, eds. 22. Mednarodni grafični bienale/22nd International Biennial of Graphic Arts. Ljubljana, Slovenia: MGLC, 1997. Exhibition catalogue.
Skulptur im 20. Jahrhundert. Basel: Werner Druck, 1984. Exhibition catalogue.
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Smith, Michael H. Of No Particular Theme. Pasadena: Baxter Art Gallery, California Institute of Technology, 1982. Exhibition brochure.
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Smith, Roberta. “Report from Washington: The ’50s Revisited, Not Revised.” Art in America 68, no. 9 (November 1980), pp. 47–49, 51.
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Soft Sculpture. Canberra: National Gallery of Australia, 2009. Exhibition catalogue.
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Solomon, Alan. “Robert Rauschenberg” [interview]. In The New York Tapes: Alan Solomon's Interviews for Television, 1965–66, edited by Matthew Simms, pp. 453–73. New York: Circle; Washington, D.C.: Archives of American Art, 2022.
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Some Assembly Required: Collage Culture in Post-War America. Syracuse, N.Y.: Everson Museum of Art, 2003. Exhibition catalogue.
Sonnabend Collection Exhibition. Tokyo: Sezon Museum of Art, 1990. Exhibition catalogue.
Sons et lumières: Une histoire du son dans l’art du XXe siècle. Paris: Centre Pompidou, 2004. Exhibition catalogue.
Sound Light Silence: Art That Performs. Kansas City, Mo.: Nelson Gallery–Atkins Museum, 1966. Exhibition catalogue.
Soundings. Purchase: Neuberger Museum, State University of New York, 1981. Exhibition catalogue.
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The Spirit of Genius: Art at the Wadsworth Atheneum. New York: Hudson Hills; Hartford, Conn.: Wadsworth Atheneum, 1992. Exhibition catalogue.
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Stars in Florida. Fort Lauderdale, Fla.: Fort Lauderdale Museum of Art, 1992. Exhibition catalogue.
“Starting at Zero: Black Mountain College 1933 to 1957.” Artforum 44, no. 3 (November 2005), p. 283.
Starting at Zero: Black Mountain College 1933–57. Bristol: Arnolfini; Cambridge, U.K.: Kettle’s Yard, 2005. Exhibition catalogue.
Stationen der Moderne: Die bedeutenden Kunstausstellungen des 20. Jahrhunderts in Deutschland. Berlin: Nicolai, 1988. Exhibition catalogue.
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Strickland, Carol. “Still Lifes as Different as Apples and Oranges.” Christian Science Monitor, June 5, 1997, p. 10.
String and Rope. New York: Sidney Janis Gallery, 1969. Exhibition brochure.
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Suarez de Jesus, Carlos. “Merce Mania.” Miami New Times, February 21, 2007, p. 50.
Subway Series: The New York Yankees and the American Dream; The New York Mets and Our National Pastime. New York: Zingmagazine Books, 2004. Exhibition brochure.
Summer of Love: Art of the Psychedelic Era. London: Tate, 2007. Exhibition catalogue.
Sundell, Margaret, ed. From Pop to Now: Selections from the Sonnabend Collection. Saratoga Springs, N.Y.: Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2002. Exhibition catalogue.
Sundell, Nina. American Pop Art and the Culture of the Sixties. Cleveland: New Gallery of Contemporary Art, 1976. Exhibition brochure.
Sundell, Nina. The Sense of the Self: From Self-Portrait to Autobiography. Washington, D.C.: Independent Curators Inc., 1978. Exhibition catalogue.
Sures, Lynn, and Michelle Samour. Radical Paper: Art and Invention with Colored Pulp. Ann Arbor, Mich.: Legacy, 2024.
Surrealist Intrusion in the Enchanters’ Domain. New York: D’Arcy Galleries, 1960. Exhibition catalogue.
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“The Talk of the Town: Artists for Artists.” New Yorker 39, no. 3 (March 9, 1963), pp. 32–34.
“The Talk of the Town: Philanthropy.” New Yorker 35, no. 51 (February 6, 1960), p. 33.
Tancock, John L. Multiples: The First Decade. Philadelphia: Philadelphia Museum of Art, 1971. Exhibition catalogue.
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Teknologi för Livet: Om Experiments in Art and Technology. Stockholm: Schultz, 2004.
Television’s Impact on Contemporary Art. Flushing, N.Y.: Queens County Art and Cultural Center, 1986. Exhibition catalogue.
Temin, Christine. “Top-Notch Art That Happened by Chance.” Boston Globe, March 9, 1994, “Living/Arts” sec., pp. 61, 65.
Temkin, Ann. Color Chart: Reinventing Color, 1950 to Today. New York: Museum of Modern Art, 2008. Exhibition catalogue.
Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection. New York: Museum of Modern Art, 2005. Exhibition catalogue.
Temkin, Ann, and Claire Lehmann. Ileana Sonnabend: Ambassador for the New. New York: Museum of Modern Art, 2013. Exhibition catalogue.
Temporal Values: Von Minimal zu Video. Karlsruhe, Germany: Städtische Galerie and Zentrum für Kunst und Medientechnologie Karlsruhe, 2003. Exhibition brochure.
Terbell, Melinda. “Los Angeles.” Arts Magazine (New York) 45, no. 1 (September–October 1970), pp. 53–54.
Terre des Hommes: Exposition internationale des Beaux-arts/Man and His World: International Fine Arts Exhibition; Expo 67, Montreal Canada. Ottawa: National Gallery of Canada, 1967. Exhibition catalogue.
Then and Now: Art Since 1945 at Yale. New Haven, Conn.: Yale University Art Gallery, 1998. Exhibition catalogue.
This Is Not a Photograph: Twenty Years of Large-Scale Photography 1966–1986. Sarasota, Fla.: John and Mable Ringling Museum of Art, 1987. Exhibition catalogue.
Thompson, Mimi. Doble mirada a españa: Las fotografías españolas de Josef Albers y Robert Rauschenberg. Madrid: Galería Cayón, 2013. Exhibition catalogue.
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Three Centuries of American Painting. New York: Metropolitan Museum of Art, 1965. Exhibition brochure.
Three Decades of Contemporary Art: The Dr. John and Rose M. Shuey Collection. Bloomfield Hills, Mich.: Cranbrook Art Museum, 2001. Exhibition catalogue.
Three Sides to a Sheet of Paper. Chapel Hill: Ackland Art Museum, University of North Carolina, 2005. Exhibition catalogue.
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Timár, Katalin. Ludwig Goes Pop and The East Side Story. Budapest: Nemzeti Kulturális Alap, 2015. Exhibition catalogue.
Time for Pop Art. Tampere, Finland: Tampereen Taidemuseo, 2008. Exhibition catalogue.
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Toward the Future: Special Exhibition for the 60th Anniversary of the Hiroshima Bombing; Through the Eyes of the Artists Awarded the Hiroshima Art Prize. Hiroshima: Hiroshima City Museum of Contemporary Art, 2005. Exhibition catalogue.
A Tradition Established 1940–1970: Selections from the Permanent Collection of the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1981. Exhibition brochure.
Tradition of the New: Postwar Masterpieces from the Guggenheim Collection. New York: Solomon R. Guggenheim Foundation, 1994. Exhibition brochure.
A Tribute to Leo Castelli. London: Mayor Gallery, 1985. Exhibition catalogue.
Trisha Brown: Drawing on Land and Air. Tampa: University of South Florida Contemporary Art Museum, 2007. Exhibition brochure.
Trouble Spot: Painting. Antwerp, Belgium: New International Cultural Centre; Museum van Hedendaagse Kunst Antwerpen, 1999. Exhibition catalogue.
True Colors: Meditations on the American Spirit. Washington, D.C.: Meridian International Center, 2002. Exhibition catalogue.
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Tuchman, Maurice. A Report on the Art and Technology Program of the Los Angeles County Museum of Art, 1967–1971. Los Angeles: Los Angeles County Museum of Art, 1971.
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Twelve Americans: Masters of Collage. New York: Andrew Crispo Gallery, 1977. Exhibition catalogue.
Twentieth-Century American Drawing: Three Avant-Garde Generations. New York: Solomon R. Guggenheim Foundation, 1976. Exhibition catalogue.
Twenty-Five Years of American Painting: 1948–1973. Des Moines, Iowa: Des Moines Art Center, 1973. Exhibition catalogue.
The Twenty-Ninth Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1965. Exhibition brochure.
Twenty-Sixth Biennial Exhibition of Contemporary American Painting. Washington, D.C.: Corcoran Gallery of Art, 1959. Exhibition brochure.
Two Decades of American Painting. Melbourne, Australia: National Gallery of Victoria, 1967. Exhibition catalogue.
Tyler, Ron, ed. The Art of Texas: 250 Years. Fort Worth: Texas Christian University Press, 2019. Exhibition catalogue.
Übrigens sterben immer die anderen: Marcel Duchamp und die Avantgarde seit 1950. Cologne: Museum Ludwig, 1988. Exhibition catalogue.
Un siècle de collage en Belgique/Een eeuw collage in België. La Louvière, Belgium: Centre de la Gravure et de l’Image Imprimée de la Communauté Français de Belgique, 1998. Exhibition catalogue.
Un’avventura internazionale: Torino e le arti 1950–1970. Milan: Charta, 1993. Exhibition catalogue.
Under Development: Dreaming the MCA’s Collection. Chicago: Museum of Contemporary Art Chicago, 1994. Exhibition brochure.
Under Pressure: Western Printmaking from the 15th Century to the Present. Vero Beach, Fla.: Center for the Arts, 1989. Exhibition catalogue.
United Kingdom/United States. London: Waddington Galleries, 2002. Exhibition catalogue.
Universal Limited Art Editions: A Tribute to Tatyana Grosman; Selections from the Permanent Collection. New York: Whitney Museum of American Art, 1982. Exhibition brochure.
A University Collects: Paintings from the New York University Art Collection. New York: American Federation of Arts, 1965. Exhibition catalogue.
Unromantic Agony. Houston: Art Department of the University of St. Thomas, 1965. Exhibition catalogue.
Untitled 5: Quarterly of the Friends of Photography. Carmel, Calif.: Friends of Photography, 1973. Exhibition catalogue.
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“Vancouver: A Conversation Between Robert Rauschenberg and Arthur Perry.” Artmagazine (Toronto) 10, no. 41 (November–December 1978), pp. 31–35.
Vanguard American Painting. London: Cultural Affairs Office of the American Embassy, 1962. Exhibition brochure.
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Vaughan, David. Merce Cunningham: Fifty Years. Edited by Melissa Harris. New York: Aperture, 1997.
Vertical Thoughts: Morton Feldman and the Visual Arts. Dublin: Irish Museum of Modern Art, 2010. Exhibition catalogue.
Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans. New York: Guggenheim, 1988. Exhibition brochure.
Villars, Chris, ed. Morton Feldman Says: Selected Interviews and Lectures 1964–1987. London: Hyphen, 2006.
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The Virginia and Bagley Wright Collection. Seattle: Seattle Art Museum; University of Washington Press, 1999. Exhibition catalogue.
Virginia Dwan Collection. Los Angeles: UCLA Art Galleries, 1965. Exhibition catalogue.
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W il cinema: Omaggio ai primi 100 anni del cinema. Rome: Galleria d’Arte il Gabbiano, 1995. Exhibition catalogue.
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Walker Evans & Company. New York: Museum of Modern Art, 2000. Exhibition catalogue.
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Watercolor Worlds. New York: Dorsky Gallery, 2004. Exhibition brochure.
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Weatherspoon Art Museum: 70 Years of Collecting. Greensboro: Weatherspoon Art Museum, University of North Carolina, 2011. Exhibition catalogue.
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Weintraub, Linda. The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists. Annadale-on-Hudson, N.Y.: Bard College Center, 1982. Exhibition catalogue.
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Weiss auf Weiss. Bern, Switzerland: Kunsthalle Bern, 1966. Exhibition catalogue.
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